Honden
In Shinto shrine architecture, the , also called , or sometimes as in Ise Shrine's case, is the most sacred building at a Shinto shrine, intended purely for the use of the enshrined ''kami'', usually symbolized by a mirror or sometimes by a statue.JAANUS The building is normally in the rear of the shrine and closed to the general public. In front of it usually stands the ''Haiden (Shinto), haiden'', or Oratory (worship), oratory. The ''haiden'' is often connected to the ''honden'' by a ''Heiden (Shinto), heiden'', or hall of offerings. Physically, the ''honden'' is the heart of the shrine complex, connected to the rest of the shrine but usually raised above it, and protected from public access by a fence called ''tamagaki''. It usually is relatively small and with a gabled roof. Its doors are usually kept closed, except at matsuri, religious festivals. Kannushi, Shinto priests themselves enter only to perform rituals. The rite of opening those doors is itself an important part o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shinto Architecture
Some examples of Shinto architecture Shinto architecture is the architecture of Japanese Shinto shrines. With a few exceptions like Ise Grand Shrine and Izumo Taisha, Shinto shrines before Buddhism were mostly temporary structures erected to a particular purpose. Buddhism brought to Japan the idea of permanent shrines and the presence of verandas, Tōrō, stone lanterns, and elaborate gates are some which are used both in a Shinto shrine and a Buddhist temple. The composition of a Shinto shrine is extremely variable, and none of its possible features are necessarily present. Even the or sanctuary, the part which houses the and which is the centerpiece of a shrine, can be missing. However, since its grounds are sacred, they usually are surrounded by a fence made of stone or wood called , while access is made possible by an approach called . The entrances themselves are straddled by gates called , which are therefore the simplest way to identify a Shinto shrine. A shrine ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shinto Shrine
A Stuart D. B. Picken, 1994. p. xxiii is a structure whose main purpose is to house ("enshrine") one or more kami, , the deities of the Shinto religion. The Also called the . is where a shrine's patron is or are enshrined.Iwanami Japanese dictionary The may be absent in cases where a shrine stands on or near a sacred mountain, tree, or other object which can be worshipped directly or in cases where a shrine possesses either an altar-like structure, called a himorogi, , or an object believed to be capable of attracting spirits, called a yorishiro, , which can also serve as direct bonds to a . There may be a and other structures as well. Although only one word ("shrine") is used in English, in Japanese, Shinto shrines may carry any one of many different, non-equivalent names like , , , , , , , , , or . Miniature shrines (hokora, ) can occasionally be found on roadsides. Large shrines sometimes have on their precincts miniature shrines, or . Because the and once had differe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Taisha-zukuri
Kamosu Jinja's ''honden'' and a granary at Toro is an ancient Japanese architectural style and the oldest Shinto shrine architectural style. Named after Izumo Taisha's ''honden'' (sanctuary), like Ise Grand Shrine's ''shinmei-zukuri'' style it features a bark roof decorated with poles called '' chigi'' and ''katsuogi'', plus archaic features like gable-end pillars and a single central pillar (''shin no mihashira''). The ''honden's'' floor is raised above the ground through the use of stilts (see photo). Like the ''shinmei-zukuri'' and '' sumiyoshi-zukuri'' styles, it predates the arrival of Buddhism in Japan. History Ancient shrines were constructed according to the style of dwellings ( Izumo Taisha)Young & Young (2007:50)Kishida (2008:33) or storehouses (Ise Grand Shrine).Fletcher and Cruickshank (1996:724) The buildings had gabled roofs, raised floors, plank walls, and were thatched with reed or covered with hinoki cypress bark. Such early shrines did not include a sp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Suwa Taisha
, historically also known as Suwa Shrine (諏訪神社 ''Suwa-jinja'') or , is a group of Shinto shrines in Nagano Prefecture, Japan. The shrine complex is the ''ichinomiya'' of former Shinano Province and is considered to be one of the oldest shrines in existence, being implied by the ''Nihon Shoki'' to already stand in the late 7th century. Overview The entire Suwa shrine complex consists of four main shrines grouped into two sites: the Upper Shrine or ''Kamisha'' (上社), comprising the and the , and the Lower Shrine or ''Shimosha'' (下社), comprising the ''Harumiya'' (春宮, spring shrine) and the ''Akimiya'' (秋宮, autumn shrine). The Upper Shrine is located on the south side of Lake Suwa, in the cities of Chino, Nagano, Chino and Suwa, Nagano, Suwa, while the Lower Shrine is on the northern side of the lake, in the town of Shimosuwa. In addition to these four main shrines, some sixty other Setsumatsusha, auxiliary shrines scattered throughout the Lake Suwa area (rang ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Glossary Of Shinto
This is the glossary of Shinto, including major terms on the subject. Words followed by an asterisk (*) are illustrated by an image in one of the photo galleries. __NOTOC__ A * – A red papier-mâché cow bobblehead toy; a kind of ''engimono'' and an ''omiyage'' (a regional souvenir in Japan) that is considered symbolic of Aizu. * – A type of fan held by aristocratic women of the Heian period when formally dressed; it is brightly painted with tassels and streamers on the ends. Held today in Shinto by a ''miko'' in formal costume for festivals. See also ''hiôgi''. * – The term's meaning is not limited to moral evil, and includes misfortune, inferiority and unhappiness. * – A malevolent fire spirit, demon or devil. * – Also known as the ''Akujin'', the ''Kibi-no-Ananowatari-no-Kami'' and as the ''Anato-no-Kami'', ''Akuru'' is a malevolent ''kami'' that is mentioned in the ''Keikoki'' (records regarding the time of the Emperor Keiko), the ''Nihonshoki'' (Chronicles o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sumiyoshi-zukuri
