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Featherwork
Featherwork is the working of feathers into a work of art or cultural artifact. This was especially elaborate among the peoples of Oceania and the Americas, such as the Incas and Aztecs. Feathered cloaks and headdresses include the '' ʻahuʻula'' capes and '' mahiole'' helmets were worn by Hawaiian royalty; many are now on display at the Bishop Museum, and other museums across the world. Kāhili are a type of feathered standard, another symbol of royalty. The introduction of foreign species, overhunting, and environment changes drove birds with desirable feathers, such as the ‘ō‘ō and mamo, to extinction, although the ʻiʻiwi managed to survive despite its popularity. Mexican feather work was a Pre-Columbian art form which was continued after the Conquest of the Aztec Empire, originally organized by the Spanish missionaries into a luxury export trade, sending objects back to Europe. Immediately after the conquest existing objects such as Montezuma's headdress, no ...
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Aztec
The Aztecs () were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states ('' altepetl''), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca; Texcoco; and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahua polities or peoples of central Mexico in the prehispanic era, as well as the Spanish colonial era (1521–1821). The definitions of Aztec and Aztecs h ...
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Featherwork
Featherwork is the working of feathers into a work of art or cultural artifact. This was especially elaborate among the peoples of Oceania and the Americas, such as the Incas and Aztecs. Feathered cloaks and headdresses include the '' ʻahuʻula'' capes and '' mahiole'' helmets were worn by Hawaiian royalty; many are now on display at the Bishop Museum, and other museums across the world. Kāhili are a type of feathered standard, another symbol of royalty. The introduction of foreign species, overhunting, and environment changes drove birds with desirable feathers, such as the ‘ō‘ō and mamo, to extinction, although the ʻiʻiwi managed to survive despite its popularity. Mexican feather work was a Pre-Columbian art form which was continued after the Conquest of the Aztec Empire, originally organized by the Spanish missionaries into a luxury export trade, sending objects back to Europe. Immediately after the conquest existing objects such as Montezuma's headdress, no ...
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Mexican Feather Work
Mexican featherwork, also called "plumería", was an important artistic and decorative technique in the pre-Hispanic and colonial periods in what is now Mexico. Although feathers have been prized and feather works created in other parts of the world, those done by the ''amanteca'' or feather work specialists impressed Spanish conquerors, leading to a creative exchange with Europe. Featherwork pieces took on European motifs in Mexico. Feathers and feather works became prized in Europe. The "golden age" for this technique as an art form was from just before the Spanish conquest to about a century afterwards. At the beginning of the 17th century, it began a decline due to the death of the old masters, the disappearance of the birds that provide fine feathers and the depreciation of indigenous handiwork. Feather work, especially the creation of "mosaics" or "paintings" principally of religious images remained noted by Europeans until the 19th century, but by the 20th century, the little ...
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Feather
Feathers are epidermal growths that form a distinctive outer covering, or plumage, on both avian (bird) and some non-avian dinosaurs and other archosaurs. They are the most complex integumentary structures found in vertebrates and a premier example of a complex evolutionary novelty. They are among the characteristics that distinguish the extant birds from other living groups. Although feathers cover most of the bird's body, they arise only from certain well-defined tracts on the skin. They aid in flight, thermal insulation, and waterproofing. In addition, coloration helps in communication and protection. Plumology (or plumage science) is the name for the science that is associated with the study of feathers. Feathers have a number of utilitarian, cultural, and religious uses. Feathers are both soft and excellent at trapping heat; thus, they are sometimes used in high-class bedding, especially pillows, blankets, and mattresses. They are also used as filling for winter ...
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Coyotlinahual
In Aztec mythology, Coyotlinahual or Coyotl Inahual (Nahuatl for "the coyote is his disguise"; ) is the god of featherwork Featherwork is the working of feathers into a work of art or cultural artifact. This was especially elaborate among the peoples of Oceania and the Americas, such as the Incas and Aztecs. Feathered cloaks and headdresses include the '' ʻahuʻu ...ers (''amanteca''). References Aztec gods Crafts gods {{mesoamerica-myth-stub ...
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Montezuma's Headdress
Moctezuma's headdress is a featherwork headdress or military device ( nah, quetzalāpanecayōtl ) which tradition holds belonged to Moctezuma II, the Aztec emperor at the time of the Spanish conquest. However, its provenance is uncertain,González de Alba, Luis. "El penacho de un pobre diablo", en el periódico La Jornadaversión electrónica./ref> and even its identity as a headdress has been questioned.Rodríguez, Ana Mónica. "El penacho de Moctezuma es una capa de sacerdote, afirma un investigador", La Jornadaversión electrónica It is made of quetzal and other feathers with sewn-on gold detailing. It is now in the Weltmuseum Wien, and is a source of dispute between Austria and Mexico, as no similar pieces remain in Mexico. Description The feathers of the piece have deteriorated over the centuries. It is high and across and has the form of concentric layers of different colored feathers arranged in a semicircle. The smallest is made from blue feathers of the ''Cotinga amabi ...
