Hiragasy
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Hiragasy
Hiragasy or hira gasy (''hira'': song; ''gasy'': Malagasy) is a musical tradition in Madagascar, particularly among the Merina ethnic group of the Highland regions around the capital of Antananarivo. It is a day-long spectacle of music, dance, and '' kabary'' oratory performed by a troupe (typically related by blood or marriage and of rural origin) or as a competition between two troupes. Origins and history The tradition in its contemporary form began in the late 18th century when Merina prince Andrianampoinimerina first used musicians to draw a crowd for his political speeches ('' kabary''); these troupes became independent, and began to incorporate political commentary and critique in their performances. The audience plays an active role at hiragasy events, expressing their satisfaction with the talent of the troupe members and the message they proclaim through applause, cheers or sounds of disapproval. Hiragasy troupes were used during the French colonial administration to ...
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Ramilison Besigara
Ramilison Besigara (Ramilison "Mr. Many-Cigarettes"), also known as Dadamily Besigara, was a ''hiragasy'' troupe leader from Fenoarivo in the central highlands of Madagascar. His troupe, Tarika Ramilison Fenoarivo, featured his daughter, Perline, as a singer and dancer. Over two dozen singers, dancers and traditional musicians performed in the troupe. Tarika Ramilison Fenoarivo was in high demand to perform at '' famadihana'' reburial ceremonies and other traditional events in the highlands. In addition to founding and leading his celebrated hiragasy troupe, in 2007 Ramilison co-founded the League of Madagascar, an association focused on popular education through the medium of the hiragasy, performing educational songs on such themes as health, environmental protection, birth control, and good governance. He served as President of the Confederation of Hiragasy Artists (FIMPIMAMAD), which organized and united several thousand hiragasy artists to lobby government for the promotion of ...
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Music Of Madagascar
The highly diverse and distinctive music of Madagascar has been shaped by the musical traditions of Southeast Asia, Africa, Oceania, Arabia, England, France and the United States over time as indigenous people, immigrants, and colonists have made the island their home. Traditional instruments reflect these widespread origins: the and owe their existence to the introduction of the guitar by early Arab or European seafarers, the ubiquitous originated in mainland Africa and the —the bamboo tube zither considered the national instrument of Madagascar—directly evolved from an earlier form of zither carried with the first Austronesian settlers on their outrigger canoes. Malagasy music can be roughly divided into three categories: traditional, contemporary and popular music. Traditional musical styles vary by region and reflect local ethnographic history. For instance, in the Highlands, the and more subdued vocal styles are emblematic of the Merina, the predominantly Austron ...
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Malagasy Culture
The culture of Madagascar reflects the origins of the people Malagasy people in Southeast Asia, East Africa and Oceania. The influence of Arabs, Indians, British, French and Chinese settlers is also evident. The most emblematic instrument of Madagascar, the ''valiha'', is a bamboo tube zither carried to the island by early settlers from South Kalimantan, southern Borneo, and is very similar in form to those found in Music of Indonesia, Indonesia and the Music of the Philippines, Philippines today. Traditional Architecture of Madagascar, houses in Madagascar are likewise similar to those of southern Borneo in terms of symbolism and construction, featuring a rectangular layout with a peaked roof and central support pillar. Reflecting a widespread veneration of the ancestors, tombs are culturally significant in many regions and tend to be built of more durable material, typically stone, and display more elaborate decoration than the houses of the living.Acquier (1997), pp. 143– ...
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Malagasy Music
The highly diverse and distinctive music of Madagascar has been shaped by the musical traditions of Southeast Asia, Africa, Oceania, Arabia, England, France and the United States over time as indigenous people, immigrants, and colonists have made the island their home. Traditional instruments reflect these widespread origins: the and owe their existence to the introduction of the guitar by early Arab or European seafarers, the ubiquitous originated in mainland Africa and the —the bamboo tube zither considered the national instrument of Madagascar—directly evolved from an earlier form of zither carried with the first Austronesian settlers on their outrigger canoes. Malagasy music can be roughly divided into three categories: traditional, contemporary and popular music. Traditional musical styles vary by region and reflect local ethnographic history. For instance, in the Highlands, the and more subdued vocal styles are emblematic of the Merina, the predominantly Austron ...
