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Girdle Book
Girdle books were small portable books worn by Middle Ages, medieval European monks, clergymen and Aristocracy (class), aristocratic nobles as a popular accessory to medieval costume, between the 13th and 16th centuries. They consisted of a book whose leather binding continued loose below the cover of the book in a long tapered tail with a large knot at the end which could be tucked into one's girdle or belt. The knot was usually strips of leather woven together for durability. The book hung upside down and backwards so that when swung upwards it was ready for reading. The books were normally religious: a cleric's daily Office, or for lay persons (especially women) a Book of Hours. One of the best known texts to become a girdle book is Boethius's ''The Consolation of Philosophy'', although it is the only surviving philosophical/theological girdle book. Women especially wore the girdle book out of convenience since it was already fashionable, at least in the 15th century, to wea ...
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Santa Caterina D'Alessandria (Torino)8251
Santa Caterina d'Alessandria may refer to the following churches in Italy: *Santa Caterina d'Alessandria, Padua, Veneto *Santa Caterina d'Alessandria, Parma, Emilia-Romagna *Santa Caterina d'Alessandria, Paternò, Catania, Sicily *Santa Caterina d'Alessandria, Pisa, Tuscany *Santa Caterina d'Alessandria, Soragna, Parma, Emilia-Romagna See also

*Saint Catherine of Alexandria (other) {{Disambiguation, church ...
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Jan Van Eyck
Jan van Eyck ( ; ; – 9 July 1441) was a Flemish people, Flemish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, Gombrich, The Story of Art, page 240 though most now regard that claim as an oversimplification. The surviving records indicate that he was born around 1380 or 1390, in Maaseik (then Maaseyck, hence his name), Limburg (Belgium), Limburg, which is located in present-day Belgium. He took employment in The Hague around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''valet de chambre'' to John III, Duke of Bavaria, John III the Pitiless, ruler of the counties of County of Holland, Holland and County of Hainaut, Hainaut. After John's death in 1425, he was later appointed a ...
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Ottoman Empire
The Ottoman Empire (), also called the Turkish Empire, was an empire, imperial realm that controlled much of Southeast Europe, West Asia, and North Africa from the 14th to early 20th centuries; it also controlled parts of southeastern Central Europe, between the early 16th and early 18th centuries. The empire emerged from a Anatolian beyliks, ''beylik'', or principality, founded in northwestern Anatolia in by the Turkoman (ethnonym), Turkoman tribal leader Osman I. His successors Ottoman wars in Europe, conquered much of Anatolia and expanded into the Balkans by the mid-14th century, transforming their petty kingdom into a transcontinental empire. The Ottomans ended the Byzantine Empire with the Fall of Constantinople, conquest of Constantinople in 1453 by Mehmed II. With its capital at History of Istanbul#Ottoman Empire, Constantinople (modern-day Istanbul) and control over a significant portion of the Mediterranean Basin, the Ottoman Empire was at the centre of interacti ...
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Nürnberg — GNM 2013-09-07 Mattes (11) (cropped)
Nuremberg (, ; ; in the local East Franconian dialect: ''Nämberch'' ) is the largest city in Franconia, the second-largest city in the German state of Bavaria, and its 544,414 (2023) inhabitants make it the 14th-largest city in Germany. Nuremberg sits on the Pegnitz, which carries the name Regnitz from its confluence with the Rednitz in Fürth onwards (), and on the Rhine–Main–Danube Canal, that connects the North Sea to the Black Sea. Lying in the Bavarian administrative region of Middle Franconia, it is the largest city and unofficial capital of the entire cultural region of Franconia. The city is surrounded on three sides by the , a large forest, and in the north lies (''garlic land''), an extensive vegetable growing area and cultural landscape. The city forms a continuous conurbation with the neighbouring cities of Fürth, Erlangen and Schwabach, which is the heart of an urban area region with around 1.4 million inhabitants, while the larger Nuremberg Metrop ...
