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Hannya
The is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters. The is a mask that represents a female even more resentful, jealous, and angry than the , a woman on the verge of becoming a demoness. The is also called . The , also called , is a mask that represents the appearance of a female that is even more intense than the . These masks, which represent the jealousy, resentment, and anger of female demons, are classified as masks. It is said that there are now more than 250 types of Noh masks, but the oldest historical record of Noh masks, , mentions only about 14 types of masks, and the name is not found among them. However, the records a performance of the Noh play , and it is possible that snake-like demoness masks such as were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heart Sutra
The ''Heart Sūtra'', ) is a popular sutra in Mahayana, Mahāyāna Buddhism. In Sanskrit, the title ' translates as "The Heart of the Prajnaparamita, Perfection of Wisdom". The Sutra famously states, "Form is emptiness (''śūnyatā''), emptiness is form." It has been called "the most frequently used and recited text in the entire Mahayana Buddhist tradition." The text has been translated into English dozens of times from Chinese, Sanskrit, and Tibetan, as well as other source languages. Summary of the sutra In the sutra, Avalokiteśvara addresses Sariputta, Śariputra, explaining the fundamental emptiness (śūnyatā) of all phenomena, known through and as the five aggregates of human existence (skandhas): form (rūpa), feeling (vedanā), volitions (saṅkhāra), perceptions (saṃjñā), and mind (vijñāna). Avalokiteśvara famously states, "Form is Emptiness (śūnyatā). Emptiness is Form", and declares the other skandhas to be equally empty—that is, Pratītyasamutp� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Mask Hannya Type
is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is Japan's oldest major theater art that is still regularly performed today. Noh is often based on tales from traditional literature featuring a supernatural being transformed into a human hero who narrates the story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent specific roles such as ghosts, women, deities, and demons. Having a strong emphasis on tradition rather than innovation, Noh is highly codified and regulated by the ''iemoto'' system. Although the terms Noh and ''nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hungry Ghost
Hungry ghost is a term in Buddhism and Chinese traditional religion, representing beings who are driven by intense emotional needs in an animalistic way. The term zh, c= 餓鬼, p=èguǐ, l=hungry ghost is the Chinese translation of the Sanskrit term ''preta'' in Buddhism. "Hungry ghosts" play a role in Chinese Buddhism, Taoism, and in Chinese folk religion. The term is not to be confused with the generic term for "ghost" or damnation, (i.e. the residual spirit of a deceased ancestor). The understanding is that people first become a regular ghost when they dieVenerable Yin-shun. ''The Way to Buddhahood''. Massachusetts: Wisdom Publications: 1998. and then slowly weaken and eventually die a second time.Teiser, Stephen F. ''The Ghost Festival in Medieval China''. New Jersey: Princeton University Press: 1988. Hungry ghosts, by contrast, are a much more exceptional case, and would only occur in very unfortunate circumstances, such as if a whole family were killed or when a family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhisattva
In Buddhism, a bodhisattva is a person who has attained, or is striving towards, '' bodhi'' ('awakening', 'enlightenment') or Buddhahood. Often, the term specifically refers to a person who forgoes or delays personal nirvana or ''bodhi'' in order to compassionately help other individuals reach Buddhahood. In the Early Buddhist schools, as well as modern Theravāda Buddhism, bodhisattva (or bodhisatta) refers to someone who has made a resolution to become a Buddha and has also received a confirmation or prediction from a living Buddha that this will come to pass. In Theravāda Buddhism, the bodhisattva is mainly seen as an exceptional and rare individual. Only a few select individuals are ultimately able to become bodhisattvas, such as Maitreya. In Mahāyāna Buddhism, a bodhisattva refers to anyone who has generated '' bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all sentient beings. Mahayana bodhisattvas are spiritua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supernatural
Supernatural phenomena or entities are those beyond the Scientific law, laws of nature. The term is derived from Medieval Latin , from Latin 'above, beyond, outside of' + 'nature'. Although the corollary term "nature" has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world. The supernatural is featured in folklore and religious contexts, but can also feature as an explanation in more secular contexts, as in the cases of superstitions or belief in the paranormal. The term is attributed to non-physical entity, non-physical entities, such as angels, demons, gods and ghost, spirits. It also includes claimed abilities embodied in or provided by such beings, including Magic (supernatural), magic, telekinesis, levitation (paranormal), levitation, precognition and extrasensory perception. The supernatural is hypernymic to religion. Religions are standardized supernaturalist worldviews, or at least m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikiryō
