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Imperial Examinations In Chinese Mythology
The imperial examination was a civil service examination system in Imperial China designed to select the best potential candidates to serve as administrative officials, for the purpose of recruiting them for the state's bureaucracy. With the avowed purpose of testing and selecting candidates for merit, the examination system markedly influenced various aspects of society and culture in Imperial China, including Chinese mythology. The imperial civil service examinations were designed as objective measures to evaluate the educational attainment and merit of the examinees, as part of the process by which to make selections and appointments to various offices within the structure of the government of the Chinese empire, or, sometimes, during periods of Chinese national disunion, of offices within the various states. During more recent historical times, successful candidates could receive the jinshi (chin-shih), and other degrees, generally followed by assignment to specific offices, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Hero
A culture hero is a mythological hero specific to some group (cultural, ethnic, religious, etc.) who changes the world through invention or discovery. Although many culture heroes help with the creation of the world, most culture heroes are important because of their effect on the world after creation. A typical culture hero might be credited as the discoverer of fire, agriculture, songs, tradition, law, or religion, and is usually the most important legendary figure of a people, sometimes as the founder of its ruling dynasty. Culture heroes in mythology History of a culture hero The term "culture hero" was originated by historian Kurt Breysig, who used the German word ''heilbringer,'' which translates to ''savior''. Over the years, "culture hero" has been interpreted in many ways. Older interpretations by Breysig, Paul Ehrenreich, and Wilhelm Schmidt thought that the journeys of culture heroes were ways in which humans could attempt to understand things in nature, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nüwa
Nüwa, also read Nügua, is a mother goddess, culture hero, and/or member of the Three Sovereigns of Chinese mythology. She is a goddess in Chinese folk religion, Chinese Buddhism, Confucianism and Taoism. She is credited with creating humanity and repairing the Pillar of Heaven. As creator of mankind, she molded humans individually by hand with yellow clay. In other stories where she fulfills this role, she only created nobles and/or the rich out of yellow soil. The stories vary on the other details about humanity's creation, but it was a tradition commonly believed in ancient China that she created commoners from brown mud. A story holds that she was tired when she created "the rich and the noble", so all others, or "cord-made people", were created from her "dragg nga string through mud". In the ''Huainanzi'', there is a description of a great battle between deities that broke the pillars supporting Heaven and caused great devastation. There was great flooding, and Heaven h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Investiture Of The Gods
''The Investiture of the Gods'', also known by its Chinese titles () and is a 16th-century Chinese novel and one of the major Written vernacular Chinese, vernacular Chinese works in the gods and demons (''shenmo'') genre written during the Ming dynasty (1368–1644). Consisting of 100 chapters, it was first published in book form between 1567 and 1619. Another source claims it was published in a finalized edition in 1605. The work combines elements of history, folklore, mythology, legends and fantasy.Chew, Katherine Liang (2002). ''Tales of the Teahouse Retold: Investiture of the Gods''. Page XI. . The story is set in the era of the decline of the Shang dynasty (1600–1046 BC) and the rise of the Zhou dynasty (1046–256 BC). It intertwines numerous elements of Chinese mythology, Chinese folk religion, Chinese Buddhism, Confucianism, and Taoism, including deities, demons, immortals and spirits. The authorship is attributed to Xu Zhonglin (novelist), Xu Zhonglin. Pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houji
Hou Ji (or Houji; ) was a legendary Chinese culture hero credited with introducing millet to humanity during the time of the Xia dynasty.. Millet was the original staple grain of northern China, prior to the introduction of wheat. His name translates as Lord of Millet and was a title granted to him by Emperor Shun, according to Records of the Grand Historian. Houji was credited with developing the philosophy of Agriculturalism and with service during the Great Flood in the reign of Yao; he was also claimed as an ancestor of the Ji clan that became the ruling family of the Zhou dynasty or a founder of the Zhou. After the Zhou dynasty, ancient Chinese historians, folklorists, and religious practitioners had a variety of opinions on Hou Ji, including the opinion that he became deified as the god Shennong after his death. History Hou Ji's original name was Qi (), meaning "abandoned". Two separate versions of his origin were common. In one version of Chinese mythology, he was s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiang Yuan
Jiang Yuan () is an important figure in Chinese mythology and history. She is recorded as having lived during ancient Chinese history. Jiang Yuan was the mother of Houji, who is a culture hero and revered as the god of millet. Clan name and title Jiang Yuan's personal name was not recorded. During the Spring and Autumn period, women were not called by personal names (名 ''míng'') and even seemingly did not have such names, which could be considered taboo (諱 ''huì'') to those of inferior status. Instead, Jiang is her clan name. Yuan does not seem to be a lineage name: instead, it seems to be a title signifying "origin" or "source", in reference to her role as the mother of Houji, whom is claimed as an ancestor of the royal Ji family of the Zhou dynasty. Mythological biography Jiang Yuan was the mother of Qi (also known as Houji), credited in Chinese mythology with founding the Ji clan who went on to establish the Zhou dynasty. She was said historically to have been a consort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oracle Bones
