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Glee (music)
A glee is a type of English part song composed during the Late Baroque (music), Late Baroque, Classical period (music), Classical, and early Romantic music, Romantic periods (roughly the Georgian era, taken together). The respectable and artistic character of glees contrasts with the bawdiness of the many Catch (music), catches which continued to be composed and sung well into the early years of the 19th century. The use of the countertenor voice on the upper part(s) in glees composed for men's voices, and on the Alto part(s) in those for mixed voices, is a particular characteristic of the form (the most famous exponent, known for his elegant ornamentation, was William Knyvett (singer), William Knyvett) and serves to distinguish glees from other male voice partsongs, which usually lack countrapuntal writing and have the top part taken by a tenor. This gives them a highest note around a major third below that of men's voice glees. Some care is required in interpreting the intended v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Part Song
A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non- liturgical sacred text, written or arranged for several vocal parts. Part songs are commonly sung by an SATB choir, but sometimes for an all-male or all-female ensemble. Part songs are intended to be sung a cappella, that is without accompaniment, unless an instrumental accompaniment is particularly specified. In Britain The part song was created in Great Britain, growing out of the madrigal tradition (though initially with more emphasis on homophonic harmony and less on polyphonic part writing) and the 18th century Glee. Paul Hillier describes the Glee as "a uniquely English creation...the convivial music of all-male musical societies". The classic Glee is "essentially a work for unaccompanied men's voices, in not less than three parts...simpler han the madrigalin texture, less sophisticated in design, and generally based on the simplest kind of diatonic harmony". One o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Antiquity
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural History of Europe, European history between the 8th century BC and the 5th century AD comprising the interwoven civilizations of ancient Greece and ancient Rome, Rome known together as the Greco-Roman world, centered on the Mediterranean Basin. It is the period during which ancient Greece and Rome flourished and had major influence throughout much of Europe, North Africa, and West Asia. Classical antiquity was succeeded by the period now known as late antiquity. Conventionally, it is often considered to begin with the earliest recorded Homeric Greek, Epic Greek poetry of Homer (8th–7th centuries BC) and end with the fall of the Western Roman Empire in 476 AD. Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized vision among later people of what was, in Ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Brewer (composer)
Thomas Brewer (1611–c. 1660) was a 17th-century composer best known for introducing the glee form. Little is known of his life. However many of his compositions have survived. Most of them are catches, rounds and glees but three instrumental pieces are stored in the Oxford Music School collection. Life A celebrated performer on the viol, he was born (probably) in the parish of Christchurch, Newgate Street in London. His father, Thomas Brewer, was a poulterer, and his mother's Christian name was True. On 9 December 1614 Brewer was admitted to Christ's Hospital, although he was only three years old. Here he remained until 20 June 1626, when he left school, and was apprenticed to one Thomas Warner. He learnt the viol at Christ's Hospital from the school music-master. The date of Brewer's death is unknown. Works His compositions are met with in most of the printed collections of John Playford John Playford (1623–1686) was a London bookseller, publisher, minor composer and memb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gleeman
An itinerant poet or strolling minstrel (also known variously as a gleeman, circler, or cantabank) was a wandering minstrel, bard, musician, or other poet common in Middle Ages, medieval Europe but extinct today. Itinerant poets were from a lower class than jesters or jongleurs, as they did not have steady work, instead travelling to make a living. Medieval performers In medieval England, a gleeman was a reciter of poetry. Like a scop, a gleeman performed poetry to the accompaniment of a harp or "glee wood". Gleemen occasionally attached themselves to a particular Royal court, court, but were most often ''wandering'' entertainers; this is unlike scops, who were more static. Gleemen were also less likely to compose or perform their own poetry and relied on the work of others for their material. A source cited that the number of itinerant poets were augmented by disgraced Courtier, courtiers, Clairvoyance, clairvoyants, and even the deformed as these entertainers formed troupes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old English
Old English ( or , or ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the Early Middle Ages. It developed from the languages brought to Great Britain by Anglo-Saxon settlers in the mid-5th century, and the first Old English literature dates from the mid-7th century. After the Norman Conquest of 1066, English was replaced for several centuries by Anglo-Norman language, Anglo-Norman (a langues d'oïl, type of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during the subsequent period the English language was heavily influenced by Anglo-Norman, developing into what is now known as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic tribes traditionally known as the Angles (tribe), Angles, Saxons and Jutes. As the Germanic settlers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvard Glee Club
