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Depiction
Depiction is reference conveyed through pictures. A picture refers to its object through a non-linguistic two-dimensional scheme, and is distinct from writing or notation. A depictive two-dimensional scheme is called a picture plane and may be constructed according to descriptive geometry, where they are usually divided between ''projections'' (orthogonal and various oblique angles) and ''perspectives'' (according to number of vanishing points). Pictures are made with various materials and techniques, such as painting, drawing, or prints (including photography and movies) mosaics, tapestries, stained glass, and collages of unusual and disparate elements. Occasionally, picture-like features may be recognised in simple inkblots, accidental stains, peculiar clouds or a glimpse of the moon, but these are special cases, and it is controversial whether they count as genuine instances of depiction. Similarly, sculpture and theatrical performances are sometimes said to depict, but this re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Similarity (philosophy)
In philosophy, similarity or resemblance is a relation between objects that constitutes how much these objects are alike. Similarity comes in degrees: e.g. oranges are more similar to apples than to the moon. It is traditionally seen as an internal relation and analyzed in terms of shared properties: two things are similar because they have a property in common. The more properties they share, the more similar they are. They resemble each other exactly if they share all their properties. So an orange is similar to the moon because they both share the property of being round, but it is even more similar to an apple because additionally, they both share various other properties, like the property of being a fruit. On a formal level, similarity is usually considered to be a relation that is ''reflexive'' (everything resembles itself), ''symmetric'' (if ''a'' is similar to ''b'' then ''b'' is similar to ''a'') and ''non-transitive'' (''a'' need not resemble ''c'' despite ''a'' resemblin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert David Hopkins
Robert Hopkins (born 1964) is a British philosopher and Professor of Philosophy at New York University. He is known for his works on philosophy of art Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Philosophy,'' , acces .... Books * ''Picture, Image and Experience: A Philosophical Inquiry'', Cambridge University Press 1998 References External links * 21st-century American philosophers British philosophy academics Living people 1964 births New York University faculty Alumni of the University of Cambridge Alumni of University College London British philosophers of mind Academics of the University of Sheffield Academics of the University of Birmingham Philip Leverhulme Prize winners {{US-philosopher-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naturalism (visual Art)
Realism in the arts is generally the attempt to represent subject-matter truthfully, without artificiality, exaggeration, or speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist politics. The realist painters rejected Romanticism, which had come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notation System
In linguistics and semiotics, a notation system is a system of graphics or symbols, characters and abbreviated expressions, used (for example) in artistic and scientific disciplines to represent technical facts and quantities by convention. Therefore, a notation is a collection of related symbols that are each given an arbitrary meaning, created to facilitate structured communication within a domain knowledge or field of study. Standard notations refer to general agreements in the way things are written or denoted. The term is generally used in technical and scientific areas of study like mathematics, physics, chemistry and biology, but can also be seen in areas like business, economics and music. Written communication Writing systems * Phonographic writing systems, by definition, use symbols to represent components of auditory language, i.e. speech, which in turn refers to things or ideas. The two main kinds of phonographic notational system are the alphabet and the syllaba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Bryson
William Norman Bryson (born 1949) is an Anglo American art historian who authored several major works that were particularly influential in the 1980s and 1990s. He graduated with a Ph.D. from Cambridge University in 1977, and subsequently worked as a professor at King's College until 1988, when he moved to Rochester, NY. There, he worked for two years at the University of Rochester before moving to Harvard University in 1990. In a shift from that earlier period, he now is faculty at University of California, San Diego, and primarily writes about contemporary art, such as Sharon Lockhart. His career is characterized by a move to a more literary theory-based approach to art history, including ''Word and Image: French Painting of the Ancien Régime'' (1983), ''Vision and Painting: The Logic of the Gaze'' (1986), and ''Tradition and Desire: From David to Delacroix'' (1987). He was awarded a Guggenheim Fellowship Guggenheim Fellowships are Grant (money), grants that have been a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Sanders Peirce