Oracle bones are pieces of ox scapula and turtle plastron which were used in pyromancya form of divinationduring the Late Shang period () in ancient China. '' Scapulimancy'' is the specific term if ox scapulae were used for the divination, ''plastromancy'' if turtle plastrons were used. A recent count estimated that there were about 13,000 bones with a total of a little over 130,000 inscriptions in collections in China and some fourteen other countries. Diviners would submit questions to deities regarding weather, crop planting, the fortunes of members of the royal family, military endeavors, and similar topics. These questions were carved onto the bone or shell in oracle bone script using a sharp tool. Intense heat was then applied with a metal rod until the bone or shell cracked due to thermal expansion. The diviner would then interpret the pattern of cracks and write the prognostication upon the piece as well. Pyromancy with bones continued in China into the Zhou dynasty, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhou Dynasty
The Zhou dynasty ( ) was a royal dynasty of China that existed for 789 years from until 256 BC, the longest span of any dynasty in Chinese history. During the Western Zhou period (771 BC), the royal house, surnamed Ji, had military control over territories centered on the Wei River valley and North China Plain. Even as Zhou suzerainty became increasingly ceremonial over the following Eastern Zhou period (771–256 BC), the political system created by the Zhou royal house survived in some form for several additional centuries. A date of 1046 BC for the Zhou's establishment is supported by the Xia–Shang–Zhou Chronology Project and David Pankenier, but David Nivison and Edward L. Shaughnessy date the establishment to 1045 BC. The latter Eastern Zhou period is itself roughly subdivided into two parts. During the Spring and Autumn period (), power became increasingly decentralized as the authority of the royal house diminished. The Warring States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confucius
Confucius (; pinyin: ; ; ), born Kong Qiu (), was a Chinese philosopher of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. Much of the shared cultural heritage of the Sinosphere originates in the philosophy and teachings of Confucius. His philosophical teachings, called Confucianism, emphasized personal and governmental morality, harmonious social relationships, righteousness, kindness, sincerity, and a ruler's responsibilities to lead by virtue. Confucius considered himself a transmitter for the values of Ancient China, earlier periods which he claimed had been abandoned in his time. He advocated for filial piety, endorsing strong family loyalty, Ancestor veneration in China, ancestor veneration, the respect of elders by their children and of husbands by their wives. Confucius recommended a robust family unit as the cornerstone for an ideal government. He championed the Silver Rule, or a negative form of the Golden Rule, advising, "Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Of Poetry
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BC. It is one of the " Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of '' chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' ('' shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han dynasty's official adoption of Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Bureau
The Music Bureau (Traditional Chinese character, Traditional Chinese: 樂府; Simplified Chinese character, Simplified Chinese: 乐府; Pinyin, Hanyu Pinyin: ''yuèfǔ'', and sometimes known as the "Imperial Music Bureau") served in the capacity of an organ of various imperial government bureaucracies of China: discontinuously and in various incarnations, the Music Bureau was charged directly, by the emperor (or other monarchical ruler), or indirectly, through the royal (or imperial) government to perform various tasks related to music, poetry, entertainment, or religious worship. These tasks included both musical and lyrical research and development, and also directing performances. The existence of a Music Bureau was typical of various Chinese dynasties, though the Music Bureau's prominence and influence may have peaked during the reign of Han dynasty emperor Emperor Wu of Han, Wu, who was especially interested in such activities and engaged himself accordingly. The mission of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Folk Religion
Chinese folk religion comprises a range of traditional religious practices of Han Chinese, including the Chinese diaspora. This includes the veneration of ''Shen (Chinese folk religion), shen'' ('spirits') and Chinese ancestor worship, ancestors, and worship devoted to Chinese deities and immortals, deities and immortals, who can be deities of places or natural phenomena, of human behaviour, or progenitors of Chinese kin, family lineages. Stories surrounding these gods form a loose canon of Chinese mythology. By the Song dynasty (960–1279), these practices had been Religious syncretism, blended with Buddhist, Confucian, and Taoist teachings to form the popular religious system which has lasted in many ways until the present day. The government of China, government of modern China generally tolerates popular religious organizations, but has suppressed or persecuted those that they fear would undermine social stability. After the fall of the Qing dynasty in 1911, governments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
