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Horse-laugh
Appeal to ridicule (also called appeal to mockery, ''ad absurdo'', or the horse laugh) is an informal fallacy which presents an opponent's argument as absurd, ridiculous, or humorous, and therefore not worthy of serious consideration. Description Appeal to ridicule is often found in the form of comparing a multi-layered circumstance or argument to a laughably commonplace event or to another irrelevant thing based on comedic timing, or wordplay. This is a rhetorical tactic that mocks an opponent's argument or position, attempting to inspire a strong emotional reaction (making it a type of appeal to emotion) in the audience and to highlight any counter-intuitive aspects of that argument, making it appear foolish and contrary to common sense. This is typically done by mocking the argument's representative foundation in an uncharitable and oversimplified way. The person using the tactic is often sarcastic in their argument. Examples This dialogue presents an example of appeal ...
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Informal Fallacy
Informal fallacies are a type of incorrect argument in natural language. The source of the error is not just due to the ''form'' of the argument, as is the case for formal fallacies, but can also be due to their ''content'' and ''context''. Fallacies, despite being incorrect, usually ''appear'' to be correct and thereby can seduce people into accepting and using them. These misleading appearances are often connected to various aspects of natural language, such as ambiguous or vague expressions, or the assumption of implicit premises instead of making them explicit. Traditionally, a great number of informal fallacies have been identified, including the fallacy of equivocation, the fallacy of amphiboly, the Fallacy of composition, fallacies of composition and Fallacy of division, division, the false dilemma, the fallacy of begging the question, the ad hominem fallacy and the appeal to ignorance. There is no general agreement as to how the various fallacies are to be grouped into cate ...
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Absurdity
Absurdity is the state or condition of being unreasonable, meaningless, or so unsound as to be irrational. "Absurd" is the adjective used to describe absurdity, e.g., "Tyler and the boys laughed at the absurd situation." It derives from the Latin ''absurdum'' meaning "out of tune". The Latin ''surdus'' means "deaf", implying stupidity. Absurdity is contrasted with being realistic or reasonable In general usage, absurdity may be synonymous with nonsense, meaninglessness, fancifulness, foolishness, bizarreness, wildness. In specialized usage, absurdity is related to extremes in bad reasoning or pointlessness in reasoning; ridiculousness is related to extremes of incongruous juxtaposition, laughter, and ridicule; and nonsense is related to a lack of meaningfulness. Absurdism is a concept in philosophy related to the notion of absurdity. Philosophy Ancient Greece The Classical Greek philosopher Plato often used "absurdity" to describe very poor reasoning, or the conclusion fro ...
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Ridiculous
To be ridiculous is to be something highly incongruous or inferior, sometimes deliberately so to make people laugh or get their attention, and sometimes unintendedly so as to be considered laughable and earn or provoke ridicule and derision. It comes from the 1540s Latin "ridiculosus" meaning "laughable", from "ridiculus" meaning "that which excites laughter", and from "ridere" meaning "to laugh". "Ridiculous" is an adjective describing "the ridiculous". In common usage, "ridiculousness" is used as a synonym for absurdity or nonsense. From a historical and technical viewpoint, "absurdity" is associated with argumentation and reasoning, "nonsense" with semantics and meaning, while "ridiculous" is most associated with laughter, superiority, deformity, and incongruity. ''Reductio ad absurdum'' is a valid method of argument, while '' reductio ad ridiculum'' is invalid. Argument by invective declaration of ridiculous is invalid, while arguments involving declarations of nonsense m ...
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Humorous
Humour (Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement. The term derives from the humoral medicine of the ancient Greeks, which taught that the balance of fluids in the human body, known as "humours" (Latin: ', "body fluid"), controlled human health and emotion. People of all ages and cultures respond to humour. Most people are able to experience humour—be amused, smile or laugh at something funny (such as a pun or joke)—and thus are considered to have a ''sense of humour''. The hypothetical person lacking a sense of humour would likely find the behaviour to be inexplicable, strange, or even irrational. Though ultimately decided by subjective personal taste, the extent to which a person finds something humorous depends on a host of variables, including geographical location, culture, maturity, level of education, intelligence and context. For example, young children may favour slapstick such as P ...
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Wordplay
Word play or wordplay (also: play-on-words) is a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or amusement. Examples of word play include puns, phonetic mix-ups such as spoonerisms, obscure words and meanings, clever rhetorical excursions, oddly formed sentences, double entendres, and telling character names (such as in the play '' The Importance of Being Earnest'', ''Ernest'' being a given name that sounds exactly like the adjective ''earnest''). Word play is quite common in oral cultures as a method of reinforcing meaning. Examples of text-based ( orthographic) word play are found in languages with or without alphabet-based scripts, such as homophonic puns in Mandarin Chinese. Techniques ; Tom Swifties: A form of humorous writing where adverbs are chosen to reflect the nature of the situation in a punning way. "Hurry up and get to the back of the ship", Tom said sternly. ;Welle ...
