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Gaffer (filmmaking)
In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production. The gaffer's assistant is the ''best boy electric''. Etymology There are several possible explanations for the history of the term ''gaffer''. One possibility is that the term originally referred to the moving of overhead equipment, or before electricity and in Shakespeare-era play theatres, lighting louvres to control lighting levels using a long pole with a wide grappling hook on its end, called a gaff. Another potential origin is as a contraction of " godfather", originally applied by country people to an elderly man, or one whose position entitled him to respect; the female equivalent was "gammer", a contraction of "godmother". Both words are found in the comic play '' Gammer Gurton's Needle'', printed in 1575 but possibly written earlier. In this etymology, "gaffer" later became used ...
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Patrick Shellenberger In A Production Photograph On The Set Of "Dim Sum, A Little Bit Of Heart"
Patrick may refer to: *Patrick (given name), list of people and fictional characters with this name * Patrick (surname), list of people with this name People * Saint Patrick (c. 385–c. 461), Christian saint * Gilla Pátraic (died 1084), Patrick or Patricius, Bishop of Dublin * Patrick, 1st Earl of Salisbury (c. 1122–1168), Anglo-Norman nobleman * Patrick (footballer, born 1983), Brazilian right-back * Patrick (footballer, born 1985), Brazilian striker * Patrick (footballer, born 1992), Brazilian midfielder * Patrick (footballer, born 1994), Brazilian right-back * Patrick (footballer, born May 1998), Brazilian forward * Patrick (footballer, born November 1998), Brazilian attacking midfielder * Patrick (footballer, born 1999), Brazilian defender * Patrick (footballer, born 2000), Brazilian defender * John Byrne (Scottish playwright) (born 1940), also a painter under the pseudonym Patrick * Don Harris (wrestler) (born 1960), American professional wrestler who uses the ring name Pa ...
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Director Of Photography
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as ''cinematography''. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with the director's vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the director and cin ...
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Electrical Tape
Electrical tape (or insulating tape) is a type of pressure-sensitive tape used to insulate electrical wires and other materials that conduct electricity. It can be made of many plastics but PVC (polyvinyl chloride, "vinyl") is the most popular, as it stretches well and gives effective and long-lasting insulation. Electrical tape for class H insulation is made of fiberglass cloth. Varieties A wide variety of electrical tapes are available, some for highly specialized purposes. "The primary tapes used in electrical applications are vinyl, rubber, mastic, and varnished cambric."Bob Goodman and Rodney G. Brown (3M).Electrical Taping Skills: A Lost Art?, ''EC&M'', p.2. Electricians may use various colors of tape to insulate wire and to indicate the voltage level and phase of the wire (colored tape sometimes is called "phasing tape"). When wires are phased, a ring of tape is placed on each end near the termination so that the purpose of the wire is obvious. The following tabl ...
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Pressure-sensitive Tape
Pressure-sensitive tape or pressure-sensitive adhesive tape (PSA tape) is an adhesive tape that sticks when pressure is applied without the need for a solvent (such as water) or heat for activation. It is also known in various countries as self-stick tape, sticky tape, or just adhesive tape and tape, as well as genericized trademarks, such as '' Sellotape'', '' Durex (tape)'', '' Scotch tape'', etc. PSA tape consists of three components: *the tape itself, which often is cellophane, cellulose acetate, or polyvinyl chloride. Other materials include paper, plastic film, cloth, or metal foil coated onto a backing material such as paper, plastic film, cloth, or metal foil. *a pressure-sensitive adhesive. *release liner, which keeps the tape from sticking to itself. Some have layers of adhesives, primers, release agents, filaments, printing, etc. made for specific functions. It sticks without the need for a solvent such as water or heat for activation. By contrast, "gummed" ...
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Gaffer Tape
Gaffer tape (also known as gaffer's tape, gaff tape or gaffa tape as well as spike tape for narrow, colored gaffer tape) is a heavy cotton cloth pressure-sensitive tape with strong adhesive and tensile properties. It is widely used in theatre, photography, film production, film, radio broadcasting, radio and television production, and industrial staging work. While sometimes confused with duct tape, gaffer tape differs in the composition of both the backing, which is made from fabric as opposed to vinyl or other plastics, and the adhesive, which is more resistant to heat and more easily removed without damaging the surface to which it adhered. History The precise origin of the name is unknown, one hypothesis being that it is named for the Gaffer (filmmaking), gaffer (chief lighting technician) on a film crew. When cables are taped down on a stage or other surface, either to prevent tripping hazards or conceal them from view of the audience or camera, they are said to be ''gaf ...