The Harvard Glee Club (Glee Club or HGC) is a 60-voice, Tenor-Bass choral ensemble at Harvard University. Founded in 1858 in the tradition of English and American glee clubs, it is the oldest collegiate chorus in the United States. The Glee Club is part of the Harvard Choruses of Harvard University, which also include the treble voice Radcliffe Choral Society and the mixed-voice Harvard-Radcliffe Collegium Musicum. All three groups are led by Harvard's current Director of Choral Activities Andrew Clark. The Glee Club has long been a fixture of the Boston music scene, performing frequently with the Boston Symphony Orchestra and other ensembles, but this local prominence has lessened in recent years. However, thanks to over 80 annual spring tours to different regions of the United States and appearances at the Kennedy Center Honors and in Leonard Bernstein's popular series ''The Unanswered Question'', the Glee Club has garnered national recognition; tours around the world have br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Webbe
Samuel Webbe (1740 – 25 May 1816) was an English composer. Life Born in Menorca in 1740, Webbe was brought up in London. His father died when he was still an infant, and his mother returned to London where she raised Webbe in difficult circumstances. At the age of 11 he was apprenticed to a cabinet maker, and during the first year of his apprenticeship his mother died. Webbe was an autodidact. He first discovered his aptitude for music when called on to repair the case of a harpsichord. During the course of the repair work he taught himself to play the instrument. Near the end of the job he was overheard playing it. As a result of this incident he turned to the study of music under Carl Barbandt. A Roman Catholic, in 1776 Webbe succeeded George Paxton as organist of the Sardinian Embassy Chapel, a position which he held until 1795: he was also organist and choirmaster of chapel of the Portuguese Embassy in Lincoln's Inn Fields, the only place in London where the Catho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned i ..., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Style Galant
In music, galant refers to the style which was fashionable in the upper-class societies of Western Europe from the 1720s to the 1770s. On the other hand, the term found a narrowing in musicology in the 19th and 20th centuries: the focus is on compositions that can be seen as moving away from the Baroque in its more rhetorical formal language, but which at the same time only display qualities that can be attributed to the pre-classical period to a limited extent. At this point, the galant style can be seen as a step towards the formally freer, sensitive style, '' Empfindsamkeit,'' that prepared the early classical period. Music styles This movement featured a return to simplicity and immediacy of appeal after the complexity of the late Baroque era. This meant simpler, more song-like melodies, decreased use of polyphony, short, periodic phrases, a reduced harmonic vocabulary emphasizing tonic and dominant, and a clear distinction between soloist and accompaniment. C. P. E. Bach a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Linley The Elder
Thomas Linley (17 January 1733 – 19 November 1795) was an English bass and musician active in Bath, Somerset. Born in Badminton, Gloucestershire, Linley began his musical career after he moved to Bath at age 11 and became apprentice to the organist Thomas Chilcot. After his marriage to Mary Johnson in 1752, Linley at first supported his wife and growing family predominantly as a music teacher. As his children grew and he developed their musical talent, he drew an increasing amount of income from their concerts while also managing the assembly rooms in Bath. When the new Bath Assembly Rooms opened in 1771, Linley became musical director and continued to promote his children's careers. He was eventually able to move to London with the thousands of pounds which he had amassed from their concerts. Among Linley's students were his eight children ( Elizabeth Ann, Thomas, Mary, Samuel, Maria, Ozias, William, and Jane), as well as tenor Charles Dignum, singer and actress Anna Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ossian
Ossian (; Irish Gaelic/Scottish Gaelic: ''Oisean'') is the narrator and purported author of a cycle of epic poems published by the Scottish poet James Macpherson, originally as ''Fingal'' (1761) and ''Temora (poem), Temora'' (1763), and later combined under the title ''The Poems of Ossian''. Macpherson claimed to have collected word-of-mouth material in Scottish Gaelic language, Scottish Gaelic, said to be from ancient sources, and that the work was his translation of that material. Ossian is based on Oisín, son of Fionn mac Cumhaill (anglicised to Finn McCool), a legendary bard in Irish mythology. Contemporary critics were divided in their view of the work's authenticity, but the current consensus is that Macpherson largely composed the poems himself, drawing in part on traditional Gaelic poetry he had collected. The work was internationally popular, translated into all the literary languages of Europe, and was highly influential both in the development of the Romanticism, Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