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Mahiole
Hawaiian feather helmets, known as ''mahiole'' in the Hawaiian language, were worn with feather cloaks (ʻahu ʻula). These were symbols of the highest rank reserved for the men of the ''alii'', the chiefly class of Hawaii. There are examples of this traditional headgear in museums around the world. At least sixteen of these helmets were collected during the voyages of Captain Cook.To attempt some new discoveries in that vast unknown tract
Adrienne Kaeppler, Smithsonian Museum of Natural History, Washington DC Cook’s Pacific Encounters symposium, National Museum of Australia, 28 July 2006
These helmets are made from a woven frame structure decorated with bird feathers an ...
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Hawai'i Mamo
The Hawaii mamo (''Drepanis pacifica'') is an extinct species of Hawaiian honeycreeper. It was endemic to Hawaii. It became extinct due to habitat loss, mosquitoes, introduced predators such as mongoose, and overcollecting. Description This bird averaged 9 inches (22.86 cm) in length. It was mostly black with bright yellow feathers on its rump, undertail coverts, shoulders, and legs. There was a white patch on the primaries. It had small, black eyes and was the centerpiece of portraits. It had a slightly decurved blackish bill, some three inches long. Juveniles may have been brown.http://julianhume.co.uk/wp-content/uploads/2010/07/Olson-Hume-Drepanis-plumages.pdf This shy species lived in the forest canopy and fed on lobelia nectar, from the plant's curved, tubular flowers. Its call was a long, plaintive whistle. In Hawaiian culture The mamo was one of the most honored birds in pre-European Hawaiian society. Its yellow feathers were used to create capes and hats (feathe ...
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Feathered Cloak
Feather cloaks have been used by several cultures. Hawaii Elaborate feather cloaks called '' ʻahuʻula'' were created by early Hawaiians for the '' alii'' (royalty). Feathers were also used in women's skirts called ''pāū''. The ''iiwi'' ('' Vestiaria coccinea'') and ''apapane'' ('' Himatione sanguinea''), which provided red feathers, were killed and skinned due to their abundance. Yellow feathers were obtained from the mostly black and rarer ''ōō'' ('' Moho nobilis'') and ''mamo'' ('' Drepanis pacifica'') using a catch and release philosophy to ensure future availability. Famous works include: * Nāhienaena's Paū, feather skirt of Princess Nāhienaena and funeral garment of Hawaiian royals * Kamehameha's Cloak, feather cloak of Kamehameha I made entirely of the golden-yellow feather of the mamo, used by the kings of Hawaii * Kiwalao's Cloak, feather cloak of Kīwalaʻō captured by Kamehameha I in 1782, used by the Queens of Hawaii * Liloa's Kāei, sash of Ki ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ...
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The Feather Book Of Dionisio Minaggio
''The Feather Book of Dionisio Minaggio'', also referred to in Italian as ''Il bestiario barocco'' (''The Baroque Bestiary''), is a collection of 156 pictures made almost entirely from bird feathers augmented with pieces of bird skin, feet, and beaks. They were created between 1616 and 1618 by Dionisio Minaggio, the chief gardener of the Duchy of Milan and were originally bound into a book. The majority of pictures in the book are of birds indigenous to the Lombardy region of Italy at the time, but it also contained sets of other images depicting hunters, tradesmen, musicians, and ''commedia dell'arte'' characters. Subjects There are 156 plates in all, one of which served as the title page. Only Plate 54, a landscape, does not contain any birds or people. Although the images of musicians (Plates 77–84) and ''commedia dell'arte'' characters (Plates 100–114) were numbered consecutively, the images of hunters and tradesmen were interspersed amongst those with birds as the centra ...
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Cultural Artifact
A cultural artifact, or cultural artefact (see American and British English spelling differences), is a term used in the social sciences, particularly anthropology, ethnology and sociology for anything created by humans which gives information about the culture of its creator and users. ''Artifact'' is the spelling in North American English; ''artefact'' is usually preferred elsewhere. Cultural artifact is a more generic term and should be considered with two words of similar, but narrower, nuance: it can include objects recovered from archaeological sites, i.e. archaeological artifacts, but can also include objects of modern or early-modern society, or social artifacts. For example, in an anthropological context: a 17th-century lathe, a piece of faience, or a television each provides a wealth of information about the time in which they were manufactured and used. Cultural artifacts, whether ancient or current, have a significance because they offer an insight into: tech ...
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