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Guinguette
The guinguette was a popular drinking establishment in the suburbs of Paris and of other cities in France. Guinguettes would also serve as restaurants and often as dance venues. The origin of the term comes from ''guinguet'', indicating a local sour, light white wine. The 1750 ''Dictionnaire de la langue française'' defined guinguette as a "small cabaret in the suburbs and the surrounds of Paris, where craftsmen drink in the summer and on Sundays and on Festival days. This term is new. It comes apparently from what is sold in these cabarets: a sour light local green wine, that is called ''ginguet'', such as found around Paris." A '' goguette'' was a similar kind of establishment. History During the 18th century, a consumer revolution led once isolated villages and hamlets outside Paris to be swept up in a booming material culture. Commodities, and particularly alcohol, consumed outside the customs barrier of the city were considerably cheaper, being exempt from state taxes. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Plessis-Robinson
Le Plessis-Robinson () is a commune in the southwestern suburbs of Paris, France. It is located from the center of Paris. , it has 29,100 inhabitants. History Plessis was first mentioned in 839 as ''Plessiacus apud Castanetum'', meaning ''plessis'' near Castanetum. A ''plessis'' was a village surrounded by a fence made of branches. In 1112 the village church was founded, of which the romanesque tower still survives as the oldest monument of Le Plessis. At the end of the 12th the village was renamed Le Plessis-Raoul, after the local lord Raoul, chamberlain of king Philip II of France. In 1407 it came into the hands of Jean Piquet de La Haye, who built a castle in the village, now called Le Plessis-Piquet. In 1614 a monastery of the Congregation of the Feuillants was built in the village. In 1682 Jean-Baptiste Colbert, Minister of Finances under Louis XIV had a pond dug which fed the fountains of the nearby Château de Sceaux. Pierre de Montesquiou d'Artagnan purchased the est ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goguette
A Goguette was a singing society in France and Belgium, and its members were called ''goguettiers''. As well as providing venues for informal solo and ensemble singing, goguettes also served as places for drinking, socialising, and recreation. Goguettes can trace their history back to 1729 and the "''Société du Caveau''" in Paris, founded by poet and chansonnier Pierre Gallet (1698–1757), but their heyday was in the years 1818–1900. They can still be found today. In the early 19th century, goguettes met in the premises of cafés and restaurants, and provide a space for their members (for a small fee) to sing in public or to have their own compositions sung. Songs would explore well-worn epicurean themes such as drinking and eating, though political and social songs also played an important part. Open to all social ranks, in practice they tended to attract literate men from the artisan class; they were also associated with revolutionary politics and were carefully monitored b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roaring Twenties
The Roaring Twenties, sometimes stylized as Roaring '20s, refers to the 1920s decade in music and fashion, as it happened in Western society and Western culture. It was a period of economic prosperity with a distinctive cultural edge in the United States and Europe, particularly in major cities such as Berlin, Buenos Aires, Chicago, London, Los Angeles, Mexico City, New York City, Paris, and Sydney. In France, the decade was known as the '' années folles'' ("crazy years"), emphasizing the era's social, artistic and cultural dynamism. Jazz blossomed, the flapper redefined the modern look for British and American women, and Art Deco peaked. In the wake of the military mobilization of World War I and the Spanish flu, President Warren G. Harding " brought back normalcy" to the United States. The social and cultural features known as the Roaring Twenties began in leading metropolitan centres and spread widely in the aftermath of World War I. The spirit of the Roaring Twenties ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Becker
Jacques Becker (; 15 September 1906 – 21 February 1960) was a French film director and screenwriter. His films, made during the 1940s and 1950s, encompassed a wide variety of genres, and they were admired by some of the filmmakers who led the French New Wave movement. Biography Born in Paris, Becker was from an upper-middle-class background. His father Louis Becker, from Lorraine, was corporate director for Fulmen, a battery manufacturer; his mother, Margaret Burns, of Scottish and Irish descent, managed a fashion house in rue Cambon near Chanel in Paris. He was educated at the Lycées Condorcet and Carnot and then at the École Bréguet. Becker was reluctant to pursue a business career like his father and at the age of 18 he went to New York. On a transatlantic liner he met the film director King Vidor who offered him a job but Becker turned it down. Back in France Becker developed a friendship with Jean Renoir, whom he had first met in 1921 through their mutual acq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casque D'or
''Casque d'Or'' ("Golden Helmet") is a 1952 French historical drama film directed by Jacques Becker. It is a Belle Époque tragedy, the story of an ill-fated love affair between characters played by Simone Signoret and Serge Reggiani. The story was loosely based on an infamous love triangle between the prostitute Amélie Élie and the Apache gang leaders Manda and Leca, which was the subject of much sensational newspaper reporting during 1902. It was shot at the Billancourt Studios in Paris and on location around the city. The film's sets were designed by the art director Jean d'Eaubonne. Plot Marie ( Simone Signoret), a beautiful woman of the demimonde known for her cap of golden hair, is unhappily involved with Roland, a charmless criminal who is a part of a local syndicate headed by Félix Leca. At a dance, Marie is introduced to the handsome young carpenter and ex-convict Georges Manda by his old friend Raymond, who is now also with Leca's gang. Manda and Raymond, havi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Gabin
