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Cumbia
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans, and Africans during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community. Cumbia traditionally uses three drums ('' tambora'', ' and ''llamador''), three flutes (''gaita hembra'' and ''gaito macho'', both forms of , and '' flauta de millo'') and has a or meter. The sound of cumbia can be characterized as having a simple "chu-chucu-chu" rhythm created by the guacharaca. The genre frequently incorporates brass instruments and piano. In order to properly understand the interlocking relationship between cumbia's roots, its Pan-American (and then global) routes, and its subgenres, Colombia's geocultural complexities must be taken into account. Most Hispanic American countries have made their own regional version of Cumbia, some of them with their own part ...
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Cumbia (Colombia)
Cumbia () is a folkloric genre and dance from Colombia.Cheville, Lila, Festivals and Dances of Panama, Panamá: Litho Impresora Panamá, 1977. 187 p.; 22 cm. Page 128-133 The cumbia is the most representative dance of the coastal region in Colombia, and is danced in pairs with the couple not touching one another as they display the amorous conquest of a woman by a man. The couple performing cumbia dances in a circle around a group of musicians, and it involves the woman holding lit candle(s) in her right hand that she uses to push the man away while she holds her skirt in her left. During the dance, the partners do not touch each other, and the man dances while holding a '' sombrero vueltiao'' that he tries to put on the woman's head as a representation of amorous conquest. This dance is originally made to depict the battle that the “black man had to fight to conquer an indigenous woman”. The story continues and the dance shows that this leads to a new generation and is dep ...
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Cumbia Vallenata
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans, and Africans during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community. Cumbia traditionally uses three drums ('' tambora'', ' and ''llamador''), three flutes (''gaita hembra'' and ''gaito macho'', both forms of , and '' flauta de millo'') and has a or meter. The sound of cumbia can be characterized as having a simple "chu-chucu-chu" rhythm created by the guacharaca. The genre frequently incorporates brass instruments and piano. In order to properly understand the interlocking relationship between cumbia's roots, its Pan-American (and then global) routes, and its subgenres, Colombia's geocultural complexities must be taken into account. Most Hispanic American countries have made their own regional version of Cumbia, some of them with their own part ...
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Cumbia Villera
Cumbia villera () (roughly translated as "slum cumbia", "ghetto cumbia", or " shantytown cumbia", from '' villa miseria'', "slum") is a subgenre of cumbia music originating in Argentina in the late 1990s and popularized all over Latin America and Latin communities abroad. Lyrically, cumbia villera uses the vocabulary of the marginal and lower classes, like the Argentine ''lunfardo'' and ''lenguaje tumbero'' ("gangster language" or "thug language"), and deals with themes such as the everyday life in the ''villas miseria'' (slums), poverty and misery, the use of hard drugs, promiscuity and/or prostitution, nights out at ''boliches'' (discos and clubs) that play cumbia and other tropical music genres (such as the emblematic ''Tropitango'' venue in Pacheco), the football culture of the barras bravas, delinquency and clashes with the police and other forms of authority, antipathy towards politicians, and authenticity in being true ''villeros'' (inhabitants of the ''villas''). Music ...
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Cumbia (Panama)
Cumbia is a musical genre and Folk music, folk dance from Panama.Cheville, Lila, Festivals and Dances of Panama, Panamá: Litho Impresora Panamá, 1977. 187 p.; 22 cm. Page 128-133 The cultural importance of cumbia has been recognized by UNESCO in its inclusion of it on the ''Representative List of the Intangible Cultural Heritage of Humanity'' in 2018. The inscription describes cumbia as "the festive and ritual expressions of the Congo culture [Afro-Panamanian culture] of Panama". Etymology Panamanian musician Narciso Garay, in his book "Tradiciones y Cantares de Panamá", published in 1930, assumed that the word cumbia shares the same linguistic root of the word cumbé, dance of African origin registered in the dictionary of the Spanish language as dance of black people Colombian folklorist Delia Zapata Olivella in her publication of 1962, ('Cumbia: Musical Synthesis of the Colombian Nation, Historical and Choreographic Review') notes that the only word similar to cumbia ...
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Argentine Cumbia
Argentine cumbia is an umbrella term that comprises several distinct trends within the same tradition: the dance and music style known as cumbia in Argentina. Originally from Colombia, cumbia has been well-known and appreciated in Argentina for a long time, but it gained nationwide scope and attention when it became popular among the lower-class people in Cities in Argentina, main urban centers, the large cities of the Río de la Plata basin, in the 1990s. Among the most important cumbia bands and singers that popularized the genre are Ráfaga, La Nueva Luna, Amar Azul, Gilda (Argentine singer), Gilda, Ezequiel Cwirkaluk and other traditional cumbia bands like Los Palmeras, Cali and Los Leales. Chocolate (Band), Chocolate had similar success across the water in Uruguay. Most bands are composed of synthesizer Keyboard instrument, keyboards as main instruments, electronic musical instrument, electronic sounds and percussion instrument, percussion, and a musical score very charged ...