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Lamba (garment)
A lamba is the traditional garment worn by men and women that live in Madagascar. The textile, highly emblematic of Malagasy culture, consists of a rectangular length of cloth wrapped around the body. Traditional lambas used for burial were often made of silk and cow hides while those for daily wear were more often made of raffia, pig skin, cotton or bast. They could range in color from a tie-dyed mess or solid white cloth, to striped red, white and black cloth found in most parts of the island, the geometric patterns in unique shades of green and brown produced by a handful of Sakalava villages, or the brilliantly multi-colored, complex weaves favored by the pre-colonial Merina aristocracy. Today, it is common to find printed cotton or rayon lambas produced in India for the Malagasy market in addition to those fabricated locally.Green, R.L. (2003). Lamba hoany: proverb cloths from Madagascar. ''Africa Arts, 36''(22), pp. 30–46. Besides its daily use as basic clothing, the l ...
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Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ...
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African Dances
African or Africans may refer to: * Anything from or pertaining to the continent of Africa: ** People who are native to Africa, descendants of natives of Africa, or individuals who trace their ancestry to indigenous inhabitants of Africa *** Ethnic groups of Africa *** Demographics of Africa *** African diaspora ** African, an adjective referring to something of, from, or related to the African Union ** Citizenship of the African Union ** Demographics of the African Union **Africanfuturism ** African art ** *** African jazz (other) ** African cuisine ** African culture ** African languages ** African music ** African Union ** African lion, a lion population in Africa Books and radio * ''The African'' (essay), a story by French author J. M. G. Le Clézio * ''The African'' (Conton novel), a novel by William Farquhar Conton * ''The African'' (Courlander novel), a novel by Harold Courlander * ''The Africans'' (radio program) Music * "African", a song by Peter T ...
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Ohabolana
Hainteny (pronounced , Malagasy for "knowledge of words") is a traditional form of Malagasy oral literature and poetry, involving heavy use of metaphor. It is associated primarily with the Merina people of Madagascar. In its use of metaphor and allusion it resembles another type of poetry, the Malay pantun, and Fox suggests "it seems likely the Merina brought with them a Malayo-Polynesian poetic tradition" to Madagascar. The Ibonia, an epic poem related for centuries in different versions across Madagascar, reflects the value placed on the linguistic skills celebrated in the hainteny tradition, and offers insight into the diverse mythologies and beliefs of traditional Malagasy communities. Collections of hainteny were first gathered in print form on the orders of Queen Ranavalona I in the 19th century. The French writer Jean Paulhan, who stayed in Madagascar from 1908 to 1910, made an intensive study of the hainteny and published a book of translations in 1913. Hainteny often ...
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Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ...
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Kabosy
The kabosy is a box-shaped wooden guitar commonly played in music of Madagascar. It has four to six strings and is commonly thought to be a direct descendant of the Arabic oud. The kabosy has staggered frets, many of which do not even cross the entire fretboard, and is generally tuned to an open chord In music for stringed instruments, especially guitar, an open chord (open-position chord) is a chord that includes one or more strings that are not fingered. An open string vibrates freely, whereas a fingered string will be partially dampened u .... A kabosy-like instrument with standard frets is known as a ''mandalina'' or ''mandoliny''. Kabosys are frequently handmade from scavenged materials, and their form varies greatly depending on the builder and materials available. Kabosys may be strung with nylon (often used fishing line) or steel (often from scrap wire or cable). References {{reflist External linksDanny Carnahan. '' Guitar Masters of Madagascar''
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Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ...
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