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Funky Drummer
"Funky Drummer" is a song by James Brown recorded in 1969 and released as a single in 1970. Its drum break, Musical improvisation, improvised by Clyde Stubblefield, is one of the most frequently sampling (music), sampled music recordings. Recording and composition "Funky Drummer" was recorded on November 20, 1969, in Cincinnati, Ohio. It is an extended Vamp (music), vamp, with individual instruments (mostly the guitar, tenor saxophones and Organ (music), organ) improvising brief lick (music), licks on top. Brown's ad-libbed vocals are sporadic and declamatory, mostly concerned with encouraging the other band members. The song is played in the key of D minor, though the first verse is in C major. As in the full-length version of "Cold Sweat", Brown announces the upcoming drum break, which comes late in the recording, requesting to "give the drummer some." He tells Clyde Stubblefield, Stubblefield "You don't have to do no soloing, brother, just keep what you got... Don't turn it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Brown
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, dancer, musician, and record producer. The central progenitor of funk music and a major figure of 20th-century music, he is referred to by Honorific nicknames in popular music, various nicknames, among them "Mr. Dynamite", "the Hardest-Working Man in Show Business", "Minister of New Super Heavy Funk", "Godfather of Soul", "King of Soul", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first ten inductees into the Rock and Roll Hall of Fame on January 23, 1986. His music has been heavily sampled by hip-hop musicians and other artists. Brown began his career as a Gospel music, gospel singer in Toccoa, Georgia. He rose to prominence in the mid-1950s as the lead singer of the Famous Flames, a rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads "Please, Please, Please (James Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cold Sweat
"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, more than seven minutes long, was included on an album of the same name. Brown's lyrics describe how his woman's affections make him "break out in a cold sweat." In 2016 James Brown's "Cold Sweat-Part 1" was inducted into the Grammy Hall of Fame. Creation "Cold Sweat" developed from an earlier James Brown R&B song, "I Don't Care", recorded in 1962 and first released on the album '' James Brown and His Famous Flames Tour the U.S.A.''. According to Brown, "it was a slow, bluesy tune then. It was good that way, but I was really getting into my funk bag now, and it became an almost completely different tune, except for the lyrics." Arranger and co-composer Pee Wee Ellis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one Performing arts#Performers, performer or by several performers. If the recordings are from one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If the recordings are from several artists, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single (music)
In Music industry, music, a single is a type of Art release#Music, release of a song Sound recording, recording of fewer tracks than an album (LP record, LP), typically one or two tracks. A single can be released for record sales, sale to the public in a variety of physical or digital formats. Singles may be standalone tracks or connected to an artist's album, and in the latter case would often have at least one single release before the album itself, called lead singles. The single was defined in the mid-20th century with the ''45'' (named after its speed in revolutions per minute), a type of 7-inch sized vinyl records, vinyl record containing an A-side and B-side, A-side and a B-side, i.e. one song on each side. The single format was highly influential in pop music and the early days of rock and roll, and it was the format used for jukeboxes and preferred by younger populations in the 1950s and 1960s. Singles in Digital distribution, digital form became very popular in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolutions Per Minute
Revolutions per minute (abbreviated rpm, RPM, rev/min, r/min, or r⋅min−1) is a unit of rotational speed (or rotational frequency) for rotating machines. One revolution per minute is equivalent to hertz. Standards ISO 80000-3:2019 defines a physical quantity called ''rotation'' (or ''number of revolutions''), dimensionless, whose instantaneous rate of change is called ''rotational frequency'' (or ''rate of rotation''), with units of reciprocal seconds (s−1). A related but distinct quantity for describing rotation is ''angular frequency'' (or ''angular speed'', the magnitude of angular velocity), for which the SI unit is the radian per second (rad/s). Although they have the same dimensions (reciprocal time) and base unit (s−1), the hertz (Hz) and radians per second (rad/s) are special names used to express two different but proportional ISQ quantities: frequency and angular frequency, respectively. The conversions between a frequency and an angular frequency ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Records (USA)
King Records may refer to: *King Records (Japan), a Japanese record label founded in 1931 *King Records (United States) King Records was an American label founded in 1943 by Syd Nathan in Cincinnati, Ohio, United States. The label owned several divisions, including Federal Records, which launched the career of James Brown. It released original material until 19 ..., an American record label active 1943–1975 * Lizard King Records, a New York and London-based independent label founded in 2002 {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). In sound recording and reproduction a song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Quick fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the attack in vocal plosives and percussion sounds. Professional turntablists and DJs in hip hop music use faders on a DJ mixer, notably the horizontal crossfader, in a rapid fashion while simultaneously manipulating two or more record players (or other sound sources) to create ''scratching'' and develop beats. Club DJs in house music and techno use DJ mixers, two or more sound s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reprise
In music, a reprise ( , ; from the verb 'to resume') is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs. A partial or abbreviated reprise is known as a petite reprise ( , ). In Baroque music this usually occurs at the very end of a piece, repeating the final phrase with added ornamentation. Song reprises Reprise can refer to a version of a song which is similar to, yet different from, the song on which it is based. One example could be "Time", the fourth song from Pink Floyd's 1973 album '' The Dark Side of the Moon'', which contains a reprise of " Breathe", the second song of the same album. Pink Floyd's 1979 album '' The Wall'' also features a reprise in the form of In the Flesh?/In the Flesh, with the former being the opening track, and the latter being a so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, Equalization (audio), equalized, sped up or slowed down, repitched, Loop (music), looped, or otherwise manipulated. They are usually integrated using electronic music instruments (Sampler (musical instrument), samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with ''musique concrète'', experimental music created by Tape splice, splicing and Tape loop, looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Break (music)
In popular music, a break is an instrumental or percussion instrument, percussion section during a song derived from or related to stop-time – being a "break" from the main section (music), parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
