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Distemper (paint)
Distemper is a decorative paint and a historical medium for painting pictures, and contrasted with tempera. The binder (paint), binder may be glues of vegetable or animal origin (excluding egg). Soft distemper is not abrasion resistant and may include binders such as chalk, ground pigments, and animal glue. Hard distemper is stronger and wear-resistant and can include casein or linseed oil as binders. Soft distemper Distemper is an early form of whitewash, also used as a medium for artistic painting, usually made from powdered calcium carbonate, chalk or calcium hydroxide, lime and sizing, size (a gelatinous substance). Alternatives to chalk include the toxic substance lead carbonate, white lead. Distempered surfaces can be easily marked and discoloured, and cannot be washed down, so distemper is best suited to temporary and interior decoration. The technique of painting on distempered surfaces blends watercolours with whiting and glue. "The colours are mixed with whitening, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Entombment (Bouts)
''The Entombment'' is a glue-size painting on linenAlso known as ''Tiichlein'' or ''Tüchlein'', a technique in which pigments were bound in glue and painted on a cloth treated with glue, it was a delicate and fragile technique. See Spronk, 8. attributed to the Early Netherlandish painting, Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ, and was probably completed between 1440 and 1455Koch, 509. as a wing panel for a large hinged polyptych. While the altarpiece remains lost as a complete set, it is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting Life of Christ in art, scenes from the life of Christ. The smaller flanking panels would have been paired in a format similar to Bouts's 1464–1468 ''Altarpiece of the Holy Sacrament''. The larger work was probably commissioned for export to Italy, possibly to a Republic of Venice, Venet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encaustic Painting
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fayum Mummy Portraits
Mummy portraits or Fayum mummy portraits are a type of naturalistic painted portrait on wooden boards attached to upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. The Fayum portraits are the only large body of art from that tradition to have survived. They were formerly, and incorrectly, called Coptic portraits. Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and the Hadrianic Roman city Antinoopolis. "Faiyum portraits" is generally used as a stylistic, rather than a geographic, description. While painted cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the time of Roman rule in Egypt. The portraits date to the Imperial Roman era, from the late 1st century BC or the early 1st century AD onwards. It is not clear when their production ended, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allied Invasion Of Sicily
The Allied invasion of Sicily, also known as the Battle of Sicily and Operation Husky, was a major campaign of World War II in which the Allies of World War II, Allied forces invaded the island of Sicily in July 1943 and took it from the Axis powers, Axis forces (Kingdom of Italy and Nazi Germany). It began with a large Amphibious warfare, amphibious and airborne forces, airborne Military operation, operation, followed by a six-week land campaign, and initiated the Italian campaign (World War II), Italian campaign. To divert some of the Axis forces to other areas, the Allies engaged in several deception operations, the most famous and successful of which was Operation Mincemeat. Husky began on the night of 9–10 July 1943 and ended on 17 August. Strategically, Husky achieved the goals set out for it by Allied planners: the Allies drove Axis air, land and naval forces from the island, and the Mediterranean Sea, Mediterranean sea lanes were opened for Allied merchant ships for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invasion Stripes
Invasion stripes were alternating black and white bands painted on the fuselages and wings of Allied aircraft during World War II to reduce the chance that they would be attacked by friendly forces during and after the Normandy Landings. Three white and two black bands were wrapped around the rear of a fuselage just in front of the empennage (tail) and from front to back around the upper and lower wing surfaces. Background After a study concluded that the thousands of aircraft involved in the invasion (scheduled for June 6, 1944) would saturate and break down the IFF system, the marking scheme was approved on May 17, 1944, by Air Chief Marshal Sir Trafford Leigh-Mallory, commanding the Allied Expeditionary Air Force. A small-scale test exercise was flown over the OVERLORD invasion fleet on June 1, to familiarise the ships' crews with the markings, but for security reasons, orders to paint the stripes were not issued to the troop carrier units until June 3 and to the fighter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invasion Of Normandy
