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Cutting Contest
A cutting contest is a type of musical battle that was traditionally held between various stride piano players from the 1920s to the 1940s, and to a lesser extent in improvisation contests on other jazz instruments during the swing era. Up to the present time, the expression ''cutting'' in jazz is sometimes used, sometimes facetiously, to claim a new musician's technical superiority over another. Cutting contests first had a more earnest meaning only among pianists, and later existed for their own sake. Originally, to "cut" another piano player meant to replace them at their job by outperforming them. This serious form of rivalry ended by the 1920s when pianists began acquiring more stable engagements, and basic ragtime and "fast shout" piano evolved into the more improvised stride style (a term that began to be used in the 1920s). "Cutting" came to mean victory at a pre-arranged contest. These contests were usually held at Harlem home " rent parties", where an entrance fee he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stride (music)
Stride jazz piano, often shortened to stride, is a jazz piano style that arose from ragtime players. Prominent stride pianists include James P. Johnson, Willie "the Lion" Smith, Fats Waller, Luckey Roberts, and Mary Lou Williams. Technique Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. Compositions were written but were also intended to be improvised. The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. The left hand characteristically plays a four-beat pulse with a single bass note (or an octave, major seventh, minor seventh or major tenth interval) on the first and third beats, and a chord on the second and fourth beats. Occasionally this pattern is reversed by placing the chord on the downbeat and bass notes on the upbeat. Compared to the ragtime style popularized by Scott Joplin, stride players' left hands travel greater distances on the keyboard. Stride p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Gibson
Harry "The Hipster" Gibson (June 27, 1915 – May 3, 1991), born Harry Raab, was an American jazz pianist, singer, and songwriter. He played New York style stride piano and boogie woogie while singing in a wild, unrestrained style. His music career began in the late 1920s, when, under his real name, he played stride piano in Dixieland jazz bands in Harlem. He continued to perform there throughout the 1930s, adding the barrelhouse boogie of the time to his repertoire. Early life Gibson was Jewish. He came from a musical family that operated a player piano repair shop. He began playing piano in the 1920s as a child, in the Bronx and Harlem. His first professional piano gig was at age 13 with his uncle's orchestra. He began playing boogie woogie and talking in a jive style. He was invited into black speakeasies in Harlem to play piano while still a teenager. Career In the 1930s, after Prohibition ended, Gibson played regularly in Harlem nightclubs. He punctuated his piano stylin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz (documentary)
''Jazz'' is a 2001 television documentary miniseries directed by Ken Burns. It was broadcast on PBS in 2001 and was nominated for an Emmy Award for Outstanding Documentary or Nonfiction Series. Its chronological and thematic episodes provided a history of jazz, emphasizing innovative composers and musicians and American history. Swing musicians Louis Armstrong and Duke Ellington are the central figures.Mark GilbertAmazon.co.ukreview Several episodes discussed the later contributions of Charlie Parker and Dizzy Gillespie to bebop, and of Miles Davis, Ornette Coleman, and John Coltrane to free and cool jazz. Of this 10-part documentary surveying jazz in the years from 1917 to 2001, all but the last episode are devoted to music pre-1961. The series was produced by Florentine Films in cooperation with the BBC and in association with WETA-TV, Washington. Overview The documentary concerned the history of jazz music in the United States, from its origins at the turn of the 20th centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Burns
Kenneth Lauren Burns (born July 29, 1953) is an American filmmaker known for his documentary films and television series, many of which chronicle American history and culture. His work is often produced in association with WETA-TV or the National Endowment for the Humanities and distributed by PBS. Burns lives in the small town of Walpole, New Hampshire. Burns's widely known documentary series include '' The Civil War'' (1990), ''Baseball'' (1994), ''Jazz'' (2001), '' The War'' (2007), '' The National Parks: America's Best Idea'' (2009), ''Prohibition'' (2011), '' The Roosevelts'' (2014), '' The Vietnam War'' (2017), and ''Country Music'' (2019). He was also executive producer of both '' The West'' (1996), and '' Cancer: The Emperor of All Maladies'' (2015). Burns's documentaries have earned two Academy Award nominations (for 1981's '' Brooklyn Bridge'' and 1985's '' The Statue of Liberty'') and have won several Emmy Awards, among other honors. Early life and education Burns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jam Session
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a " gatekeeper" so that appropriate-level performers take the stage to sophisticated improvised recording sessions by professionals which are intended to be bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Battle
A guitar battle (or ''guitar duel'') is where two or more guitar players take turns soloing, either with or without a rhythm section. The purpose of the guitar battle is to determine who among each of the guitar players present is the most proficient on the instrument. Often, it begins with the guitarists trading licks and phrases, while gradually increasing the complexity of the technique used. A guitar battle can be said to be over when one guitarist outplays (either through skill, endurance, or the other guitarist(s) acknowledging that they cannot win) all the other guitar players present. This is also known among guitarists as a ''head-cutting'' duel or simply as ''cutting heads''. Examples The song Dueling Banjos is an example which was made famous by the 1972 film Deliverance. Near the end of the 1986 film ''Crossroads'', Eugene Martone (played by Ralph Macchio) has a guitar battle with Jack Butler (played by Steve Vai). Macchio's guitar work was actually done by Stev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rap Battle