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Book-binding
Bookbinding is the process of building a book, usually in codex format, from an ordered stack of paper sheets with one's hands and tools, or in modern publishing, by a series of automated processes. Firstly, one binds the sheets of papers along an edge with a thick needle and strong thread. One can also use loose-leaf rings, binding posts, twin-loop spine coils, plastic spiral coils, and plastic spine combs, but they last for a shorter time. Next, one encloses the bound stack of paper in a cover. Finally, one places an attractive cover onto the boards, and features the publisher's information and artistic decorations. The trade of bookbinding includes the binding of blank books and printed books. Blank books, or stationery bindings, are books planned to be written in. These include accounting ledgers, guestbooks, logbooks, notebooks, manifold books, day books, diary, diaries, and sketchbooks. Printed books are produced through letterpress printing, offset printing, offset litho ...
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BLB Cod K 3356 2v-3r
BLB may refer to: * Bad Berleburg, Germany, vehicle registration * Blacklight Blue, a fluorescent black light emitting negligible visible light * Blue Letter Bible * Former USAF Howard Air Force Base, Panama, IATA code ** Public commercial airport terminal at Howard Air Force Base, Panamá Pacífico International Airport Panamá Pacífico International Airport is a commercial airport in Panama. It is located on the site of the former Howard Air Force Base, a United States Air Force base that was within the Panama Canal Zone. Panama City can be reached by cross ... * Bryant-Lake Bowl {{disambig ...
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Totentanz
The ''Danse Macabre'' (; ), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death. The ''Danse Macabre'' consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. The effect is both frivolous and terrifying, beseeching its audience to react emotionally. It was produced as ''memento mori'', to remind people of the fragility of their lives and the vanity of earthly glory. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme (apart from 14th century Triumph of Death paintings) was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. Written in 1874 by the French composer Camille Saint-Saëns, Danse Macabre, Op. 40, is a haunting symphonic "poem" for orchestra. It premiered 24 January 1875. Background Religion is an imp ...
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Altarpiece
An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting. The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted o ...
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Martin Schongauer
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers. The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Vasari says that Michelangelo copied one of his engravings, in the '' Trial of Saint Anthony''. His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. Recent ...
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Saint Madeleine And Saint Catherine (Witz)
''Saint Madeleine and Saint Catherine'', also known as ''Saint Catherine and Saint Madeleine'', is a circa 1440 religious painting by the German Gothic artist Konrad Witz. The painting was legated to the city of Strasbourg by the canon Alexandre Joseph Straub, and entered the collections in 1893. It is on display in the Musée de l'Œuvre Notre-Dame. Its inventory number is MBA 97 ("MBA" stands for '' Musée des Beaux-Arts''). The painting represents both saints with their attributes (Madeleine's vessel of ointment, and Catherine's wheel and book, here a girdle book). In spite of the sumptuosity of their costumes and jewels, and the preciosity of their golden halos, Witz depicts them with the realistic faces of young peasant women and in a stiff attitude that reminds of play acting. Both saints are sitting in a cloister that is thought to have belonged to Basel Cathedral, and Witz opens his tentative perspective towards a street scene, again depicted with noticeable reali ...
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Robert Campin
Robert Campin (Valenciennes (France) c. 1375 - Tournai (Belgium) 26 April 1444) now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was a master painter who, along with Jan van Eyck, initiated the development of early Netherlandish painting, a key development in the early Northern Renaissance. While the existence of a highly successful painter called Robert Campin is relatively well documented for the period, no works can be certainly identified as by him through a signature or contemporary documentation. A group of paintings, none dated, have been long attributed to him, and a further group were once attributed to an unknown "Master of Flémalle". It is now usually thought that both groupings are by Campin, but this has been a matter of some controversy for decades.Campbell, Lorne. "Robert Campin, the Master of Flémalle and the Master of Mérode". ''The Burlington Magazine'', Vol. ...
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