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Flora (mythology)
Flora () is a Roman goddess of flowers and spring. She was one of the twelve deities of traditional Roman religion who had their own flamen, the ''Floralis'', one of the '' flamines minores''. Her association with spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She is one of several fertility goddesses and a relatively minor figure in Roman mythology. Her Greek counterpart is Chloris. Etymology The name ''Flōra'' descends from Proto-Italic ''*flōsā'' ('goddess of flowers'), itself a derivation from Proto-Italic ''*flōs'' ('flower'; cf. Latin ''flōs'', ''flōris'' 'blossom, flower'). It is cognate with the Oscan goddess of flowers ''Fluusa'', demonstrating that the cult was known more widely among Italic peoples. The name ultimately derives from Proto-Indo-European ''*bʰleh₃ōs'' ('blossoming'). Festivals and temples Flora's festival, the Floralia, was held between April 28 and May 3 and was celebrated with drin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elysium
Elysium (), otherwise known as the Elysian Fields (, ''Ēlýsion pedíon''), Elysian Plains or Elysian Realm, is a conception of the afterlife that developed over time and was maintained by some Greek religious and philosophical sects and cults. It was initially separated from the Greek underworld – the realm of Hades. Only mortals related to the gods and other heroes could be admitted past the river Styx. Later, the conception of who could enter was expanded to include those chosen by the gods, the righteous, and the heroic. They would remain at the Elysian Fields after death, to live a blessed and happy afterlife, and indulge in whatever they had enjoyed in life. The Elysian Fields were, according to Homer, located on the western edge of the Earth by the stream of Oceanus. In the time of the Greek poet Hesiod, Elysium would also be known as the " Fortunate Isles", or the "Isles (or Islands) of the Blessed", located in the western ocean at the end of the earth. The Isl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cognate
In historical linguistics, cognates or lexical cognates are sets of words that have been inherited in direct descent from an etymological ancestor in a common parent language. Because language change can have radical effects on both the sound and the meaning of a word, cognates may not be obvious, and it often takes rigorous study of historical sources and the application of the comparative method to establish whether lexemes are cognate. Cognates are distinguished from loanwords, where a word has been borrowed from another language. Name The English term ''cognate'' derives from Latin , meaning "blood relative". Examples An example of cognates from the same Indo-European root are: ''night'' ( English), ''Nacht'' ( German), ''nacht'' ( Dutch, Frisian), ''nag'' (Afrikaans), ''Naach'' ( Colognian), ''natt'' ( Swedish, Norwegian), ''nat'' ( Danish), ''nátt'' ( Faroese), ''nótt'' ( Icelandic), ''noc'' ( Czech, Slovak, Polish), ночь, ''noch'' ( Russian), но� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interpretatio Graeca
, or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods. It is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a Comparative religion, comparative methodology using Religion in ancient Greece, ancient Greek religious concepts and practices, List of Greek deities, deities, and Greek mythology, myths, Comparative mythology, equivalencies, and shared characteristics. The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes ancient Egyptian religion, Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Cult (religious practice), Roman cults, Roman temple, temples, and practices under the names of equivalent Greek deities. may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek model ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world; the lives and activities of List of Greek deities, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures; and the origins and significance of the ancient Greeks' cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalia (festival)
In the Roman Empire, Rosalia or Rosaria was a festival of roses celebrated on various dates, primarily in May, but scattered through mid-July. The observance is sometimes called a ''rosatio'' ("rose-adornment") or the ''dies rosationis'', "day of rose-adornment," and could be celebrated also with violets ''(violatio'', an adorning with violets, also ''dies violae'' or ''dies violationis'', "day of the "). As a commemoration of the dead, the ''rosatio'' developed from the custom of placing flowers at burial sites. It was among the extensive private religious practices by means of which the Romans cared for their dead, reflecting the value placed on tradition ''(mos maiorum'', "the way of the ancestors"), family lineage, and memorials ranging from simple inscriptions to grand public works. Several dates on the Roman calendar were set aside as public holidays or memorial days devoted to the dead. As a religious expression, a ''rosatio'' might also be offered to the cult statue o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ithyphallic
