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Ehon
is the Japanese term for picture books. It may be applied in the general sense, or may refer specifically to a type of woodblock printed illustrated volume published in the Edo period (1603–1867). The first were religious items with images by Buddhist painters. Those from the Muromachi period are typically known as . In the early modern period (1600–1868) illustrated books exploded in popularity. They covered a diverse range of subjects with experimentation in production techniques. production was a significant part of the Japanese publishing industry (particularly) during the 19th century; most Japanese woodblock print artists of the period produced designs (often in large quantities), as commercial work. Toward the end of the 19th century, chapter-books were eclipsed in popularity by the new "Western" concept of literary magazines. These were larger books which contained more, and a wider range of material per-issue, but usually fewer pictures (measured on a text-to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōoka Shunboku
was an ukiyo-e artist and painter who was known for his bird-and-flower paintings. Shunboku was born in the Kansai region, and lived most of his professional life in Osaka. Throughout his career Shunboku engraved reproductions of old masters, such as early exponents of the Kanō school. From the late 1710s until shortly before his death, he reproduced numerous paintings for various books. One of these anthologies is ''Ehon tekagami'' (1720), an ''e-hon'' ("picture book") in which Shunboku attempts to demonstrate the characteristic style of each artist. (A ''tekagami'' is a hand mirror.) His notes and citations preserve some otherwise obscure works, and the names of their creators. His efforts helped propagate classic paintings throughout Japan. Shunboku edited ''Mincho shiken'' (1746), a two-volume illustrated album printed in colour by Shibukawa Seiemon et al. See also * List of Japanese artists * List of ukiyo-e terms * Schools of ukiyo-e artists *Woodblock printing in Jap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunchō
Ippitsusai Bunchō (, ) was a Japanese ukiyo-e artist, best known for his '' yakusha-e'' actor prints in narrow '' hosoban'' dimensions. Bunchō and Katsukawa Shunshō are credited with having developed kabuki actor portraiture focuses on producing likenesses of the subjects, rather than stereotyped faces. Little is known about Bunchō's life. His birth surname was Mori, and he is believed to have studied painting under Ishikawa Yukimoto of the Kanō school. The earliest known works attributed to Bunchō are the illustrations to Hachimonji Jishō II's ''Eiga asobi nidai otoko'' (1755). Between 1766 and 1774 he made a large number of actor prints in the narrow vertical ''hosoban'' dimensions. In 1770 he produced the three-volume ''Ehon butai ōgi'' (, "Picture-book of Stage Fans") with Katsukawa Shunshō, which depicts the leading kabuki actors of the day on ''ōgi'' hand fans; Bunchō handled the ''onnagata''—male actors who portray female characters. It was popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hokusai
, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'' includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshiwara
was a famous ( red-light district) in Edo, present-day Tokyo, Japan. Established in 1617, Yoshiwara was one of three licensed and well-known red-light districts created during the early 17th century by the Tokugawa shogunate, alongside Shimabara in Kyoto in 1640Avery, Anne Louise. ''Flowers of the Floating World: Geisha and Courtesans in Japanese Prints and Photographs, 1772–1926'' xhibition Catalogue(Sanders of Oxford & Mayfield Press: Oxford, 2006) and Shinmachi in Osaka. Created by the shogunate to curtail the tastes of and sequester the nouveau riche (merchant) classes, the entertainment offered in Yoshiwara, alongside other licensed districts, would eventually originate geisha, who would become known as the fashionable companions of the classes and simultaneously cause the demise of , the upper-class courtesans of the red-light districts. History 17th and 18th century The licensed district of Yoshiwara was created in the city of Edo, near to the area today ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Shogunate
The Tokugawa shogunate, also known as the was the military government of Japan during the Edo period from 1603 to 1868. The Tokugawa shogunate was established by Tokugawa Ieyasu after victory at the Battle of Sekigahara, ending the civil wars of the Sengoku period following the collapse of the Ashikaga shogunate. Ieyasu became the ''shōgun,'' and the Tokugawa clan governed Japan from Edo Castle in the eastern city of Edo (Tokyo), Edo (Tokyo) along with the ''daimyō'' lords of the ''samurai'' class. The Tokugawa shogunate organized Japanese society under the strict Edo society, Tokugawa class system and banned most foreigners under the isolationist policies of ''Sakoku'' to promote political stability. The Tokugawa shoguns governed Japan in a feudal system, with each ''daimyō'' administering a ''Han system, han'' (feudal domain), although the country was still nominally organized as provinces of Japan, imperial provinces. Under the Tokugawa shogunate, Japan experienced rapid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hokku
is the opening stanza of a Japanese orthodox collaborative linked poem, '' renga'', or of its later derivative, '' renku'' (''haikai no renga''). From the time of Matsuo Bashō (1644–1694), the ''hokku'' began to appear as an independent poem, and was also incorporated in haibun (in combination with prose). In the late 19th century, Masaoka Shiki (1867–1902) renamed the standalone ''hokku'' as "''haiku''", and the latter term is now generally applied retrospectively to all ''hokku'' appearing independently of ''renku'' or ''renga'', irrespective of when they were written. The term ''hokku'' continues to be used in its original sense, as the opening verse of a linked poem. Content Within the traditions of renga and renku, the ''hokku'', as the opening verse of the poem, has always held a special position. It was traditional for the most honoured guest at the poetry-writing session to be invited to compose it and he would be expected to offer praise to his host and/or depre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