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Lighting Technician
An electrical lighting technician, or simply lighting technician, is involved with rigging stage and location sets and controlling artificial, electric lights for art and entertainment venues (theatre or live music venues) or in video, television, or film production. In a theater production, lighting technicians work under the lighting designer and master electrician. In video, television, and film productions, lighting technicians work under the direction of the gaffer or chief lighting technician who takes their direction from the cinematographer. In live music, lighting technicians work under the lighting director. All heads of department report to the production manager. Lighting technicians are responsible for the movement and set up of various pieces of lighting equipment for separation of light and shadow or contrast, depth of field or visual effects. Lighting Technicians may also lay electrical cables, wire fixtures, install color effects or image patterns, focus the ...
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Gobo (lighting)
A gobo is an object placed inside or in front of a light source to control the shape of the emitted light and its shadow.Kelby, Scott (2006). The digital photography book : the step-by-step secrets for how to make your photos look like the pros'! First edition, p. 40. Peachpit Press, Berkeley, California. For studio photography purposes, the term "gobo" has come to refer to any device that casts a shadow, and various pieces of equipment that go in front of a light (such as a gobo arm or gobo head). In theatrical lighting, however, the term more specifically refers to a device placed in "the gate" or at the "point of focus" between the light source, called a lamp, and the lenses (or other optics). Derivation The exact derivation of the term ''gobo'' is unclear, although it appears to have originated in cinema studios in the 1930s. It may be an American slang abbreviation of "go-between", or "go-before" (just as New York's "SoHo" signifies the area "South of Houston St ...
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Flag (lighting)
A flag is a device used in lighting for motion picture and still photography to block light. It can be used to cast a shadow, provide negative fill, or protect the lens from a flare. Its usage is generally dictated by the director of photography, but the responsibility for placing them can vary by region, usually devolving to either the gaffer and electricians (in the UK and much of The Commonwealth) or the key grip and lighting grips (in the US and Canada). Flags come in a wide variety of shapes and sizes, from mere square inches ("dots and fingers") to many square feet ("meat axes"). Most "industry-standard" flags consist of a square wire frame stitched with black duvetyne, which minimizes any reflected light and keeps the flag lightweight. Flags are distinguished from larger light-cutting tools such as overhead rigs or butterflies in that they can be mounted on individual C-stands, as opposed to being affixed to collapsible frames. The above notwithstanding, given ...
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Grip (job)
In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a camera dolly, dolly, crane operators, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second function is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography. In the UK, Australia and most parts of Europe, grips are not involved in lighting. In the "British System", adopted throughout Europe and the Commonwealth of Nations, Commonwealth (excluding Canada), a grip is solely responsible for camera mounting and support ...
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Key Grip
A key grip is a senior role on movie sets, involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the camera and collaborating with the director of photography. The key grip relies on the best boy as their foreperson to supervise the grip crew. Industry myths vary as to the origins of the name "grip". Some say it originated from the early days of the film industry when a production crew consisted of a director, camera person, assistants and workers. Workers acted as handymen, setting up all equipment needed, working from a kit, container or bag containing their tools. This bag was known as a "grip" and, as the industry evolved and workers began to separate into specialized groups, the name grip stuck with those that ...
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Picture Play (magazine)
''Picture Play'', originally titled ''Picture-Play Weekly'' was an American weekly magazine focusing on the film industry. Its first edition was published on April 10, 1915. It eventually transitioned from a weekly to a monthly magazine, before ending its production run, when it continued as '' Your Charm'', in March 1941. History ''Picture-Play Weekly'' began as a weekly magazine on April 10, 1915. By the end of the year it had become a semi-monthly magazine, and its name had changed to ''Picture-Play Magazine'', changed to a monthly format several months later in March 1916. Its next transformation came in May 1927, when it shortened its title and removed the hyphen, taking its final name of ''Picture Play''. Published by Street & Smith, its original editor was Charles Gatchell, who began as a cartoonist, and thereby had a pictorial style. By 1917 it had built up a circulation of over 200,000. Along with ''Photoplay ''Photoplay'' was one of the first American film fan maga ...
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Film Crew
A film crew is a group of people, hired by a production company, for the purpose of Filmmaking, producing a film or motion picture. The crew is distinguished from the Ensemble cast, cast, as the cast are understood to be the actors who appear in front of the camera or Voice acting, provide voices for characters in the film. The crew is also separate from the Film producer, producers, as the producers are the ones who own a portion of either the film studio or the film's Intellectual property#Rights, intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the Filmmaking#Production, production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures. Motion picture projects have three discrete stages: development, production, and distribution. Within the producti ...
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