A phallus (: phalli or phalluses) is a penis (especially when erect), an object that resembles a penis, or a mimetic image of an erect penis. In art history, a figure with an erect penis is described as ''ithyphallic''. Any object that symbolically—or, more precisely, iconically—resembles a penis may also be referred to as a phallus; however, such objects are more often referred to as being phallic (as in "phallic symbol"). Such symbols often represent fertility and cultural implications that are associated with the male sexual organ, as well as the male orgasm. Etymology The term is a loanword from Latin ''phallus'', itself borrowed from Greek (''phallos''), which is ultimately a derivation from the Proto-Indo-European root *''bʰel''- "to inflate, swell". Compare with Old Norse (and modern Icelandic) ''boli'', "bull", Old English ''bulluc'', "bullock", Greek , "whale". Archaeology The Hohle phallus, a 28,000-year-old siltstone phallus discovered in the Hohle Fels c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimes
A mime artist, or simply mime (from Greek , , "imitator, actor"), is a person who uses ''mime'' (also called ''pantomime'' outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime has been inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical comedy, physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the theatre, stage and film. Historical context T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple Of Flora
The Temple of Flora was an ancient sanctuary on the Quirinal Hill in Ancient Rome, erected in 238 BCE and dedicated to the Flora (mythology), goddess Flora.Filippo Coarelli, Guida archeologica di Roma, Verona, Arnoldo Mondadori Editore, 1984. History In 240 B.C.E, the festival ''Floralia'' was introduced in Rome on the advice of the Sibylline books, and two years later a temple was erected, also with the support of the Sibylline books. Because of their sexual connotations, the festival and the cult centered in the temple of Flora were hated by the Christians, who attempted to have the popular worship discredited by claiming that it had been founded in honor of a prostitute. The cult was likely suppressed in the 4th-century during the persecution of pagans in the late Roman Empire, when the sanctuary would have been closed. See also *List of Ancient Roman temples References {{Expand Italian, Tempio e circo di Flora, date=October 2018 238 BC 3rd-century BC establishments in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sibylline Books
The ''Sibylline Books'' () were a collection of oracular utterances, set out in Greek hexameter verses, that, according to tradition, were purchased from a sibyl by the last king of Rome, Lucius Tarquinius Superbus, and consulted at momentous crises through the history of the Roman Republic and the Empire. Only fragments have survived, the rest being lost or deliberately destroyed. The ''Sibylline Books'' are not the same as the ''Sibylline Oracles'', which are fourteen books and eight fragments of prophecies thought to be of Judaeo-Christian origin. History left, Erythraean_Sibyl.html" ;"title="Michelangelo's rendering of the Erythraean Sibyl">Michelangelo's rendering of the Erythraean Sibyl According to the Roman tradition, the oldest collection of Sibylline books appears to have been made about the time of Solon and Cyrus the Great, Cyrus at Gergis, Troad, Gergis on Mount Ida (Turkey), Mount Ida in the Troad; it was attributed to the Hellespontine Sibyl and was preserve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludi
''Ludi'' (Latin:games; plural of "ludus") were public games held for the benefit and entertainment of the Roman people (''populus Romanus''). ''Ludi'' were held in conjunction with, or sometimes as the major feature of, Roman religious festivals, and were also presented as part of the cult of state. The earliest ''ludi'' were horse races in the circus (''ludi circenses''). Animal exhibitions with mock hunts ('' venationes'') and theatrical performances (''ludi scaenici'') also became part of the festivals. Because some of these entertainments are not competitive "games", ''ludi'' may also be translated more generally as "shows". Days on which ''ludi'' were held were public holidays, and no business could be conducted—"remarkably," it has been noted, "considering that in the Imperial era more than 135 days might be spent at these entertainments" during the year. Although their entertainment value may have overshadowed religious sentiment at any given moment, even in lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
