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Gushi (poetry)
''Gushi'' (), is one of the main poetry forms defined in Classical Chinese poetry, literally meaning "old (or ancient) poetry" or "old (or ancient) style poetry": ''gushi'' is a technical term for certain historically exemplary poems, together with later poetry composed in this formal style. Poetic form The normal formal style is for uniform line lengths of 5 or 7 syllables (or characters), with lines in syntactically paired couplets. Parallelism emphasizing thesis or antithesis is frequently found but is not an obligatory feature. Rhymes generally occur at the ends of couplets, the actual rhyme sound sometimes changing through the course of the poem. Caesura usually occurs as a major feature before the last 3 syllables in any line, with the 7 syllable lines also often having a minor caesura in between the first two pairs of syllables. The final 3 syllables in a line are often varied syntactically by whether the first and second of these are more closely linked by the syntax ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Large Seal Script
The term large seal script traditionally refers to written Chinese dating from before the Qin dynasty—now used either narrowly to the writing of the Western and early Eastern Zhou dynasty (403 BCE), or more broadly to also include the oracle bone script (). The term deliberately contrasts the small seal script, the official script standardized throughout China during the Qin dynasty, often called merely 'seal script'. Due to the term's lack of precision, scholars often prefer more specific references regarding the provenance of whichever written samples are being discussed. During the Han dynasty (202 BCE220 CE), when clerical script became the popular form of writing, the small seal script was relegated to limited, formal usage, such as on signet seals and for the titles of stelae (inscribed stone memorial tablets which were popular at the time), and as such the earlier Qin dynasty script began to be referred to as 'seal script'. At that time, there remai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Character
Chinese characters are logographs used to write the Chinese languages and others from regions historically influenced by Chinese culture. Of the four independently invented writing systems accepted by scholars, they represent the only one that has remained in continuous use. Over a documented history spanning more than three millennia, the function, style, and means of writing characters have changed greatly. Unlike letters in alphabets that reflect the sounds of speech, Chinese characters generally represent morphemes, the units of meaning in a language. Writing all of the frequently used vocabulary in a language requires roughly 2000–3000 characters; , nearly have been identified and included in '' The Unicode Standard''. Characters are created according to several principles, where aspects of shape and pronunciation may be used to indicate the character's meaning. The first attested characters are oracle bone inscriptions made during the 13th century BCE in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of Line (poetry), lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a pars pro toto, shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot . In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nineteen Old Poems
''Nineteen Old Poems'' () is a collection of nineteen ancient Chinese poems which were likely composed during the Han dynasty by poet-musicians inspired by the artistry of folk song Yuefu. They first appeared in the early Chinese literary anthology ''Wen Xuan'', a compilation of poetry and literature by Liang dynasty, Liang Crown Prince Xiao Tong. Modern scholarship pinpointed the time of composition to be between 140 and 190 CE during the Eastern Han dynasty, based on their narrative content, emotional expression, and mature literary techniques. The authorship of the "Nineteen Old Poems" is anonymous. However, indicators such as references to carriages, fine clothing, mansions, and upper-class entertainments—as well as allusions to the ''Classic of Poetry, Shijing''— suggest that the authors were members of the educated elite. One of the tendencies of these poems is towards a "tone of brooding melancholy." As Watson put it, the poems are "anonymous voices speaking to us from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Dynasty
The Han dynasty was an Dynasties of China, imperial dynasty of China (202 BC9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han Contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the #Western Han (202 BC – 9 AD), Western Han (202 BC9 AD) and the #Eastern Han (25–220 AD), Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a Golden ages of China, golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Dynasty
The Tang dynasty (, ; zh, c=唐朝), or the Tang Empire, was an Dynasties of China, imperial dynasty of China that ruled from 618 to 907, with an Wu Zhou, interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilisation, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivalled that of the Han dynasty. The House of Li, Li family founded the dynasty after taking advantage of a period of Sui decline and precipitating their final collapse, in turn inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The An Lushan rebellion (755 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Bai
Li Bai (, 701–762), Literary and colloquial readings, also pronounced Li Bo, courtesy name Taibai (), was a Chinese poet acclaimed as one of the greatest and most important poets of the Tang dynasty and in Chinese history as a whole. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry under the Tang dynasty, which is often called the "Tang poetry#High Tang, Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1,000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty collection, ''Heyue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai's poems are included in the anthology ''Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. In Ezra Pound's famous work ''Cathay (poetry c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regulated Verse
Regulated verse – also known as Jintishi () – is a development within Classical Chinese poetry of the '' shi'' main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.Watson, 110–112 There are three types of regulated verse: the eight-lined '' lüshi'', the four-lined '' jueju'', and the linked couplets of indeterminate length '' pailu''. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang dynasty, the "Shen-Song" team of Shen Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regulated Verse
Regulated verse – also known as Jintishi () – is a development within Classical Chinese poetry of the '' shi'' main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.Watson, 110–112 There are three types of regulated verse: the eight-lined '' lüshi'', the four-lined '' jueju'', and the linked couplets of indeterminate length '' pailu''. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang dynasty, the "Shen-Song" team of Shen Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
