Hippodramas
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Hippodramas
Hippodrama, horse drama, or equestrian drama is a genre of theatrical show blending circus horsemanship display with popular melodrama theatre. Definition Kimberly Poppiti defines hippodrama as "plays written or performed to include a live horse or horses enacting significant action or characters as a necessary part of the plot." Arthur Saxon defines the form similarly, as “ ..literally a play in which trained horses are considered as actors, with business, often leading actions, of their own to perform.” Evolving from earlier equestrian circus, pioneered by equestrians including, most famously, Philip Astley in the 1760s,McArthur, p. 21 it relied on drama plays written specifically for the genre; trained horses were considered actors along with humans and were even awarded leading roles.Banham, p. 488 A more negative assessment came from Anthony Hippisley-Coxe, who described hippodrama as "a bastard entertainment born of a misalliance between the circus and the theatre ... ...
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Hippodrama
Hippodrama, horse drama, or equestrian drama is a genre of theatrical show blending circus Equestrianism, horsemanship display with popular melodrama theatre. Definition Kimberly Poppiti defines hippodrama as "plays written or performed to include a live horse or horses enacting significant action or characters as a necessary part of the plot." Arthur Saxon defines the form similarly, as “[...] literally a play in which trained horses are considered as actors, with business, often leading actions, of their own to perform.” Evolving from earlier equestrian circus, pioneered by equestrians including, most famously, Philip Astley in the 1760s,McArthur, p. 21 it relied on drama plays written specifically for the genre; trained horses were considered actors along with humans and were even awarded leading roles.Banham, p. 488 A more negative assessment came from Anthony Hippisley-Coxe, who described hippodrama as "a bastard entertainment born of a misalliance between the circus an ...
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Cirque Olympique
The Cirque Olympique () in Paris, also known as the Cirque Franconi, was an equestrian theatre company, founded in 1782 by Philip Astley, the English inventor of the modern circus ring, and was initially known as the Cirque d'Astley or the Cirque Anglais. Amphithéâtre Anglais Astley's theatre, the Amphithéâtre Anglais or Amphithéâtre d'Astley, was the first purpose-built circus building in France. It was located on a large site in the rue du Faubourg du Temple and was a round theatre constructed in wood, with two seating levels and lit by 2,000 candles. The theatre was open four months out of the year and featured equestrian performances interspersed with juggling and other acts. Cirque Franconi Astley leased his Parisian circus to Antonio Franconi in 1793, during the French Revolution. Because of the small size of Astley's theatre, Franconi moved the circus to the enclosure of the former Convent of the Capucines, where he constructed stables and a new theatre.Wild 1989, ...
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Timur
Timur, also known as Tamerlane (1320s17/18 February 1405), was a Turco-Mongol conqueror who founded the Timurid Empire in and around modern-day Afghanistan, Iran, and Central Asia, becoming the first ruler of the Timurid dynasty. An undefeated commander, he is widely regarded as one of the greatest military leaders and tacticians in history, as well as one of the most brutal and deadly. Timur is also considered a great patron of art and architecture, for he interacted with intellectuals such as Ibn Khaldun, Hafez, and Hafiz-i Abru and his reign introduced the Timurid Renaissance. Born into the Turkicized Mongol confederation of the Barlas in Transoxiana (in modern-day Uzbekistan) in the 1320s, Timur gained control of the western Chagatai Khanate by 1370. From that base he led military campaigns across Western, South, and Central Asia, the Caucasus, and Southern Russia, defeating in the process the Khans of the Golden Horde, the Mamluks of Egypt and Syria, the emerg ...
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Anthony Street Theatre
The Anthony Street Theatre was an early New York City theatre which operated intermittently from 1812 to 1821. It opened as the Olympic Theatre in May 1812 and had multiple names during its brief existence. History The theatre was converted from a circus building used by Circus of Pepin and Breschard, Pepin and Breschard and located at 79-85 Anthony Street (which is now Worth Street) in Manhattan. (The circus appears to have relocated to Broadway at the corner of White Street.Guernsey, Rocellus SheridanNew York City and Vicinity During the War of 1812-15, Vol. I p. 51 (1889) However, there is much confusion among old sources between these two locations.) The first serious competition to the Park Theatre (Manhattan), Park Theatre, the venue opened on May 22, 1812, managed by John Dwyer and Donald McKenzie as the Olympic_Theatre,_New_York#First_Olympic_Theatre_(1800–1821), Olympic Theatre. The first performance was ''The Way to Get Married'', followed by "grand feats of hor ...