Jean Gabin (; 17 May 190415 November 1976) was a French actor and singer. Considered a key figure in French cinema, he starred in several classic films including '' Pépé le Moko'' (1937), '' La grande illusion'' (1937), ''Le Quai des brumes'' (1938), '' La bête humaine'' (1938), '' Le jour se lève'' (1939), and ''Le plaisir'' (1952). During his career he had twice won both the Silver Bear for Best Actor from the Berlin International Film Festival and the Volpi Cup for Best Actor from the Venice Film Festival respectively. Gabin was made a member of the Légion d'honneur in recognition of the important role he played in French cinema. Biography Early life Gabin was born Jean-Alexis Moncorgé in Paris, the son of Madeleine Petit and Ferdinand Moncorgé, a cafe owner and cabaret entertainer whose stage name was Gabin, which is a first name in French. He grew up in the village of Mériel in the Seine-et-Oise (now Val-d'Oise) département, about 22 mi (35 km) north o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julien Duvivier
Julien Duvivier (; 8 October 1896 – 29 October 1967) was a French film director and screenwriter. He was prominent in French cinema in the years 1930–1960. Amongst his most original films, chiefly notable are '' La Bandera'', ''Pépé le Moko'', ''Little World of Don Camillo'', ''Panic (Panique)'', ''Voici le temps des assassins'' and '' Marianne de ma jeunesse''. Jean Renoir called him, a "great technician, rigorist, a poet". Early years It was as an actor, in 1916 at the Théâtre de l'Odéon under the direction of André Antoine, that Duvivier's career began. In 1918 he moved on to Gaumont, as a writer and assistant of, amongst others, André Antoine, Louis Feuillade and Marcel L'Herbier. In 1919 he directed his first film. In the 1920s several of his films had a religious concern: '' Credo ou la tragédie de Lourdes'', '' L'abbé Constantin'' and ''La Vie miraculeuse de Thérèse Martin'' — a film about the Carmelite saint Thérèse of Lisieux. The 1930s In the 1930s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Belle équipe
''They Were Five'' (French: ''La belle équipe'') is a 1936 French drama film directed by Julien Duvivier and starring Jean Gabin, Charles Vanel, and Viviane Romance. It tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile. Plot Five unemployed men in Paris are friends. Jeannot, Jacques, and Tintin are bachelors. Charlot (though the rest do not know) has left his faithless wife Gina, while Mario is an illegal immigrant from Spain who has got engaged to Huguette. Suddenly their lives are transformed when their syndicate wins the jackpot in the national lottery. After much discussion, which Jeannot tends to lead, they agree to pool the money. Rowing up the river Marne, they see a ruined laundry and agree to convert it themselves into a guinguette, a riverside restaurant and dance hall. Living on site and working all day, there is much bonding between the five but fissures also appear. Tintin plays the foo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Carné
Marcel Albert Carné (; 18 August 1906 – 31 October 1996) was a French film director. A key figure in the poetic realism movement, Carné's best known films include ''Port of Shadows'' (1938), '' Le Jour Se Lève'' (1939), '' The Devil's Envoys'' (1942) and ''Children of Paradise'' (1945), the last of which has been cited as one of the greatest films of all time. Biography Born in Paris, France, the son of a cabinet maker whose wife died when their son was five, Carné began his career as a film critic, becoming editor of the weekly publication, ''Hebdo-Films'', and working for ''Cinémagazine'' and ''Cinémonde'' between 1929 and 1933.Richard Roud "Marcel Carné and Jacques Prevert" in Roud ''Cinema: A Critical Dictionary: Volume One, Aldrich to King'', London: Secker & Warburg, 1980, p.189-92, 189, 191 In the same period he worked in silent film as a camera assistant with director Jacques Feyder. By age 25, Carné had already directed his first short film, ''Nogent, Eldorado ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Imbert
Eugène Alphonse Monet de Maubois, called Imbert, known in the world of the song in his time under the pseudonym Eugène Imbert, was a 19th-century French poet, chansonnier, goguettier and historiographer Historiography is the study of the methods of historians in developing history as an academic discipline, and by extension is any body of historical work on a particular subject. The historiography of a specific topic covers how historians h ... of the goguettes and songs. Author once known for his books, articles and songs, he is now completely forgotten by the general public. Some works * 1866: La Chanson' * 1873: La Goguette et les goguettiers, Étude parisienne', 3rd edition, augmented 6 etched portraits by L. Bryois, in-8, 121 pages. * 1875: Chansons choisies, Élégies parisiennes' External links Eugène Imberton data.bnf.fr Eugène Imberton Wikisource 19th-century French poets French chansonniers French historiographers Writers from Paris 1821 bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bal-musette
Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was replaced with accordion, on which a variety of waltzes, polkas, and other dance styles were played for dances. History Auvergnats settled in large numbers in the 5th, 11th, and 12th districts (''arrondissements'') of Paris during the 19th century, opening cafés and bars where patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a " musette") and often the vielle à roue (hurdy-gurdy). Parisian and immigrant Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement.Rémi Hess : ''La valse, un romantisme révolutionnaire'', Métailié editor, Sciences humaines collection, April 2003, p. 147-148. ().Henri Joannis Deberne : ''Danser en société'', Christine Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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