Operation Overlord was the codename for the Battle of Normandy, the Allied operation that launched the successful liberation of German-occupied Western Europe during World War II. The operation was launched on 6 June 1944 ( D-Day) with the Normandy landings (Operation Neptune). A 1,200-plane airborne assault preceded an amphibious assault involving more than 5,000 vessels. Nearly 160,000 troops crossed the English Channel on 6 June, and more than two million Allied troops were in France by the end of August. The decision to undertake cross-channel landings in 1944 was made at the Trident Conference in Washington in May 1943. American General Dwight D. Eisenhower was appointed commander of Supreme Headquarters Allied Expeditionary Force, and British General Bernard Montgomery was named commander of the 21st Army Group, which comprised all the land forces involved in the operation. The Normandy coast in northwestern France was chosen as the site of the landings, with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MiG-3 Aircraft In Winter Distemper Camouflage, World War II
The Mikoyan-Gurevich MiG-3 () is a Soviet fighter-interceptor used during World War II. It was a development of the MiG-1 by the OKO (opytno-konstruktorskij otdel — Experimental Design Department) of Zavod (Factory) No. 1 in Moscow to remedy problems found during the MiG-1's development and operations. It replaced the MiG-1 on the production line at Factory No. 1 on 20 December 1940 and was built in large numbers during 1941 before Factory No. 1 was converted to build the Ilyushin Il-2. On 22 June 1941, at the beginning of Operation Barbarossa, some 981 were in service with the Soviet Air Forces (VVS), the Soviet Air Defence Forces (PVO) and Soviet Naval Aviation. The MiG-3 was difficult to fly in peacetime and much more so in combat. Originally designed as a high-altitude fighter-interceptor, combat over the Eastern Front was generally at lower altitudes, where it was inferior to the German Messerschmitt Bf 109 as well as most of its Soviet contemporaries. It was also pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Connell (artist)
John Connell (25 June 1940 – September 27, 2009) was an American artist. His works included sculpture, painting, drawing, and writing. Life and work Connell was born in Atlanta, Georgia. He attended Brown University, in Providence, RI (1958–1960), the Art Students League, NY (1960–1961) and New York University (1962) where he studied Chinese print making. His first show was in New York in 1962. In the mid-1960s, he moved to California, where he worked as the set designer for the San Francisco Mime Troupe. In the 1970s, 1980s and 1990s, he worked primarily in the Southwestern United States, where he painted large murals and was visible in New Mexico's most respected art galleries, being part of the Santa Fe artist group ''Nerve'' and gaining a reputation for his large installations. He is particularly well known for his drawings, some of which are done in charcoal and spray paint and can be as large as twenty feet high and thirty feet wide. Connell used plaster-of-Paris in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Vuillard
Jean-Édouard Vuillard (; 11 November 186821 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of figures in French industry and the arts in their familiar settings. Vuillard was influenced by Paul Gauguin, among other post-impressionist painters. Early life Jean-Édouard Vuillard was born on 11 November 1868 in Cuiseaux (Saône-et-Loire), where he spent his youth. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dirk Bouts
Dieric Bouts (born – 6 May 1475) was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck. He worked in Leuven from 1457 (or possibly earlier) until his death in 1475. Bouts was among the first northern painters to demonstrate the use of a single vanishing point (as illustrated in his ''Last Supper''). Works Early works (before 1464) Bouts' earliest work is the '' Triptych of the Virgin's Life'' in the Prado (Madrid), dated about 1445. The ''Deposition Altarpiece'' in Granada (Capilla Real) probably also dates to this period, around 1450–1460. A dismembered canvas altarpiece—now in the Royal Museums of Fine Arts of Belgium (Brussels), the J. Paul Getty Museum (Los Angeles), National Gallery (London), Norton Simon Museum (Pasadena), and a Swiss private collection—with the same dimensions as the ''Altarpiece of the Holy Sacrament'' may belong to this period. The Louvre ''La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
