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Early Netherlandish Painting
Early Netherlandish painting is the body of work by artists active in the Burgundian Netherlands, Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the beginning of the Dutch Revolt in 1566 or 1568 – Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Renaissance, High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Eyck - Arnolfini Portrait
A van is a type of road vehicle used for transporting goods or people. There is some variation in the scope of the word across the different English-speaking countries. The smallest vans, microvans, are used for transporting either goods or people in tiny quantities. Mini MPVs, compact MPVs, and MPVs are all small vans usually used for transporting people in small quantities. Larger vans with passenger seats are used for institutional purposes, such as transporting students. Larger vans with only front seats are often used for business purposes, to carry goods and equipment. Specially equipped vans are used by television stations as mobile studios. Postal services and courier companies use large step vans to deliver packages. Word origin and usage Van meaning a type of vehicle arose as a contraction of the word caravan. The earliest records of a van as a vehicle in English are in the mid-19th century, meaning a covered wagon for transporting goods; the earliest reported r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter Bruegel The Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder ( , ; ; – 9 September 1569) was among the most significant artists of Dutch and Flemish Renaissance painting, a painter and printmaking, printmaker, known for his landscape art, landscapes and peasant scenes (so-called Genre art, genre painting); he was a pioneer in presenting both types of subject as large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of old master print, prints for the leading publisher of the day. At the end of the 1550s, he made painting his main medium, and all his famous paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illusionism (art)
Illusionism in art history means either the artistic tradition in which artists create a work of art that appears to share the physical space with the viewer"Illusionism," ''Grove Art Online''. Oxford University Press, ccessed 17 March 2008 or more broadly the attempt to represent physical appearances precisely – also called mimesis. The term '' realist'' may be used in this sense, but that also has rather different meanings in art, as it is also used to cover the choice of ordinary everyday subject-matter, and avoiding idealizing subjects. Illusionism encompasses a long history, from the deceptions of Zeuxis and Parrhasius to the works of muralist Richard Haas in the twentieth century, that includes '' trompe-l'œil'', anamorphosis, optical art, abstract illusionism, and illusionistic ceiling painting techniques such as ''di sotto in sù'' and ''quadratura''. Sculptural illusionism includes works, often painted, that appear real from a distance. Other forms, such as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Bosch
Hieronymus Bosch (; ; born Jheronimus van Aken ; – 9 August 1516) was a Dutch people, Dutch painter from Duchy of Brabant, Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic art, fantastic illustrations of religious concepts and narratives. Within his lifetime, his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a highly individualistic pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Van Der Goes
Hugo van der Goes ( – 1482) was a Flemish painter who was one of the most significant and original Early Netherlandish painters of the late 15th century. Van der Goes was an important painter of altarpieces as well as portraits. He introduced important innovations in painting through his monumental style, use of a specific colour range and individualistic manner of portraiture. From 1483 onwards, the presence of his masterpiece, the Portinari Triptych, in Florence played a role in the development of realism and the use of colour in Italian Renaissance art.Till-Holger Borchert, ''Hugo van der Goes'' at Flemish Primitives Life Hugo van der Goes was likely born in Ghent or in the vicinity of Ghent around the year 1440. Nothing is known with c ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Memling
Hans Memling (also spelled Memlinc; – 11 August 1494) was a German-Flemish people, Flemish painter who worked in the tradition of Early Netherlandish painting. Born in the Middle Rhine region, he probably spent his childhood in Mainz. During his apprenticeship as a painter he moved to the Netherlands and spent time in the Brussels workshop of Rogier van der Weyden. In 1465 he was made a citizen of Bruges, where he became one of the leading artists and the master of a large workshop. A tax document from 1480 lists him among the wealthiest citizens. Memling's religious works often incorporated donor portraits of the clergymen, aristocrats, and burgher (title), burghers (bankers, merchants, and politicians) who were his patrons. These portraits built upon the styles which Memling learned in his youth. He married Anna de Valkenaere sometime between 1470 and 1480, and they had three children. Memling's art was rediscovered in the 19th century, attaining wide popularity. Life and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrus Christus
Petrus Christus (; 1410/1420 – c. 1475/1476) was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling, he became the leading painter after the death of Jan van Eyck. He was influenced by van Eyck and Rogier van der Weyden and is noted for his innovations with linear perspective and a meticulous technique which seems derived from miniatures and manuscript illumination. Today, some 30 works are confidently attributed to him.Petrus Christus (active by 1444, died 1475/76) . Metropolitan Museum of Art. Retrieved 9 March 2014 The best known include the ''Portrait of a Carthusian'' (1446) and ''Portrait of a Young Girl (Christus), Portrait of a Young Girl'' (); both are highly innovative in the presentation of the figure against detailed, rather than flat, backgrou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieric Bouts
Dieric Bouts (born – 6 May 1475) was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck. He worked in Leuven from 1457 (or possibly earlier) until his death in 1475. Bouts was among the first northern painters to demonstrate the use of a single vanishing point (as illustrated in his ''Last Supper''). Works Early works (before 1464) Bouts' earliest work is the '' Triptych of the Virgin's Life'' in the Prado (Madrid), dated about 1445. The ''Deposition Altarpiece'' in Granada (Capilla Real) probably also dates to this period, around 1450–1460. A dismembered canvas altarpiece—now in the Royal Museums of Fine Arts of Belgium (Brussels), the J. Paul Getty Museum (Los Angeles), National Gallery (London), Norton Simon Museum (Pasadena), and a Swiss private collection—with the same dimensions as the ''Altarpiece of the Holy Sacrament'' may belong to this period. The Louvre ''Lame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogier Van Der Weyden
Rogier van der Weyden (; 1399 or 140018 June 1464), initially known as Roger de le Pasture (), was an Early Netherlandish painting, early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign aristocrats. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the 200 years that followed; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Netherlandish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Gothic
International Gothic is a period of Gothic art that began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod at the end of the 19th century. The spread of ideas and portable works, such as illuminated manuscripts throughout Europe led to consensus among artists and their patrons that considerably reduced variation in national styles. The main influences were northern France, the Duchy of Burgundy, Flanders and Brabant, the Imperial court in Prague, and Italy. Royal marriages such as that between Richard II of England and Anne of Bohemia helped to spread the style. It was initially a style of courtly sophistication, but somewhat more robust versions spread to art commissioned by the emerging mercantile classes and the smaller nobility. In Northern Europe "Late Gothic" continuations of the style, especially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including Renaissance art, art, Renaissance architecture, architecture, politics, Renaissance literature, literature, Renaissance exploration, exploration and Science in the Renaissance, science, the Renaissance was first centered in the Republic of Florence, then spread to the Italian Renaissance, rest of Italy and later throughout Europe. The term ''rinascita'' ("rebirth") first appeared in ''Lives of the Artists'' () by Giorgio Vasari, while the corresponding French word was adopted into English as the term for this period during the 1830s. The Renaissance's intellectual basis was founded in its version of Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