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Timour The Tartar
''Timour the Tartar'' is an 1811 hippodrama play by English dramatist Matthew Lewis. The equestrian drama was a popular success.Gamer, MichaelA Matter of Turf: Romanticism, Hippodrama, and Satire in ''Nineteenth-Century Contexts'', Vol. 28, No. 4, pp. 305-334, December 2006 Due to the success of a new equestrian version of ''Blue Beard'' (a play by George Colman the Younger) in February 1811, the managers of Covent Garden hired Matthew Lewis (nicknamed "Monk" Lewis because of his successful 1796 novel, ''The Monk'') to specifically author an equestrian play, believed to be the first play expressly written to features horses. It debuted on either April 29 or May 1, 1811.Poppiti, KimberleyA History of Equestrian Drama in the United States(2018) Though successful with audiences, its debut was the subject of some controversy. Some were worried it was preying on the success of smaller "non-legitimate" theatres which featured horses, and others lamented the reliance on horses to ...
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Blue Beard
"Bluebeard" ( ) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in . The tale is about a wealthy man in the habit of murdering his wives and the attempts of the present one to avoid the fate of her predecessors. " The White Dove", " The Robber Bridegroom", and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word ''Bluebeard'' the definition of "a man who marries and kills one wife after another". The verb ''bluebearding'' has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of women. Plot In one version of the story, Bluebeard is a wealthy and powerful nobleman who has been married six times to beautiful women who have all mysteriously vanished. When he visits his neighbor and asks to marry one of his daughters, they ar ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and listed building, Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The present building, opened in 1812, is the most recent of four theatres that stood at the location since 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of Legitimate theater, "legitimate" drama English drama, in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the Stuart Rest ...
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Royal Opera House
The Royal Opera House (ROH) is a theatre in Covent Garden, central London. The building is often referred to as simply Covent Garden, after a previous use of the site. The ROH is the main home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House (now known collectively as the Royal Ballet and Opera). The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium ...
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The Blood Red Knight
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ...
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Christoph De Bach
Christoph is a male given name and surname. It is a German variant of Christopher. Notable people with the given name Christoph * Christoph Bach (1613–1661), German musician * Christoph Büchel (born 1966), Swiss artist * Christoph Dientzenhofer (1655–1722), German architect * Christoph Frauenpreiß (born 1987), German politician * Christoph Harting (born 1990), German athlete specialising in the discus throw * Christoph M. Herbst (born 1966), German actor * Christoph Kramer (born 1991), German football player and winner of the 2014 FIFA World Cup * Christoph M. Kimmich (born 1939), German-American historian and eighth President of Brooklyn College * Christoph Metzelder (born 1980), German football player * Christoph Pramhofer (born 1983), Austrian politician * Christoph Riegler (born 1992), Austrian football player * Christoph Waltz (born 1956), German-Austrian actor and two times winner of the OSCARS Academy Award * Christoph M. Wieland (1733–1813), German poet and wri ...
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Don Quixote De La Mancha
, the full title being ''The Ingenious Gentleman Don Quixote of La Mancha'', is a Spanish novel by Miguel de Cervantes. Originally published in two parts in 1605 and 1615, the novel is considered a founding work of Western literature and is often said to be the first modern novel. The novel has been labelled by many well-known authors as the "best novel of all time" and the "best and most central work in world literature". ''Don Quixote'' is also one of the most-translated books in the world and one of the best-selling novels of all time. The plot revolves around the adventures of a member of the lowest nobility, an hidalgo from La Mancha named Alonso Quijano, who reads so many chivalric romances that he loses his mind and decides to become a knight-errant () to revive chivalry and serve his nation, under the name . He recruits as his squire a simple farm labourer, Sancho Panza, who brings an earthy wit to Don Quixote's lofty rhetoric. In the first part of the book, Don Quixo ...
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Circus Of Pepin And Breschard
The equestrian theatre company of Pépin and Breschard, American Victor Pépin and Frenchman Jean Baptiste Casmiere Breschard, arrived in the United States from Madrid, Spain (where they had performed during the 1805 and 1806 seasons), in November 1807. They toured that new country until 1815. From their arrival until the present day, what is now known as the traditional circus has had a presence in North America. Invited to perform in the United States by Spanish Ambassador Luis de Onís, the company landed in Plymouth, Massachusetts, from Spain. They performed their first season in Charlestown, Massachusetts, after being refused a permit to perform in neighboring Boston. In the following years Pépin and Breschard's troupes built circus theatres in cities across the United States, including New York, New York; New Orleans; Charlestown, Massachusetts; Baltimore, Maryland; Richmond, Virginia; Alexandria, Virginia; Charleston, South Carolina; Pittsburgh and Philadelphia, Penns ...
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