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Appeal To Emotion
Appeal to emotion or ''argumentum ad passiones'' (meaning the same in Latin) is an informal fallacy characterized by the psychological manipulation, manipulation of the recipient's emotions in order to win an argument, especially in the absence of factual evidence. This kind of appeal to emotion is irrelevant to or distracting from the facts of the argument (a so-called "red herring") and encompasses several logical fallacies, including appeal to consequences, appeal to fear, appeal to flattery, appeal to pity, appeal to ridicule, appeal to spite, and wishful thinking. Appeal to emotion is an application of social psychology. It is only fallacious when the emotions that are elicited are irrelevant to evaluating the truth of the conclusion and serve to distract from rational consideration of relevant premises or information. For instance, if a student says "If I get a failing grade for this paper I will lose my scholarship. It's not plagiarized." the emotions elicited by the first st ...
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Counter-intuitive
A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true or apparently true premises, leads to a seemingly self-contradictory or a logically unacceptable conclusion. A paradox usually involves contradictory-yet-interrelated elements that exist simultaneously and persist over time. They result in "persistent contradiction between interdependent elements" leading to a lasting "unity of opposites". In logic, many paradoxes exist that are known to be invalid arguments, yet are nevertheless valuable in promoting critical thinking, while other paradoxes have revealed errors in definitions that were assumed to be rigorous, and have caused axioms of mathematics and logic to be re-examined. One example is Russell's paradox, which questions whether a "list of all lists that do not contain themselves" would include itself and showed that attempts to found set theory on ...
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Common Sense
Common sense () is "knowledge, judgement, and taste which is more or less universal and which is held more or less without reflection or argument". As such, it is often considered to represent the basic level of sound practical judgement or knowledge of basic facts that any adult human being ought to possess. It is "common" in the sense of being shared by nearly all people. Relevant terms from other languages used in such discussions include the aforementioned Latin, itself translating Ancient Greek ('), and French '. However, these are not straightforward translations in all contexts, and in English different shades of meaning have developed. In philosophical and scientific contexts, since the Age of Enlightenment the term "common sense" has been used for rhetorical effect both approvingly and disapprovingly. On the one hand it has been a standard for good taste, good sense, and source of scientific and logical axioms. On the other hand it has been equated to conventional wisdom ...
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Principle Of Charity
In philosophy and rhetoric, the principle of charity or charitable interpretation requires interpreting a speaker's statements in the most rational way possible and, in the case of any argument, considering its best, strongest possible interpretation. In its narrowest sense, the goal of this methodological principle is to avoid attributing irrationality, logical fallacies, or falsehoods to the others' statements, when a coherent, rational interpretation of the statements is available. According to Simon Blackburn, "it constrains the interpreter to maximize the truth or rationality in the subject's sayings." Application Neil L. Wilson gave the principle its name in 1958–59. Its main area of application, by his lights, is determining the referent of a proper name:How should we set about discovering the significance which a person attaches to a given name? […] Let us suppose that somebody (whom I am calling "Charles") makes just the following five assertions containing the name "Ca ...
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Anne Elk's Theory On Brontosauruses
"Anne Elk's Theory on Brontosauruses" is a sketch from Episode 31 of ''Monty Python's Flying Circus'', " The All-England Summarize Proust Competition" (1972). The sketch features a television presenter (Graham Chapman) interviewing paleontologist Anne Elk (John Cleese in drag). The plot of the sketch is that Miss Elk (who is very concerned about being properly credited: "A. Elk, brackets, Miss, brackets") has severe difficulty presenting her new theory about brontosauruses due to her bizarre mannerisms, which include circumlocution, repetition, and obnoxious, noisy throat-clearing. When she is finally able to state her theory, it turns out to be a very trite observation that "All brontosauruses are thin at one end, much, much thicker in the middle, and then thin again at the far end." In the original broadcast version, the sketch is taken over by other jokes from within the same episode, and spills over into the set of a previous sketch where Miss Elk concludes the episode with ...
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Mockery
Mockery or mocking is the act of insulting or making light of a person or other thing, sometimes merely by taunting, but often by making a caricature, purporting to engage in imitation in a way that highlights unflattering characteristics. Mockery can be done in a lighthearted and gentle way, but can also be cruel and hateful, such that it "conjures images of corrosion, deliberate degradation, even subversion; thus, 'to laugh at in contempt, to make sport of' (OED)". Mockery appears to be unique to humans, and serves a number of psychological functions, such as reducing the perceived imbalance of power between authority figures and common people. Examples of mockery can be found in literature and the arts. Etymology and function The root word ''mock'' traces to the Old French ''mocquer'' (later ''moquer''), meaning to scoff at, laugh at, deride, or fool, although the origin of ''mocquer'' is itself unknown. Labeling a person or thing as a mockery may also be used to imply that i ...
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Reductio Ad Absurdum
In logic, (Latin for "reduction to absurdity"), also known as (Latin for "argument to absurdity") or ''apagogical argument'', is the form of argument that attempts to establish a claim by showing that the opposite scenario would lead to absurdity or contradiction. This argument form traces back to Ancient Greek philosophy and has been used throughout history in both formal mathematical and philosophical reasoning, as well as in debate. In mathematics, the technique is called ''proof by contradiction''. In formal logic, this technique is captured by an axiom for "Reductio ad Absurdum", normally given the abbreviation RAA, which is expressible in propositional logic. This axiom is the introduction rule for negation (see ''negation introduction''). Examples The "absurd" conclusion of a ''reductio ad absurdum'' argument can take a range of forms, as these examples show: * The Earth cannot be flat; otherwise, since the Earth is assumed to be finite in extent, we would find peo ...
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