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Gaita Flutes
A kuisi (or kuizi) is a Native Colombian fipple (or duct) flute made from a hollowed cactus stem, with a beeswax and charcoal powder mixture for the head, with a thin quill made from the feather of a large bird for the mouthpiece. Seagull, turkey and eagle feathers are among the feathers commonly used. Kuisi bunsi and kuisi sigi There are male and female versions of the kuisi (or gaita, the Spanish for pipe). The female ''kuisi bunsi'' (also rendered ''kuisi abundjí'' in Spanish) is also commonly known as a ''gaita hembra'' in Spanish, and has 5 holes; the male ''kuisi sigi'' (or ''kuisi azigí'') is called a ''gaita macho'' in Spanish and has two holes. Players often use wax to close fingerholes and alter the sound of the flute, blocking one or other tone hole on the kuisi sigi, and on the kuisi bunzi either the upper or lower fingerhole so that only four holes are in use at any one time. The change of wax from one fingerhole to another alters the fundamental tone and ser ...
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Cumbia
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans, and Africans during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community. Cumbia traditionally uses three drums ('' tambora'', ' and ''llamador''), three flutes (''gaita hembra'' and ''gaito macho'', both forms of , and '' flauta de millo'') and has a or meter. The sound of cumbia can be characterized as having a simple "chu-chucu-chu" rhythm created by the guacharaca. The genre frequently incorporates brass instruments and piano. In order to properly understand the interlocking relationship between cumbia's roots, its Pan-American (and then global) routes, and its subgenres, Colombia's geocultural complexities must be taken into account. Most Hispanic American countries have made their own regional version of Cumbia, some of them with their own part ...
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Fipple Flutes
The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple itself. Nomenclature The accompanying illustration of the mouthpiece of a recorder shows a wooden block (A) with a channel carved into the body of the instrument (B), together forming a duct that directs a ribbon of air across an opening toward a sharp edge (C). The edge splits the air in a manner that alternately directs it into and outside of the tube, setting the contained column of air into periodic vibration. This flow-controlled "air reed" is a definitive characteristic of all flutes, which therefore all have an edge or equivalent air ...
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Glossary Of Colombian Music
This page is a glossary of Colombian music. A * agüelulo – A teenage gathering, originally held in private homes and then larger spaces; a teenager who frequented such a place was a ''agüelero'' or sometimes a ''cocacolos'', after the main beverage drunk at ''agüelulos'', Coca-Cola * música andina – An early national style of the 19th and early 20th centuries, developed from the Andean interior * música antillana – A kind of popular dance music based on Cuban and Puerto Rican styles * ''audición'': literally ''listening'', can refer to a "special musical tribute to the career of a particular artist or group", performed before the beginning of a concert B * baile – Literally, ''dance'', dances are alphabetized under their descriptor, e.g. ''baile de cuota'' is alphabetized under ''cuota'' * bambuco – An Andean style of dance music, perceived as a national music in the early 20th century,Burton, Kim. "El Sonido Dorado". 2000. In Broughton, Simon and Ellingham, Mar ...
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Pierre Hamon
Pierre is a masculine given name. It is a French form of the name Peter. Pierre originally meant "rock" or "stone" in French (derived from the Greek word πέτρος (''petros'') meaning "stone, rock", via Latin "petra"). It is a translation of Aramaic כיפא (''Kefa),'' the nickname Jesus gave to apostle Simon Bar-Jona, referred in English as Saint Peter. Pierre is also found as a surname. People with the given name * Monsieur Pierre, Pierre Jean Philippe Zurcher-Margolle (c. 1890–1963), French ballroom dancer and dance teacher * Pierre (footballer), Lucas Pierre Santos Oliveira (born 1982), Brazilian footballer * Pierre, Baron of Beauvau (c. 1380–1453) * Pierre, Duke of Penthièvre (1845–1919) * Pierre, marquis de Fayet (died 1737), French naval commander and Governor General of Saint-Domingue * Prince Pierre, Duke of Valentinois (1895–1964), father of Rainier III of Monaco * Pierre Affre (1590–1669), French sculptor * Pierre Agostini, French physicist * Pier ...
