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Grand Pas
In classical ballet, a Grand pas, or Grand pas classique (; literally meaning ''big'' or ''large classical step'') is a suite of pure dance numbers that is devoid of dramatic action, serving strictly as the ''pièce de résistance'' in the context of a full-length ballet performance to showcase the talents of the principal dancers, '' demi-soloists'', and occasionally the ''corps de ballet''. The ''Grand pas'' traditionally consists of a combination of particular dances: an ''Entrée'' (introduction to the suite where the dancers make their entrance); a ''Grand adage'' (''adagio'' of the lead ballerina, partnered by the lead male dancer and occasionally other partners); a dance for the ''corps de ballet'' can be included; ''variations'' (solo dances) for the lead dancers '' demi-soloists''; and finally the ''Coda'' (or ''Grand coda'') concludes the suite. Formats The grand pas appears in a variety of formats and may employ varying numbers of dancers. For example, a ''grand pas de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Grand Pas Des élémens, At Her Majesty's Theatre (NYPL B12149482-5047621)
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance
Dance is an The arts, art form, consisting of sequences of body movements with aesthetic and often Symbol, symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or by its History of dance, historical period or List of ethnic, regional, and folk dances by origin, place of origin. Dance is typically performed with Music, musical accompaniment, and sometimes with the dancer simultaneously using a musical instrument themselves. Two common types of group dance are Concert dance, theatrical and Participation dance, participatory dance. Both types of dance may have special functions, whether social, ceremonial, Competitive dance, competitive, Erotic dance, erotic, War dance, martial, Sacred dance, sacred or Liturgical dance, liturgical. Dance is not solely restricted to performance, as dance is used as a form of exercise and occasionally training for other sports and activities. Dance perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demi-soloists
Demi-soloist can have one of two meanings in the ballet. The first is for a solo role normally danced by a member of the ''corps de ballet''. Such roles are often made in pairs, that is, two corps dancers, dance together, frequently in mirror image. In most cases, it distinguishes dancers who mostly still dance with the corps de ballet, but will sometimes break away from the group to dance a more featured role. Such dances are most commonly created for a pair of ballerinas but are occasionally made for (two or more) ''danseurs''. Even more rare are ballets with dances for one, two, or more demi-soloist couples. At a gala or other deluxe performance a company's soloists or principal dancers might dance ''demi'' roles. The second meaning of demi-soloist is that of a rank in a ballet company, the English equivalent being second soloist. Such rank is more common in European companies, but the National Ballet of Canada has second soloists and Houston Ballet Houston Ballet, ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corps De Ballet
In ballet, the ''corps de ballet'' (; French language, French for "body of the little dance") is the group of ballet dancer, dancers who are not principal dancers or Soloist (ballet), soloists. They are a permanent part of the ballet company and often work as a Theatrical scenery, backdrop for the principal dancers. A ''corps de ballet'' works as one, with synchronized movements and corresponding positioning on the stage. Well-known uses of the ''corps de ballet'' include the titular swans of ''Swan Lake'' and ''The Nutcrackers snow scene and the Waltz of the Flowers sequence. Function The ''corps de ballet'' sets the mood, scene, and nuance of the ballet, builds connection and camaraderie among the members of a ballet company, and creates large stage pictures through ensemble movement an choreography. Beyond the physical world-building provided by the ''corps de ballet'', it also serves as a vital stepping stone for younger, incoming dancers, where they learn about company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Pas De Deux
In ballet, a ( French, literally "step of two") is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The ''pas de deux'' is characteristic of classical ballet and can be found in many well-known ballets, including ''Sleeping Beauty'', ''Swan Lake'', and '' Giselle''. It is most often performed by a male and a female (a ''danseur'' and a ''ballerina'') though there are exceptions, such as in the film '' White Nights'', in which a ''pas de deux'' is performed by Mikhail Baryshnikov and Gregory Hines. ''Grand pas de deux'' A ''grand pas de deux'' is a structured ''pas de deux'' that typically has five parts, consisting of an ''entrée'' (introduction), an ''adagio'', two variations (a solo for each dancer), and a ''coda'' (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dancers portraying expressions of affectionate feelings and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pièce De Résistance
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The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( ) is a ballet in a prologue and three acts to music by Pyotr Ilyich Tchaikovsky, his Opus 66, completed in 1889. It is the second of his three ballets and, at 160 minutes, his second-longest work in any genre. The original scenario was by Ivan Vsevolozhsky after Perrault's '' La belle au bois dormant'', or ''The Beauty Sleeping in the Forest''; the first choreographer was Marius Petipa. The premiere took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890, and from that year forward ''The Sleeping Beauty'' has remained one of the most famous ballets of all time. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of '' Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would compose the music for the ballet. Tchaiko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Technique
Ballet technique is the foundational principles of body movement and form used in ballet. It is an important aspect of ballet performance because ballet (especially classical ballet) puts great emphasis on the method and execution of movement., pp. 6-7 & 21. The techniques found in classical ballet are a framework for many other styles of dance, including jazz and contemporary ballet. Aspects of ballet technique include alignment, which refers to keeping the head, shoulders, and hips vertically aligned. Turnout refers to completing movements with legs rotated outward; this promotes clean footwork, graceful '' port de bras'' (movement of the arms), and correct body positions, lines and angles. Other aspects of ballet technique include posture, toe pointing, keeping shoulders down, and pulling up, which combines proper posture and lifting of the muscles to increase turnout and enhance alignment and thus improve the quality of turns. Ballet technique is also used to exhibit '' ballon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (; born Victor Marius Alphonse Petipa; 11 March 1818) was a French and Russian ballet dancer, pedagogue and choreographer. He is considered one of the most influential ballet masters and choreographers in ballet history. Petipa is noted for his long career as ''Premier maître de ballet'' (First Ballet Master) of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from his originals. He is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote (ballet), Don Quixote'' (1869); ''La Bayadère'' (1877); ''The Talisman (ballet), Le Talisman'' (1889); ''The Sleeping Beauty Ballet, The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''The Awakeni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paquita
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
