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Hexameters
Hexameter is a Metre (poetry), metrical Line (poetry), line of verses consisting of six metrical foot, feet (a "foot" here is the pulse, or major accent, of words in an English language, English line of poetry; in Greek language, Greek as well as in Latin a "foot" is not an Accent (poetry), accent, but describes various combinations of syllables). It was the standard epic metre in classical Greek and Latin literature, such as in the ''Iliad'', ''Odyssey'' and ''Aeneid''. Its use in other genres of composition include Horace's satires, Ovid's ''Metamorphoses (poem), Metamorphoses,'' and the Hymns of Orpheus. According to Greek mythology, hexameter was invented by Phemonoe, daughter of Apollo and the first Pythia of Delphi. __TOC__ Classical hexameter In classical hexameter, the six feet follow these rules: * A foot can be made up of two long syllables a spondee; or a long and two short syllables, a Dactyl (poetry), dactyl * The first four feet can contain either one of them. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter ( ) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in each line. Meter is measured in small groups of syllables called feet. "Iambic" indicates that the type of foot used is the iamb, which in English is composed of an unstressed syllable followed by a stressed syllable (as in ''a-BOVE''). "Pentameter" indicates that each line has five metrical feet. Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in the 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in '' The Prelude''. As lines in iambic pentameter usually c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pythia
Pythia (; ) was the title of the high priestess of the Temple of Apollo (Delphi), Temple of Apollo at Delphi. She specifically served as its oracle and was known as the Oracle of Delphi. Her title was also historically glossed in English as the Pythoness. The Pythia was established at the latest in the 8th century BC (though some estimates date the shrine to as early as 1400 BC), and was widely credited for her prophecy, prophecies uttered under divine possession (enthusiasmos) by Apollo. The Pythian priestess emerged pre-eminent by the end of the 7th century BC and continued to be consulted until the late 4th century AD. During this period, the Delphic Oracle was the most prestigious and authoritative oracle among the Greeks, and she was among the most powerful women of the classical world. The oracle is one of the best-documented religious institutions of the classical Greeks. Authors who mention the oracle include Aeschylus, Aristotle, Clement of Alexandria, Diodorus, Diogen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandrine
Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French '' Roman d'Alexandre'' of 1170, although it had already been used several decades earlier in '' Le Pèlerinage de Charlemagne''. The foundation of most alexandrines consists of two hemistichs (half-lines) of six syllables each, separated by a caesura (a metrical pause or word break, which may or may not be realized as a stronger syntactic break): o o o o o o , o o o o o o o=any syllable; , =caesura However, no tradition remains this simple. Each applies additional constraints (such as obligatory stress or nonstress on certain syllables) and options (such as a permitted or required additional syllable at the end of one or both hemistichs). Thus a line that is metrical in one tradition may be unmetrical in another. Where the alexandrine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iliad
The ''Iliad'' (; , ; ) is one of two major Ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Odyssey'', the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. The ''Iliad'' is often regarded as the first substantial piece of Western literature, European literature and is a central part of the Epic Cycle. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greece, Mycenaean Greek states, the poem depicts significant events in the war's final weeks. In particular, it traces the anger () of Achilles, a celebrated warrior, from a fierce quarrel between him and King Agamemnon, to the death of the Trojan prince Hector.Homer, ''Iliad, Volume I, Books 1–12'', translated by A. T. Murray, revised by William F. Wyatt, Loeb Classical Library 170, Cambridge, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace
Quintus Horatius Flaccus (; 8 December 65 BC – 27 November 8 BC), Suetonius, Life of Horace commonly known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his '' Odes'' as the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses ('' Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poly-Olbion
The ''Poly-Olbion'' is a topographical poem describing England and Wales. Written by Michael Drayton (1563–1631) and published in 1612, it was reprinted with a second part in 1622. Drayton had been working on the project since at least 1598. Content The ''Poly-Olbion'' is divided into thirty songs, written in alexandrine couplets, consisting in total of almost 15,000 lines of verse. Drayton intended to compose a further part to cover Scotland, but no part of this work is known to have survived. Each song describes between one and three counties, describing their topography, traditions and histories. Copies were illustrated with maps of each county, drawn by William Hole, whereon places were depicted anthropomorphically. The first book was accompanied by historical and philological summaries written by John Selden. Because of its length and its author's conflicting goals the ''Poly-Olbion'' was almost never read as a whole, but is an important source for the period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Drayton
Michael Drayton ( – ) was an English poet who came to prominence in the Elizabethan era, continuing to write through the reign of James I and into the reign of Charles I. Many of his works consisted of historical poetry. He was also the first English-language author to write odes in the style of Horace. He died on 23 December 1631 in London. Early life Drayton was born at Hartshill, near Nuneaton, Warwickshire, England, in early 1563. Not much is documented about his early life, except that in 1580 he was in the service of Thomas Goodere of Collingham, Nottinghamshire. In his early years, it is believed that Drayton entered the service of Sir Henry Goodere, who provided for Drayton's education. Nineteenth- and 20th-century scholars, on the basis of scattered allusions in his poems and dedications, suggested that Drayton might have studied at the University of Oxford, and been intimate with the Polesworth branch of the Goodere family. More recent work has cast doubt on tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isochrony
Isochrony is a linguistic analysis or hypothesis assuming that any spoken language's utterances are divisible into equal rhythmic portions of some kind. Under this assumption, languages are proposed to broadly fall into one of two categories based on rhythm or timing: syllable-timed or stress-timed languages (or, in some analyses, a third category: mora-timed languages). However, empirical studies have been unable to directly or fully support the hypothesis, so the concept remains controversial in linguistics. History Rhythm is an aspect of prosody, others being intonation, stress, and tempo of speech. ''Isochrony'' refers to rhythmic division of time into equal portions by a language. The idea of was first expressed thus by Kenneth L. Pike in 1945, though the concept of language naturally occurring in chronologically and rhythmically equal measures is found at least as early as 1775 (in '' Prosodia Rationalis''). Soames (1889) attributed the idea to Curwen. This has impl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot . In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemination
In phonetics and phonology, gemination (; from Latin 'doubling', itself from '' gemini'' 'twins'), or consonant lengthening, is an articulation of a consonant for a longer period of time than that of a singleton consonant. It is distinct from stress. Gemination is represented in many writing systems by a doubled letter and is often perceived as a doubling of the consonant.William Ham, ''Phonetic and Phonological Aspects of Geminate Timing'', p. 1–18 Some phonological theories use 'doubling' as a synonym for gemination, while others describe two distinct phenomena. Consonant length is a distinctive feature in certain languages, such as Japanese. Other languages, such as Greek, do not have word-internal phonemic consonant geminates. Consonant gemination and vowel length are independent in languages like Arabic, Japanese, Hungarian, Malayalam, and Finnish; however, in languages like Italian, Norwegian, and Swedish, vowel length and consonant length are interdependent. Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