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Cumbia Santafesina
Cumbia santafesina is a musical style that arose in Santa Fe, Argentina. It is distinguished by taking the guitar and the accordion as the main instruments. Another distinctive feature of cumbia santafesina compared to other subgenres of the rest of Argentine cumbia is that its lyrics have mainly romantic themes. History Background Cumbia santafesina began in the mid 1960s with the creation of Grupo Santa Cecilia, who adapted Colombian cumbia introduced to the country by bands such as the Imperial Quartet, with a distinctive Italian and Polish influence (Los Palmeras, Yuli and Los Girasoles), above all on their accordions. This bands was led by accordionist Alberto Fernández, alias '' Toto ''; Toto Fernández would be a teacher and mentor to numerous accordionists of this musical genre, such as Marcos Caminos (leader of Los Palmeras), Miguel Carranza (leader of Los Cumbiambas, Dario Zanco (leader of Grupo Cali) and many others. The vocalist of Grupo Santa Cecilia was the y ...
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New Chilean Cumbia
The New Chilean Cumbia also known as New Chilean Cumbia Rock (Spanish: ''Nueva cumbia chilena'', ''Nueva cumbia rock chilena'') is a subgenre of cumbia music that originated in Chile in the early 2000s and that largely surfaced in mainstream media in 2009 and 2010. In contrast to older cumbias the lyrics of New Chilean Cumbia deals more with urban life and combines aspects of rock, hip hop and a wide variety of Latin American genres like Andean music, salsa, the son, reggae, boleros, ska, Latin-African music, diablada and even folklore from the Balkans, like the Klezmer, and Gipsy music. While the movement has various influences its roots lie in the Chilean cumbia tradition established by Orquesta Huambaly, Giolito y su Combo, Orquesta Cubanacán, La Sonora Palacios and Sonora de Tommy Rey, but in contrast to these bands the New Chilean Cumbia is aimed towards a younger public. The New Chilean Cumbia public comes often from the middle classes. The movement has bee ...
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Afro-Colombian
Afro-Colombians (), also known as Black Colombians (), are Colombians of total or predominantly Sub-Saharan African ancestry. Colombia has one of the largest African diaspora, Afro-descendant populations in South America, with government estimates being that Afro-Colombians make up about ten percent of the country's population. In the national censuses of Colombia, Black people are recognized as three official groups: the Raizals, the Palenquero, Palenques and other Afro-Colombians. History Africans were Slavery, enslaved in the early 16th century in Colombia. They were from various places across the continent, including modern-day Republic of the Congo, Democratic Republic of the Congo, Angola, Nigeria, Cameroon, The Gambia, Liberia, Guinea, Ghana, Ivory Coast, Guinea-Bissau, Sierra Leone, Senegal, Mali and parts of Togo, Benin, Namibia and Zimbabwe. They were forcibly taken to Colombia to replace the Indigenous peoples of the Americas, Indigenous population, which was ...
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Argentina
Argentina, officially the Argentine Republic, is a country in the southern half of South America. It covers an area of , making it the List of South American countries by area, second-largest country in South America after Brazil, the fourth-largest country in the Americas, and the List of countries and dependencies by area, eighth-largest country in the world. Argentina shares the bulk of the Southern Cone with Chile to the west, and is also bordered by Bolivia and Paraguay to the north, Brazil to the northeast, Uruguay and the South Atlantic Ocean to the east, and the Drake Passage to the south. Argentina is a Federation, federal state subdivided into twenty-three Provinces of Argentina, provinces, and one autonomous city, which is the federal capital and List of cities in Argentina by population, largest city of the nation, Buenos Aires. The provinces and the capital have their own constitutions, but exist under a Federalism, federal system. Argentina claims sovereignty ov ...
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Caña De Millo
The caña de millo, flauta de millo or pito atravesao is a woodwind musical instrument of indigenous origin used in the cumbia music of Colombia's Caribbean coast. It is made of ''carrizo'' cane (Phragmites australis), palm, millet, sorghum, or similar stalks, ''(not found in Wayback Machine)'' forming a tube open at both ends, with a vibrating tongue (reed) cut of the same material as the tube, with four fingerholes. It is played transverse, and used by folkloric musical ensembles called ''grupos de millo''. The ''caña de millo'' replaces the ''kuisi'' (or ''gaita'') in regions of the Colombian departments of Atlántico and Magdalena. Similar instruments are found in most of the savannah region of West Africa. Characteristics The ''caña de millo'' is open at both ends and resembles a small flute. It measures about 20 to 30 centimeters in length and has four tonal holes of approximately 1.5 to 2 centimeters in diameter, separated by 1, 1.5, or 3 centimeters each. The tongue ...
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Guacharaca
Guacharaca is a percussion instrument found in Colombia. It is a rasp named after a bird ( ''ortalis guttata'') whose call it is said to imitate. It is usually made out of the cane-like trunk of a small palm tree. The guacharaca itself consists of a tube with ridges carved into its outer surface with part of its interior hollowed out, giving it the appearance of a tiny, notched canoe. It is played with a fork composed of hard wire fixed into a wooden handle. The ''guacharaquero'' (guacharaca player) scrapes the fork along the instrument's surface to create its characteristic scratching sound. A typical guacharaca is about as thick as a broomstick and as long as a violin. The guacharaca was invented by native American Indians from the Tairona culture in the region of la Sierra Nevada de Santa Marta, Colombia as an instrument to simulate the guacharaca (or '' Ortalis ruficauda'') bird's singing. During the mid 20th century it was adopted by vallenato and cumbia musicians and today ...
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