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Divisionism
Divisionism, also called chromoluminarism, is the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches that interact optically..Homer, William I. ''Seurat and the Science of Painting.'' Cambridge, MA: The MIT Press, 1964. By requiring the viewer to combine the colors optically instead of physically mixing pigments, Divisionists believed that they were achieving the maximum luminosity scientifically possible. Georges Seurat founded the style around 1884 as chromoluminarism, drawing from his understanding of the scientific theories of Michel Eugène Chevreul, Ogden Rood and Charles Blanc, among others. Divisionism developed along with another style, Pointillism, which is defined specifically by the use of dots of paint and does not necessarily focus on the separation of colors.Ratliff, Floyd. ''Paul Signac and Color in Neo-Impressionism.'' New York: Rockefeller UP, 1992. . Theoretical foundations and developm ...
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Neo-impressionism
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, '' A Sunday Afternoon on the Island of La Grande Jatte'', marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillist and Divisionist techniques are often mentioned in this context, because they were the dominant techniques in the beginning of the Neo-Impressionist movement. Some argue that Neo-Impressionism became the first true avant-garde ...
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Color Star-en (tertiary Names)
Color (or colour in Commonwealth English; see spelling differences) is the visual perception based on the electromagnetic spectrum. Though color is not an inherent property of matter, color perception is related to an object's light absorption, emission, reflection and transmission. For most humans, colors are perceived in the visible light spectrum with three types of cone cells (trichromacy). Other animals may have a different number of cone cell types or have eyes sensitive to different wavelengths, such as bees that can distinguish ultraviolet, and thus have a different color sensitivity range. Animal perception of color originates from different light wavelength or spectral sensitivity in cone cell types, which is then processed by the brain. Colors have perceived properties such as hue, colorfulness (saturation), and luminance. Colors can also be additively mixed (commonly used for actual light) or subtractively mixed (commonly used for materials). If the colors are ...
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David Pierre Giottino Humbert De Superville
David Pierre Giottino Humbert de Superville (The Hague, 18 July 1770 – Leiden, 9 January 1849) was a Dutch artist and art scholar. He was a draughtsman, lithographer, etcher, and portrait painter, and also wrote treatises on art, including the influential work ''Essai sur les signes inconditionnels dans l'art'' (Leiden, 1827). His 1815 painting of the jurist and statesman Johan Melchior Kemper is now part of the collection of the Rijksmuseum in Amsterdam. His 1801 etching ''Allegory'' may have been a direct visual inspiration for Paul Gauguin's '' Spirit of the Dead Watching''. Although no direct connection has been made, de Superville was cited by Albert Aurier as one of the forerunners of Symbolist painting and de Superville's book ''Unconditional Signs in Art'' (1827–32) was widely known to that group.Gamboni (2003) A portrait of Humbert de Superville uit 1848, painted by Jacobus Ludovicus Cornet, is now in the Rijksmuseum in Amsterdam. The biography ''David Pierre G ...
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Charles Henry (librarian)
Charles Henry (1859–1926) was a French librarian and editor. He was born at Bollwiller, Haut-Rhin, and was educated in Paris, where in 1881 he became assistant and afterward librarian in the Sorbonne. As a specialist in the history of mathematics, he was sent to Italy to seek some manuscripts of that nature which the government wished to publish. He edited several works upon kindred subjects, as well as memoirs, letters, and other volumes, and wrote critiques upon the musical theories of Rameau and Wronski. He is also credited with the invention of several ingenious devices and instruments used in psychophysiological laboratories. He published C. Huet's correspondence under the title ''Un érudit, homme du monde, homme d'église, homme de cour'' (1880), and he issued also ''Problèmes de géométrie pratique'' (1884) and ''Lettres inédites de Mlle. de Lespinasse à Condorcet et à D'Alembert'' (1887). Charles Henry, a mathematician, inventor, esthetician, and intimate fr ...
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Color Theory
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. Modern color theory is generally referred to as color science. While there is no clear distinction in scope, traditional color theory tends to be more subjective and have artistic applications, while color science tends to be more objective and have functional applications, such as in chemistry, astronomy or color reproduction. Color theory dates back at least as far as Aristotle's treatise ''On Colors'' and Bharata_(sage), Bharata's Natya_Shastra, Nāṭya Shāstra. A formalization of "color theory" began in the 18th century, initially within a partisan controversy over Isaac Newton's theory of color (''Opticks'', 1704) and the nature of primary colors. By the end of the 19th century, a schism had formed between traditional color theory and color science ...