, also known as , , or , is a disembodied spirit or ghost in Japanese popular belief and fiction that leaves the body of a living person and subsequently haunts other people or places, sometimes across great distances. The term(s) are used in contrast to , which refers to the spirit of those who are already deceased. Summary The popular belief that the human spirit (or soul) can escape from the body has been around since early times, with eyewitness accounts and experiences (hauntings, possessions, out-of-body experience) reported in anecdotal and fictional writings. of the living are said to inflict upon the subject or subjects of their vengeance by means of transforming into their form. It is believed that if a sufficient grudge is held, all or part of the perpetrator's soul leaves the body, appearing in front of the victim to harm or curse them, a concept not so dissimilar from the evil eye. The has even made its way into Buddhist scriptures, where they are described as " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inrō With Noh Masks
An is a traditional Japanese case for holding small objects, suspended from the (sash) worn around the waist when wearing a kimono. They are often highly decorated with various materials such as lacquer and various techniques such as , and are more decorative than other Japanese lacquerware. Because traditional Japanese dress lacked pockets, objects were often carried by hanging them from the in containers known as (a hanging object attached to a sash). Most were created for specialized contents, such as tobacco, pipes, writing brush and ink, but the type known as is suitable for carrying small things, and was created in the Sengoku period The was the period in History of Japan, Japanese history in which civil wars and social upheavals took place almost continuously in the 15th and 16th centuries. The Kyōtoku incident (1454), Ōnin War (1467), or (1493) are generally chosen as th ... (1467–1615) as a portable Hanko (stamp), identity seal and medicine container for tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kōgyo Tsukioka
, sometimes called , (April 18, 1869 – February 25, 1927) was a Japanese artist of the Meiji period. He was a student and adopted son of Tsukioka Yoshitoshi, and also studied with Ogata Gekkō. Although Kōgyo sometimes painted other subjects, for most of his career he made pictures of Japanese noh is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is Japan's oldest major theater art that is still regularly performed today. Noh is often based on tales from traditional literature featuri ... theatre, either as large-scale paintings or colored woodblock prints. Many of the latter were published in series and sold as multi-volume sets. Some sets, such as ''Nōgaku zue'', have been preserved as albums in their original bindings, including accordion-style bindings known as ''orihon,'' while other sets such as ''Nōga taikan'', were issued in sewn bindings known as ''yamato toji''. Although most bound sets belong to instituti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abe No Seimei
, also known as Doujimaru (童子丸), was a Japanese ''onmyōji'', a court official and specialist of ''Onmyōdō'', during the middle of the Heian period.Miller, Laura. "Extreme Makeover for a Heian-era Wizard". ''Mechademia 3: Limits of the Human''. Minneapolis: University of Minnesota Press, 2008. 33. In addition to his prominence in Japanese history, history, he is a legendary figure in Japanese folklore. He has been portrayed in several stories and films. Seimei worked as an ''onmyōji'' for emperors and the Heian government, advising on the spiritually correct way to deal with issues. He prayed for the well-being of emperors and the government and advised on various issues. He was also an Astrology, astrologer and predicted astrological events. He lived a long life of 84 years, free from any major illness, contributing to the popular belief that he had magic (paranormal), mystical powers. The Seimei Shrine, located in Kyoto, is dedicated to him. The Abeno Ōsaka Abenobas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chikuma Shobō
is a Japanese book publisher headquartered in , Taitō, Tokyo. Founded in 1940 by Furuta Akira (1906–1973) in cooperation with the writer and critic Yoshimi Usui, it first published the intellectual monthly ''Tembo'' (Views) in 1946. In 1953 Usui planned and edited the first edition of the ''Gendai Nihon bungaku zenshu'' (Collected Works of Modern Japanese Literature). Originally issued as 55 volumes and later increased to 99 volumes, this undertaking provided "a model for later collections of literature by Japanese authors". The firm co-sponsors the Dazai Osamu Prize with the city of Mitaka, Tokyo file:井之頭恩賜公園 (16016034730).jpg, 260px, Inokashira Park in Mitaka is a Cities of Japan, city in the Western Tokyo region of Tokyo Metropolis, Japan. , the city had an estimated population of 190,403, and a population density of 12,00 .... The prize is awarded annually to an outstanding, previously unpublished short story by an unrecognized author; the winner receiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
