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Der Freischütz
' (Friedrich Wilhelm Jähns, J. 277, Opus number, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German List of operas by Carl Maria von Weber, opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Johann Friedrich Kind, Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantische Oper, Romantic opera. The opera's plot is mainly based on Johann August Apel, August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Operas By Carl Maria Von Weber
The German composer Carl Maria von Weber (1786–1826) is best known for his operas, of which he wrote 10 between 1798 and 1826. His first four exist in various states: ' ( 1798) is completely lost; two fragments survive for ''Das Waldmädchen'' (1800); the libretto to ''Peter Schmoll und seine Nachbarn'' (1803) is lost; and only three numbers from ''Rübezahl'' ( 1804–05) survive. Weber's mature operas—''Silvana (opera), Silvana'' (1810), ''Abu Hassan'' (1811), ''Der Freischütz'' (1821), ''Die drei Pintos'' ( 1820–21), ''Euryanthe'' (1823), ''Oberon (Weber), Oberon'' (1826)—all survive intact; they were all performed within his lifetime, except ''Die drei Pintos'' which was posthumously completed by Gustav Mahler. His contributions to the genre were crucial in the development of German ''Romantische Oper'' (German Romantic Opera) and its national identity, exhibiting much influence on Richard Wagner. ''Der Freischütz'', his most famous and significant work, remains am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karoline Seidler-Wranitzky
Maria Karolina Johanna Seidler-Wranitzky (17 January 1790 – 4 September 1872) was a Czech operatic soprano. She notably created the role of Agathe in the world premiere of Carl Maria von Weber's ''Der Freischütz'' in 1821. In performances, she was praised for her powerful voice and wide vocal range. Biography Born in Vienna, Karoline was the daughter of composer Anton Wranitzky and niece of composer Paul Wranitzky. She received her vocal training from her father, and her early performances took place in Munich and Budapest. She married Carl August Seidler (13 September 1778 – 27 February 1840) in 1813, a violinist from Berlin, who lived in Vienna from 1811 until 1816. In 1816, she performed at the Berlin Royal Opera and was so well received that she was engaged as a resident artist until 1838, after which she retired from the stage. One of Seidler-Wranitzky's most well-known endeavors is her performance as the original Agathe in von Weber's ''Der Freischütz'' in 1821. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuno (given Name)
Kuno is an Estonian and German male given name. People named Kuno include: *Kuno II von Falkenstein (1320–1388), Archbishop of Trier *Kuno Becker (born 1978), Mexican actor *Kuno-Hans von Both (1884–1955), German military commander *Kuno Fischer (1824–1907), German philosopher and historian *Kuno Francke (1855–1930), German-American historian * Kuno Goda, German artist *Kuno Gonschior (1933–2010), German painter *Kuno Klötzer (1922–2011), German football coach *Kuno von Klebelsberg (1875–1932), Hungarian politician *Kuno Lorenz (born 1932), German philosopher *Kuno Meyer (1858–1919), German linguist * Kuno von Meyer (1913–2010), German military commander *Kuno von Moltke (1847–1923), German military commander * Kuno Pajula (1924–2012), Estonian clergyman *Kuno Raude (1941- ), Estonian architect and politician * Kuno H. Struck (1883-1947), American medical doctor and bank executive * Kuno Thomasson (1923–2007), Estonian-Swedish phycologist, hydrobiologist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique () is a Paris opera company which was founded around 1714 by some of the popular Théâtre de la foire, theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne (theatre), Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabrielle Krauss
Marie-Gabrielle Krauss (24 March 18426 January 1906) was an important 19th century Austrian-born French operatic soprano. She created major roles in operas by Anton Rubinstein, Charles Gounod, Camille Saint-Saëns, Auguste Mermet, Clémence de Grandval, Errico Petrella, Antônio Carlos Gomes and Émile Paladilhe. She also created roles in local premieres of Giuseppe Verdi, Verdi and Richard Wagner, Wagner operas. Krauss was a leading soprano at the Paris Opera for 13 years, and also sang with great success in Italy and Russia. Biography Krauss was born in Vienna, Austrian Empire, in 1842, and studied at the University of Music and Performing Arts, Vienna, Vienna Conservatory and privately with Mathilde Marchesi''Grove's Dictionary of Music and Musicians'', 5th ed (1954), Vol. IV, p. 838: Krauss, Gabrielle (whose birthday she shared). Her first important appearance was in Robert Schumann, Schumann's cantata ''Paradise and the Peri, Das Paradies und die Peri'' in Vienna on 1 Marc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolshoi Theatre
The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, p=bɐlʲˈʂoj tʲɪˈat(ə)r, t=Grand Theater) is a historic opera house in Moscow, Russia, originally designed by architect Joseph Bové. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Moscow), Maly Theatre (''Small Theatre'') in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi Theatre, Saint Petersburg, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others). The Bolshoi Ballet and Bolshoi Opera are among the oldest and best known ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil. The main building of the theatre, rebuilt and renovated several times during its history, is a lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