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Palette (painting)
A palette () is a surface on which a painter arranges and mixes paints. A palette is made of materials such as wood, paper, glass, ceramic or plastic, and can vary greatly in size and shape. Watercolor palettes are generally made of plastic or porcelain in a rectangular or wheel format, and have built in wells and mixing areas for colors. For acrylic painting, "stay wet" palettes exist, which prevent the paints from drying out and becoming inert. A classical palette is most often oval, but can also be rectangular, and is tapered to ensure optimal distribution of weight. It has a thumbhole and insert for brushes, and is designed to be held in the non-dominant hand while the other is used to mix and paint. However, some well-known artists have used more unconventional palettes; for instance, Picasso used a sheet of newspaper. Palettes are also a universal symbol of painting and art in general, alongside paintbrushes, for example in the symbol of Microsoft Paint. See also * Palet ...
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France
France, officially the French Republic, is a country located primarily in Western Europe. Overseas France, Its overseas regions and territories include French Guiana in South America, Saint Pierre and Miquelon in the Atlantic Ocean#North Atlantic, North Atlantic, the French West Indies, and List of islands of France, many islands in Oceania and the Indian Ocean, giving it Exclusive economic zone of France, one of the largest discontiguous exclusive economic zones in the world. Metropolitan France shares borders with Belgium and Luxembourg to the north; Germany to the northeast; Switzerland to the east; Italy and Monaco to the southeast; Andorra and Spain to the south; and a maritime border with the United Kingdom to the northwest. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea. Its Regions of France, eighteen integral regions—five of which are overseas—span a combined area of and hav ...
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Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ...
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Laser Printing
Laser printing is an electrostatic digital printing process. It produces high-quality text and graphics (and moderate-quality photographs) by repeatedly passing a laser beam back and forth over a Electric charge, negatively charged cylinder called a "drum" to define a differentially charged image. The drum then selectively collects electrically charged powdered ink (toner (printing), toner), and transfers the image to paper, which is then heated to permanently fuse the text, imagery, or both to the paper. As with digital photocopiers, laser computer printer, printers employ a Xerography, xerographic printing process. Laser printing differs from traditional xerography as implemented in analog photocopiers in that in the latter, the image is formed by reflecting light off an existing document onto the exposed drum. The laser printer was invented at Xerox PARC (company), PARC in the 1970s. Laser printers were introduced for the office and then home markets in subsequent years by IBM ...
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Robert Delaunay
Robert Delaunay (; 12 April 1885 – 25 October 1941) was a French artist of the School of Paris movement; who, with his wife Sonia Delaunay and others, co-founded the Orphism (art), Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstract art, abstract. His key influence related to the bold use of colour and a clear love of experimentation with both depth and Lightness (color), tone. Overview From 1912 to 1914, Delaunay's nonfigurative paintings focused on color. His early paintings were deeply rooted in Neoimpressionism which he abandoned later. His writings on color, which were influenced by scientists and theoreticians, were largely intuitive and could sometimes be random statements based on the belief that color was a thing in itself, with its own powers of expression and form. He believed that painting was a purely visual art that depended on intellectual elements, and perception was in the impact of colored light on ...
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Kröller-Müller Museum
The Kröller-Müller Museum () is a national art museum and sculpture garden, located in the Hoge Veluwe National Park in Otterlo in the Netherlands. The museum, founded by art collector Helene Kröller-Müller within the extensive grounds of her and her husband's former estate (now the national park), opened in 1938. It has the second-largest collection of paintings by Vincent van Gogh, after the Van Gogh Museum. The museum had 380,000 visitors in 2015. History The Kröller-Müller Museum was founded by Helene Kröller-Müller, an avid art collector who, being advised by H.P. Bremmer, was one of the first to recognize Vincent van Gogh's genius and collect his works. In 1935, she donated her whole collection to the state of the Netherlands. In 1938, the museum, which was designed by Henry van de Velde, opened to the public. The sculpture garden was added in 1961 and the new exhibition wing, designed by Wim Quist, opened in 1977. Collection The museum has a consid ...
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Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907, Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908, Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pa ...
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