is an ancient Japanese Shinto shrine architectural style which takes its name from Sumiyoshi Taisha's '' honden'' in Ōsaka. As in the case of the '' taisha-zukuri'' and '' shinmei-zukuri'' styles, its birth predates the arrival of Buddhism in Japan. History Ancient shrines were constructed according to the style of dwellings ( Izumo Taisha)Young & Young (2007:50)Kishida (2008:33) or storehouses ( Ise Grand Shrine).Fletcher and Cruickshank (1996:724) The buildings had gabled roofs, raised floors, plank walls, and were thatched with reed or covered with hinoki cypress bark. Such early shrines did not include a space for worship. Three important forms of ancient shrine architectural styles exist: '' taisha-zukuri'', '' shinmei-zukuri'', and ''sumiyoshi-zukuri''.Kishida (2008:34) They are exemplified by Izumo Taisha, Nishina Shinmei Shrine and Sumiyoshi TaishaKishida (2008:35) respectively and date to before 552.Kishida (2008:126) According to the tradition of '', the build ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Izumo Taisha
, officially Izumo Ōyashiro, is one of the most ancient and important Shinto shrines in Japan. No record gives the date of establishment. Located in Izumo, Shimane Prefecture, it is home to two major festivals. It is dedicated to the god , famous as the Shinto deity of marriage and to Kotoamatsukami, distinguishing heavenly ''kami''. The shrine is believed by many to be the oldest Shinto shrine in Japan, even predating the Ise Grand Shrine. A style of architecture, ''taisha-zukuri'', takes its name from the main hall of Izumo-taisha. That hall, and the attached buildings, were designated National Treasures of Japan in 1952. According to tradition, the hall was previously much taller than at present. The discovery in the year 2000 of the remains of enormous pillars has lent credence to this. The shrine has been rebuilt every 60 to 70 years to maintain the power of the ''kami'' and maintain architectural techniques. This regular rebuilding process is called " Sengū" (遷宮) a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Haiden (Shinto)
In Shinto shrine architecture, the is the hall of worship or Oratory (worship), oratory. It is generally placed in front of the shrine's main sanctuary (''honden'') and often built on a larger scale than the latter. The ''haiden'' is often connected to the ''honden'' by a ''Heiden (Shinto), heiden'', or hall of offerings. While the ''honden'' is the place for the enshrined ''kami'' and off-limits to the general public, the ''haiden'' provides a space for ceremonies and for worshiping the ''kami''. In some cases, for example at Nara prefecture, Nara's Ōmiwa Shrine, the ''honden'' can be missing and be replaced by a patch of sacred ground. In that case, the ''haiden'' is the most important building of the complex. References [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shinmei-zukuri
is an ancient Japanese architectural style typical of Ise Grand Shrine's ''honden'', the holiest of Shinto shrines.Encyclopedia of Shinto It is most common in Mie Prefecture.JAANUS History Ancient shrines were constructed according to the style of dwellings ( Izumo Taisha)Young & Young (2007:50)Kishida (2008:33) or storehouses (Ise Grand Shrine).Fletcher and Cruickshank (1996:724) The buildings had gabled roofs, raised floors, plank walls, and were thatched with reed or covered with hinoki cypress bark. Such early shrines did not include a space for worship. Three important forms of ancient shrine architectural styles exist: '' taisha-zukuri'', ''shinmei-zukuri'', and '' sumiyoshi-zukuri''Kishida (2008:34) They are exemplified by Izumo Taisha, Nishina Shinmei Shrine and Sumiyoshi Taisha,Kishida (2008:35) respectively, and date to before 552.Kishida (2008:126) According to the tradition of '', the buildings or shrines were faithfully rebuilt at regular intervals adhering to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nishina Shinmei Shrine
is a Shinto shrine in Ōmachi, Nagano Prefecture, Japan. The shrine is the oldest extant example of ''shinmei-zukuri'', one of three architectural styles which were conceived before the arrival of Buddhism in Japan. It predates in fact the more famous Ise Shrine, which shares the style and has been since antiquity rebuilt every twenty years. It was ranked as a Prefectural Shrine under the Modern system of ranked Shinto shrines. This style is characterized by an extreme simplicity. Its basic features can be seen in Japanese architecture from the Kofun period (250–538 C.E.) onwards and it is considered the pinnacle of Japanese traditional architecture.History and Typology of Shrine Architecture Encyclopedia of Shinto accessed on November 29, 2009 It is most common in [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sumiyoshi Taisha
, also known as Sumiyoshi Grand Shrine, is a Shinto shrine in Sumiyoshi-ku, Osaka, Osaka Prefecture, Japan. It is the main shrine of all the Sumiyoshi shrines. It gives its name to a style of shrine architecture known as '' Sumiyoshi-zukuri''. The shrine is called Sumiyoshi-san or Sumiyossan by the locals, and is famous for the large crowds that come to the shrine on New Year's Day for ''hatsumōde''. Sumiyoshi taisha enshrines the Sumiyoshi sanjin (Sokotsutsu no Ono-mikoto, Nakatsutsu no Ono-mikoto, and Uwatsutsu no Ono-mikoto) (collectively known as the "Sumiyoshi Ōkami") and Okinagatarashi-hime no Mikoto ( Empress Jingū). History The shrine became the object of Imperial patronage during the early Heian period. In 965, Emperor Murakami ordered that Imperial messengers were sent to report important events to the guardian ''kami'' of Japan. These ''heihaku'' were initially presented to 16 shrines including Sumiyoshi. Sumiyoshi was designated as the chief Shinto shrine (''ich ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |