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Dolly Grip
In cinematography, the dolly grip is a dedicated technician trained to operate the camera dolly. This technician places, levels, and moves the dolly track, then pushes and pulls the dolly and usually a camera operator and camera assistant as riders. If the dolly has a moveable vertical axis, such as a hydraulic arm, then the dolly grip also operates the "boom". If both axes are used simultaneously, this type of dolly shot is known as a compound move. A dolly grip must work closely with the camera crew to perfect these complex movements (cinematic techniques) during rehearsals. Focusing the lens is critical to capturing a sharp image, so a dolly grip must hit their marks in concert with a camera assistant who pulls focus. It is a skill that experience can hone to a point, but the best dolly grips are known for their "touch," and that makes them highly sought-after. A dolly grip is also employed when the camera is operated in handheld mode (on the operator's shoulders or lite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arriflex D 21 With Camera Dolly
Arri Group () (stylized as "ARRI") is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. It is cited by Hermann Simon (manager), Hermann Simon as an example of a "Hidden champions, hidden champion". The Arri Alexa camera system was used to shoot several films that won the Academy Award for Best Cinematography, including ''Hugo (film), Hugo'' (2011), ''Life of Pi (film), Life of Pi'' (2012), ''Gravity (2013 film), Gravity'' (2013), ''Birdman (film), Birdman'' (2014), ''The Revenant (2015 film), The Revenant'' (2015) and ''1917 (2019 film), 1917'' (2019). History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steadicam
Steadicam is a brand of camera stabilizer mounts for motion picture cameras invented by Garrett Brown and introduced in 1975 by Cinema Products Corporation. The Steadicam brand was acquired by Tiffen in 2000. It was designed to isolate the camera from the camera operator's movement, keeping the camera motion separate and controllable by a skilled operator. History Before the camera stabilizing system, a director had a number of choices for moving (or "tracking") shots: # The camera could be mounted on a dolly, a wheeled mount that rolls on specialized tracks or a smooth surface. # The camera could be mounted on a crane, a counterweighted arm that could move the camera vertically and horizontally. # The camera operator shot hand-held which would produce footage suitable mostly for reportage used in documentaries, news, or live action; for unrehearsed or practice footage; or for the evocation of authentic immediacy—e.g. '' cinéma vérité'' style—during dramatic se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Production
Filmmaking or film production is the process by which a Film, motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Production then continues through screenwriting, Casting (performing arts), casting, pre-production, Principal photography, shooting, Sound recording and reproduction, sound recording, post-production, and screening the finished product before an audience, which may result in a film release and exhibition. The process is nonlinear, in that the filmmaker typically shoots the script out of sequence, repeats shots as needed, and puts them together through editing later. Filmmaking occurs in a variety of economic, social, and political contexts around the world, and uses a variety of technologies and cinematic techniques to make theatrical films, episodic films for television and streaming platforms, music videos, and promotional and educational films. Although filmmaking originally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterbalance
A counterweight is a weight that, by applying an opposite force, provides balance and stability of a mechanical system. The purpose of a counterweight is to make lifting the load faster and more efficient, which saves energy and causes less wear and tear on the lifting machine. Counterweights are often used in traction lifts (elevators), cranes and funfair rides. In these applications, the expected load multiplied by the distance that load will be spaced from the central support (called the "tipping point") must be equal to the counterweight's mass times its distance from the tipping point in order to prevent over-balancing either side. This distance times mass is called the load moment. By extension, a counterbalance force balances or offsets another force, as when two objects of equal weight, power, or influence are acting in opposition to each other. Examples ;Trebuchet: There are five major components of a trebuchet: beam, counterweight, frame, guide chute, and sling. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera Crane
In filmmaking and video production, a crane shot is a shot taken by a camera on a moving crane or jib. Filmmaker D. W. Griffith created the first crane for his 1916 epic film ''Intolerance'', with famed special effects pioneer Eiji Tsuburaya later constructing the first iron camera crane which is still adapted worldwide today. Most cranes accommodate both the camera and an operator, but some can be moved by remote control. Crane shots are often found in what are supposed to be emotional or suspenseful scenes. One example of this technique is the shots taken by remote cranes in the car-chase sequence of the 1985 film '' To Live and Die in L.A''. Some filmmakers place the camera on a boom arm simply to make it easier to move around between ordinary set-ups. History D. W. Griffith designed the first camera crane for his 1916 epic film ''Intolerance''. His crane measured 140 feet tall and ascended on six four-wheeled railroad trucks. In 1929, future special effects pioneer Eij ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera
A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century. Cameras function through a combination of multiple mechanical components and principles. These include exposure control, which regulates the amount of light reaching the sensor or film; the lens, which focuses the light; the viewfinder, which allows the user to preview the scene; and the film or sensor, which captures the image. Several types of camera exist, each suited to specific uses and offering unique cap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shot (filmmaking)
In filmmaking and video production, a shot is a series of film frame, frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a Film, movie where Camera angle, angles, Film transition, transitions and Cut (transition), cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: #In production, a shot is the moment that the camera starts rolling until the moment it stops. #In film editing, a shot is the continuous footage or sequence between two edits or cuts.Ascher, Steven, and Edward Pincus. ''The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age''. New York: Plume, 1999. p. 214. Etymology The term "shot" is derived from the early days of film production when cameras were hand-cranked, and operated similarly to the hand-cranked machine guns of the time. That is, a cameraman would "shoot" film the way someone would "shoot" bullets from a machine gun. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grip (job)
In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a camera dolly, dolly, crane operators, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second function is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography. In the UK, Australia and most parts of Europe, grips are not involved in lighting. In the "British System", adopted throughout Europe and the Commonwealth of Nations, Commonwealth (excluding Canada), a grip is solely responsible for camera mounting and support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematic Techniques
This article contains a list of cinematic techniques that are divided into categories and briefly described. Basic definitions of terms ;180-degree rule :A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. ;Airborne shot :A shot taken from an aerial device, generally while moving. This technique has gained popularity in recent years due to the popularity and growing availability of drones. ;Arc :A dolly shot where the camera moves in an arc along a circular or elliptical radius in relation to the subject ("arc left" or "arc right") ; Backlighting (lighting design) :The main source of light is behind the subject, silhouetting it, and directed toward the camera. ;Bridging shot :A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tracking Shot
In cinematography, a tracking shot is any shot where the camera follows backward, forward or moves alongside the subject being recorded. Mostly the camera’s position is parallel to the character, creating a sideway motion, tracking the character. Tracking shots (also called travel shots) differ in motion from dolly shots, where the camera follows behind or before the character resulting in either an inward or an outward movement. Often the camera is mounted on a camera dolly which rides on rails similar to a railroad track; in this case, the shot is referred to as a dolly shot. A handheld steadycam or gimbal may also be used for smaller scale productions. The camera is then pushed along the track while the scene is being filmed, or moved manually when using a handheld rig. The effect can be used to create a sense of movement, to follow a character or object, or a sense of immersion to draw the viewer into the action. The technique is often used to follow a subject that would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera Assistant
A focus puller or first assistant camera (1st AC) is a member of a film crew's camera department whose primary responsibility is to maintain the camera lens's optical focus on whatever subject or action is being filmed. "Pulling focus" refers to the act of changing the camera lens's focus distance to a moving subject's distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from to away from the focal plane, the focus puller changes the lens's distance setting in precise relation to the actor's changing position. The focus puller may also shift focus from one subject to another as the shot requires, a process called "rack focusing". Focus pulling There is often very little room for error, depending on the parameters of a given shot. The focus puller's role is extremely important to a film production. In most circumstances, a "soft" image is considered unusable, as such an error can't be corrected i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