Battle rap (also known as rap battling)Edwards, Paul, 2009, p. 25. is a type of rapping performed between two or more performers that incorporates boasts, insults, wordplay and disses originating in the African-American community. Battle rap is often performed spontaneously, or freestyled, in live battles known as rap battles, where participants will compete on the same stage to see who has the better verses. Battle rap was loosely described by 40 Cal, previously a member of American hip hop collective the Diplomats, in the book ''How to Rap'' (2009) as an "extracurricular" display of skill, comparing it to the dunk contest in the NBA. Battle rap has been developed into highly organized league events drawing in significant revenue and attention. Mainstream artists such as Diddy, Busta Rhymes, Eminem, Machine Gun Kelly, Drake, Kendrick Lamar, Joe Budden and Cassidy have attended or participated in battles to help increase their popularity.Edwards, Paul, 2009, p. 27. Rap battles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tap Dance
Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. Tap dancing can also be performed with no musical accompaniment; the sound of the taps is its own music. It is an American artform that evolved alongside the advent of jazz music. Tap is a type of step dance that began with the combination of Southern American and Irish dance traditions, such as Irish soft-shoe and hard-shoe step dances, and a variety of both slave and freeman step dances. The fusion of African rhythms and performance styles with European techniques of footwork led to the creation of tap dance. This fusion began in the mid-17th century but did not become popular until the mid-19th century. There are two major versions of tap dance: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Hopkins
Claude Driskett Hopkins (August 24, 1903 – February 19, 1984) was an American jazz stride pianist and bandleader. Biography Claude Hopkins was born in Alexandria, Virginia, United States. Historians differ in respect of the actual date of his birth. His parents were on the faculty of Howard University. A talented stride piano player and arranger, he left home at the age of 21 to become a sideman with the Wilbur Sweatman Orchestra, but stayed less than a year. In 1925, he left for Europe as the musical director of The Revue Negre which starred Josephine Baker with Sidney Bechet in the band. He returned to the US in 1927 where, based in Washington, D.C., he toured the Theatre Owners Booking Association circuit with The Ginger Snaps Revue, before heading once again for New York City where he took over the band of Charlie Skeets. At this time (1932–36), he led a Harlem band employing jazz musicians such as Edmond Hall, Fred Norman (musician), Fred Norman, Jabbo Smith and Vic Dic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Profit
Clarence Profit (June 26, 1912 – October 22, 1944) was a jazz pianist and composer associated with swing. Profit was born in New York, United States. He came from a musical family and began studying piano at the age of three, and he led a ten-piece band in New York City in his teens. A visit to his grandparents in Antigua resulted in his staying in the Caribbean for five years. He also led a group in Bermuda. He returned to the US and led his own trio, which was noted as "a format which best suited his powerful stride piano style". He co-composed "Lullaby In Rhythm" with Edgar Sampson. He was respected in his era, but after his early death fell into obscurity. He died in New York in October 1944, at the age of 32. References ;Footnotes ;General references *AllMusic AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marlowe Morris
Marlowe Morris (May 16, 1915 – May 28, 1978) was an American jazz pianist and organist. He was the nephew of musician Thomas Morris. Biography Morris learned drums, harmonica, and ukulele as a child. He accompanied June Clark from 1935 to 1937, then played solo for a few years before playing with Coleman Hawkins in 1940–41. He served in the Army during World War II, then worked with Toby Browne, Al Sears, Sid Catlett, and Tiny Grimes in addition to leading his own trio in the early and middle 1940s; he also appeared in the film ''Jammin' the Blues'' in 1944. He quit playing full-time and worked in a post office later in the 1940s, then returned in 1949 to play primarily solo organ. He led a trio in the 1960s with Julian Dash as one of his sidemen, recording for Columbia Records. Morris also recorded with Lester Young, Ben Webster, Big Joe Turner, Sister Rosetta Tharpe, Joe Williams and Jimmy Rushing. From a review by radio disc-jockey Jim Bartlett of station Magic 98: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Johnson (musician)
Kermit Holden "Pete" Johnson (March 25, 1904 – March 23, 1967) was an American boogie-woogie and jazz pianist. Tony Russell stated in his book ''The Blues – From Robert Johnson to Robert Cray'' that "Johnson shared with the other members of the 'Boogie Woogie Trio' the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was more comfortable than Meade Lux Lewis in a band setting; and as an accompanist, unlike Lewis or Albert Ammons, he could sparkle but not outshine his singing partner". Scott Yanow for AllMusic, wrote: "Johnson was one of the three great boogie-woogie pianists", the others being Lewis and Ammons "whose sudden prominence in the late 1930s helped make the style very popular". Biography Johnson was born in Kansas City, Missouri. He was raised by his mother after his father deserted the family. Things got so bad financially, Pete was placed in an orphanage when he was three. He became so homesic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
