|
Hauntology
Hauntology (a portmanteau A portmanteau word, or portmanteau (, ) is a blend of words Derrida initially used the term to refer to his idea of the atemporal nature of Marxism and its tendency to "haunt Western society from beyond the grave." It describes a situation of temporal and ontological disju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hauntology (music)
Hauntology is a music genre or a loosely defined stylistic feature that evokes cultural memory and aesthetics of the past. It developed in the 2000s primarily among British electronic musicians, and typically draws on British cultural sources from the 1940s to the 1970s, including library music, film and TV soundtracks, psychedelia, and public information films, often through the use of sampling. The term was derived from philosopher Jacques Derrida's concept of the same name. In the mid-2000s, it was adapted by theorists Simon Reynolds and Mark Fisher. Hauntology is associated with the UK record label Ghost Box, in addition to artists such as the Caretaker, Burial, and Philip Jeck. Music genres hypnagogic pop and chillwave descended from hauntology. Characteristics In music, hauntology is predominantly associated with a British electronic music trend but it can apply to any art concerned with the aesthetics of the past. The trend is often tied to notions of retrofuturi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', '' Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Fisher
Mark Fisher (11 July 1968 – 13 January 2017), also known under his blogging alias k-punk, was an English writer, music critic, political and cultural theorist, philosopher, and teacher based in the Department of Visual Cultures at Goldsmiths, University of London. He initially achieved acclaim for his blogging as k-punk in the early 2000s, and was known for his writing on radical politics, music, and popular culture. Fisher published several books, including the unexpected success '' Capitalist Realism: Is There No Alternative?'' (2009), and contributed to publications such as ''The Wire'', '' Fact'', ''New Statesman'' and ''Sight & Sound''. He was also the co-founder of Zero Books, and later Repeater Books. He died by suicide in January 2017, shortly before the publication of ''The Weird and the Eerie'' (2017). Early life and education Fisher was born in Leicester and raised in Loughborough to working-class, conservative parents; his father was an engineer and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Derrida
Jacques Derrida (; ; born Jackie Élie Derrida; See also . 15 July 1930 – 9 October 2004) was an Algerian-born French philosopher. He developed the philosophy of deconstruction, which he utilized in numerous texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.Jacques Derrida . ''Encyclopædia Britannica''. Britannica.com. Retrieved 19 May 2017. He is one of the major figures associated with post-structuralism and [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Specters Of Marx
''Specters of Marx: The State of the Debt, the Work of Mourning and the New International'' (french: Spectres de Marx: l'état de la dette, le travail du deuil et la nouvelle Internationale) is a 1993 book by the French philosopher Jacques Derrida. It was first presented as a series of lectures during "Whither Marxism?", a conference on the future of Marxism held at the University of California, Riverside in 1993. It is the source of the term hauntology. Summary The title ''Spectres of Marx'' is an allusion to Karl Marx and Friedrich Engels' statement at the beginning of ''The Communist Manifesto'' that a "spectre shaunting Europe." For Derrida, the spirit of Marx is even more relevant now since the fall of the Berlin Wall in 1989 and the demise of communism. With its death the spectre of communism begins to make visits on the Earth. Derrida seeks to do the work of inheriting from Marx, that is, not communism, but of the philosophy of responsibility, and of Marx's spirit of rad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Communist Manifesto
''The Communist Manifesto'', originally the ''Manifesto of the Communist Party'' (german: Manifest der Kommunistischen Partei), is a political pamphlet written by German philosophers Karl Marx and Friedrich Engels. Commissioned by the Communist League and originally published in London in 1848, the ''Manifesto'' remains one of the world's most influential political documents. It presents an analytical approach to class struggle and criticizes capitalism and the capitalist mode of production, without attempting to predict communism's potential future forms. ''The Communist Manifesto'' summarises Marx and Engels' theories concerning the nature of society and politics, namely that in their own words " e history of all hitherto existing society is the history of class struggles". It also briefly features their ideas for how the capitalist society of the time would eventually be replaced by socialism. In the last paragraph of the ''Manifesto'', the authors call for a "forcible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retrofuturism
Retrofuturism (adjective ''retrofuturistic'' or ''retrofuture'') is a movement in the creative arts showing the influence of depictions of the future produced in an earlier era. If futurism is sometimes called a "science" bent on anticipating what will come, retrofuturism is the remembering of that anticipation. Characterized by a blend of old-fashioned "retro styles" with futuristic technology, retrofuturism explores the themes of tension between past and future, and between the alienating and empowering effects of technology. Primarily reflected in artistic creations and modified technologies that realize the imagined artifacts of its parallel reality, retrofuturism can be seen as "an animating perspective on the world". Etymology The word retrofuturism is formed by the addition of the prefix "retro" from the Latin language, which gives the meaning of "backwards" to the word "future", a word also originating from Latin. According to the ''Oxford English Dictionary'', an ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Memory
Because memory is not just an individual, private experience but is also part of the collective domain, cultural memory has become a topic in both historiography (Pierre Nora, Richard Terdiman) and cultural studies (e.g., Susan Stewart). These emphasize cultural memory’s process (historiography) and its implications and objects ( cultural studies), respectively. Two schools of thought have emerged: one articulates that the present shapes our understanding of the past, while the other assumes that the past has an influence on our present behavior. It has, however, been pointed out (most notably by Guy Beiner) that these two approaches are not necessarily mutually exclusive. Historiographical approach Time Crucial in understanding cultural memory as a phenomenon is the distinction between memory and history. Pierre Nora (1931 - ) put forward this distinction, pinpointing a niche between history and memory. Scholars disagree as to when to locate the moment representation "too ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Marx
Karl Heinrich Marx (; 5 May 1818 – 14 March 1883) was a German philosopher, economist, historian, sociologist, political theorist, journalist, critic of political economy, and socialist revolutionary. His best-known titles are the 1848 pamphlet '' The Communist Manifesto'' and the four-volume (1867–1883). Marx's political and philosophical thought had enormous influence on subsequent intellectual, economic, and political history. His name has been used as an adjective, a noun, and a school of social theory. Born in Trier, Germany, Marx studied law and philosophy at the universities of Bonn and Berlin. He married German theatre critic and political activist Jenny von Westphalen in 1843. Due to his political publications, Marx became stateless and lived in exile with his wife and children in London for decades, where he continued to develop his thought in collaboration with German philosopher Friedrich Engels and publish his writings, researching in the British Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamlet
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. ''Hamlet'' is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". There are many works that have been pointed to as possible sources for Shakespeare's play—from ancient Greek tragedies to Elizabethan plays. The editors of the Arden Shakespeare question the idea of "source hunting", pointing out that it presupposes that authors always require ideas from other works for their own, and suggests that no author can have an original idea or be an originator. Wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophone
A homophone () is a word that is pronounced the same (to varying extent) as another word but differs in meaning. A ''homophone'' may also differ in spelling. The two words may be spelled the same, for example ''rose'' (flower) and ''rose'' (past tense of "rise"), or spelled differently, as in ''rain'', ''reign'', and ''rein''. The term ''homophone'' may also apply to units longer or shorter than words, for example a phrase, letter, or groups of letters which are pronounced the same as another phrase, letter, or group of letters. Any unit with this property is said to be ''homophonous'' (). Homophones that are spelled the same are also both homographs and homonyms, e.g. the word ''read'', as in "He is well ''read''" (he is very learned) vs. the sentence "I ''read'' that book" (I have finished reading that book). Homophones that are spelled differently are also called heterographs, e.g. ''to'', ''too'', and ''two''. Etymology "Homophone" derives from Greek ''homo-'' (ὁμο� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