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Hernando Muñoz Sánchez
Hernando is a common Spanish given name, equivalent to Fernando and the English Ferdinand. It may refer to: Places ;Argentina * Hernando, Córdoba ;Canada * Hernando Island, British Columbia ;United States * Hernando, Florida * Hernando County, Florida * Hernando, Mississippi People * Hernando de Soto (economist) * Hernando de Soto (explorer) * Hernando de Lerma * Hernando Cortes, alternate spelling of Hernán Cortés * Alejandro Hernando (born 1976), Argentine taekwondo practitioner * Ana María Hernando (born 1959), Argentine visual artist * Mila Hernando (1957–2017), Spanish diplomat Horse * Hernando (horse) Hernando (8 February 1990 – February 2013) was a French Thoroughbred racehorse and sire. He established himself as one of the best European colts of his generation in 1993 by winning the Prix Lupin, Prix du Jockey Club and Prix Niel and finishi ...
(1990-2013), French-trained racehorse, winner of the 1993 Prix du Jockey Club {{Disambiguation, geo, given na ...
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La Cumbiamba ENeYé
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music *La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson *''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 *The La's, an English rock band *L.A. Reid, a prominent music producer *Yung L.A., a rapper *Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River *''La'', a Les Gordon album Other media * l(a, a poem by E. E. Cummings *La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *''Lá'', later known as Lá Nua, an Irish language newspaper *La7, an Italian television channel *LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agenc ...
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Los Gaiteros De San Jacinto
Los Gaiteros de San Jacinto are a Colombian traditional folkloric cumbia group formed in the Caribbean Region of Colombia which have been active since 1940. Their folkloric music preserves the traditional rhythms and sounds product of a mixture of the Colombian Indigenous, Spanish and Afro-Colombian heritage. The gaiteros meaning those who play the gaita flute and San Jacinto for the town the group originated from San Jacinto in the Colombian Department of Bolívar. On November 9, 2007 the group won a Latin Grammy award in the category Folkloric Music for their album "'' Un Fuego de Sangre Pura: Los Gaiteros de San Jacinto from Colombia''" (A Fire of Pure Blood), released on Smithsonian Folkways Recordings. History Los Gaiteros de San Jacinto's members were born in San Jacinto in the Colombian Department of Bolívar in the 1940s. Miguel Antonio Hernández Vásquez also known as "Toño" Fernández, assembled a group of San Jacinto musician including Juan and José Lara, P ...
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Culture Of Europe
The culture of Europe is diverse, and rooted in its art, architecture, traditions, cuisines, music, folklore, embroidery, film, literature, economics, philosophy and religious customs. Definition Whilst there are a great number of perspectives that can be taken on the subject, it is impossible to form a single, all-embracing concept of European culture. Nonetheless, there are core elements which are generally agreed upon as forming the cultural foundation of modern Europe. One list of these elements given by K. Bochmann includes:K. Bochmann (1990) ''L'idée d'Europe jusqu'au XXè siècle'', quoted in Berting (2006:52). Cf. Davies (1996:15): "No two lists of the main constituents of European civilization would ever coincide. But many items have always featured prominently: from the roots of the Christian world in Greece, Rome and Judaism to modern phenomena such as the Enlightenment, modernization, romanticism, nationalism, liberalism, imperialism, totalitarianism." * A ...
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African Music
The continent of Africa is vast and its music is diverse, with different regions and nations having many distinct musical traditions. African music includes the genres like makwaya, highlife, mbube, township music, jùjú, fuji, jaiva, afrobeat, afrofusion, mbalax, Congolese rumba, soukous, ndombolo, makossa, kizomba, taarab and others. African music also uses a large variety of instruments from all across the continent. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, salsa music, son cubano, rumba, conga, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic pa ...
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Maraca
A maraca ( , , ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas, also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round '' Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the ( scarlet ibis). It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. ...
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