Charles Sanders Peirce ( ; September 10, 1839 – April 19, 1914) was an American scientist, mathematician, logician, and philosopher who is sometimes known as "the father of pragmatism". According to philosopher Paul Weiss (philosopher), Paul Weiss, Peirce was "the most original and versatile of America's philosophers and America's greatest logician". Bertrand Russell wrote "he was one of the most original minds of the later nineteenth century and certainly the greatest American thinker ever". Educated as a chemist and employed as a scientist for thirty years, Peirce meanwhile made major contributions to logic, such as theories of Algebraic logic, relations and Quantifier (logic), quantification. Clarence Irving Lewis, C. I. Lewis wrote, "The contributions of C. S. Peirce to symbolic logic are more numerous and varied than those of any other writer—at least in the nineteenth century." For Peirce, logic also encompassed much of what is now called epistemology and the philoso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Barthes
Roland Gérard Barthes (; ; 12 November 1915 – 25 March 1980) was a French literary theorist, essayist, philosopher, critic, and semiotician. His work engaged in the analysis of a variety of sign systems, mainly derived from Western popular culture. His ideas explored a diverse range of fields and influenced the development of multiple schools of theory, including structuralism, anthropology, literary theory, and post-structuralism. Barthes is perhaps best known for his 1957 essay collection ''Mythologies'', which contained reflections on popular culture, and the 1967/1968 essay " The Death of the Author", which critiqued traditional approaches in literary criticism. During his academic career he was primarily associated with the École des Hautes Études en Sciences Sociales (EHESS) and the Collège de France. Biography Early life Roland Barthes was born on 12 November 1915 in the town of Cherbourg in Normandy. His father, naval officer Louis Barthes, was killed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umberto Eco
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian Medieval studies, medievalist, philosopher, Semiotics, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel ''The Name of the Rose'', a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as ''Foucault's Pendulum'', his 1988 novel which touches on similar themes. Eco wrote prolifically throughout his life, with his output including children's books, translations from French and English, in addition to a twice-monthly newspaper column "La Bustina di Minerva" (Minerva's Matchbook) in the magazine ''L'Espresso'' beginning in 1985, with his last column (a critical appraisal of the Romanticism, Romantic paintings of Francesco Hayez) appearing 27 January 2016. At the time of his death, he was an Emeritus professor at the University of Bologna, where he taught for much of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiotic Elements And Classes Of Signs (Peirce)
Charles Sanders Peirce began writing on semiotics, which he also called semeiotics, meaning the philosophical study of signs, in the 1860s, around the time that he devised his system of three categories. During the 20th century, the term "semiotics" was adopted to cover all tendencies of sign researches, including Ferdinand de Saussure's semiology, which began in linguistics as a completely separate tradition. Peirce adopted the term ''semiosis'' (or ''semeiosis'') and defined it to mean an "action, or influence, which is, or involves, a cooperation of ''three'' subjects, such as a sign, its object, and its interpretant, this trirelative influence not being in any way resolvable into actions between pairs." This specific type of triadic relation is fundamental to Peirce's understanding of logic as formal semiotic. By "logic" he meant philosophical logic. He eventually divided (philosophical) logic, or formal semiotics, into (1) speculative grammar, or stechiology on the el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deixis
In linguistics, deixis () is the use of words or phrases to refer to a particular time (e.g. ''then''), place (e.g. ''here''), or person (e.g. ''you'') relative to the Context (language use), context of the utterance. Deixis exists in all known natural languagesLyons, John (1977) "Deixis, space and time" in ''Semantics'', Vol. 2, pp. 636–724. Cambridge University Press. and is closely related to Anaphora (linguistics), anaphora, with a sometimes unclear distinction between the two. In linguistic anthropology, deixis is seen as the same as, or a subclass of, indexicality. The term's origin is . To this, Chrysippus () added the specialized meaning ''point of reference'', which is the sense in which the term is used in contemporary linguistics. Types There are three main types of deictic words, as described by Charles J. Fillmore: personal, spatial, and temporal.Fillmore, Charles J (1971) ''Lectures on Deixis''. CSLI Publications (reprinted 1997). In some languages, these may ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
