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Creacionismo
Creationism () was a literary movement initiated by Chilean poet Vicente Huidobro around 1912. Creationism is based on the idea of a poem as a truly ''new'' thing, created by the author for the sake of itself—that is, not to praise another thing, not to please the reader, not even to be understood by its own author. Huidobro himself defined it as "a general aesthetic theory" rather than a school of art. He proposed that poetry should not be a commentary, something written about something else. In his own words: created poemis a poem in which every constituent part, and the whole, show a new fact, independent of the external world, not bound to any other reality save its own, since it takes a place in the world as a singular phenomenon, separate and distinct from the other phenomena. That poem is something that cannot exist except inside the poet's head. And it is not beautiful because it commemorates something, it is not beautiful because it reminds us of things we have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicente Huidobro
Vicente García-Huidobro Fernández (; January 10, 1893 – January 2, 1948) was a Chilean poet born to an aristocracy, aristocratic family. He promoted the avant-garde literary movement in Chile and was the creator and greatest exponent of the literary movement called ''Creacionismo'' ("Creationism"). Life and work Early years Huidobro was born into a wealthy family from Santiago, Chile. He spent his first years in Europe, and was educated by French and English governesses. Once his family was back in Chile, Vicente was enrolled at the Colegio San Ignacio, a Company of Jesus, Jesuit secondary school in Santiago, where he was expelled for wearing a ring that he claimed was a wedding ring. In 1910 he studied literature at the Instituto Pedagogico of the University of Chile, but a good part of his knowledge of literature and poetry came from his mother, poet María Luisa Fernández (writer), María Luisa Fernández Bascuñán. She used to host "tertulias" or Salon (gathering) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chilean Literature
Chilean literature refers to all written or literary work produced in Chile or by Chilean writers. The literature of Chile is usually written in Spanish. Chile has a rich literary tradition and has been home to two Nobel prize winners, the poets Gabriela Mistral and Pablo Neruda. It has also seen three winners of the Miguel de Cervantes Prize, considered one of the most important Spanish language literature prizes: the novelist, journalist and diplomat Jorge Edwards (1998), and the poets Gonzalo Rojas (2003) and Nicanor Parra (2011). Chilean literature during conquest and colonial times As the native cultures of the territories known today as Chile had no written tradition, (please see Mapudungun alphabet), Chilean literature was born during the Spanish conquest of the 1500s. The conquistador Pedro de Valdivia wrote letters to the king, Charles V (Carlos Primero de España), and in one of these letters, of 1554, he admiringly describes the natural beauty and landscape of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Tzara
Tristan Tzara (; ; ; born Samuel or Samy Rosenstock, also known as S. Samyro; – 25 December 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism (arts), Symbolism and co-founded the magazine ''Simbolul'' with Ion Vinea (with whom he also wrote Experimental literature, experimental poetry) and painter Marcel Janco. During World War I, after briefly collaborating on Vinea's ''Chemarea'', he joined Janco in Switzerland. There, Tzara's shows at the Cabaret Voltaire (Zürich), Cabaret Voltaire and Zünfte of Zürich, Zunfthaus zur Waag, as well as his poetry and art manifestos, became a main feature of early Dadaism. His work represented Dada's Nihilism, nihilistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin American Literature
Latin American literature consists of the oral and written literature of Latin America in several languages, particularly in Spanish, Portuguese, and the indigenous languages of Latin America. Latin American literature rose to particular prominence globally during the second half of the 20th century, largely due to the international success of the style known as magical realism. As such, the region's literature is often associated solely with this style, with the 20th century literary movement known as Latin American Boom, and with its most famous exponent, Gabriel García Márquez. Latin American literature has a rich and complex tradition of literary production that dates back many centuries. History Pre-Columbian literature Pre-Columbian cultures are documented as primarily oral, although the Mayans and Aztecs – in present-day Mexico and some Central American countries – for instance, produced elaborate codices. Maya script consisted of complex glyphs describ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerardo Diego
Gerardo Diego Cendoya (October 3, 1896 – July 8, 1987) was a Spanish poet, a member of the Generation of '27. Diego taught language and literature at institutes of learning in Soria, Gijón, Santander and Madrid. He also acted as literary and music critic for several newspapers. Biography Diego was born in Santander. He studied the subjects of Philosophy & Humanities at the University of Deusto, and later at the universities of Salamanca and Madrid, where he earned his doctorate. With Juan Larrea, he founded the Ultraísta Movement in 1919. He was professor of literature and music. He began his poetic work with ''El romancero de la novia'' (1920). After discovering the Chilean poet Vicente Huidobro, founder of the Creationist movement, Diego became one of the most enthusiastic followers of Creacionismo. The extensive poetic work of Diego has always varied between the themes and expressions of Vanguardism and the more classical structures of poetry. In 1925, he was aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generation Of '27
The Generation of '27 () was an influential group of poets that arose in Spain, Spanish literary circles between 1923 and 1927, essentially out of a shared desire to experience and work with avant-garde forms of art and poetry. Their first formal meeting took place in Seville in 1927 to mark the 300th anniversary of the death of the baroque poet Luis de Góngora. Writers and intellectuals paid homage at the ''Ateneo de Sevilla'', which retrospectively became the foundational act of the movement. Terminology The Generation of '27 has also been called, with lesser success, "Generation of the Dictatorship", "Generation of the Republic", "Generation Guillén-Lorca" (Guillén being its oldest author and Lorca its youngest), "Generation of 1925" (average publishing date of the first book of each author), "Generation of Avant-Gardes", "Generation of Friendship", etc. According to Petersen, "generation group" or a "constellation" are better terms which are not so much historically rest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultraist Movement
The Ultraist movement () was a literary movement born in Spain in 1918, with the declared intention of opposing Modernismo, which had dominated Spanish poetry since the end of the 19th century. The movement was launched in the tertulias of Madrid's ''Café Colonial'', presided by Rafael Cansinos Assens. The Ultraist core was formed, among others, by Guillermo de Torre, Juan Larrea, Gerardo Diego and the Argentine Jorge Luis Borges, who lived in Madrid at the time. The first manifesto of the group was published in the Seville-based literary magazine '' Grecia'' in 1919. In the trend of Russian and Italian futurism, Dadaism and French surrealism, the Ultraist movement, which ended in 1922 with the cessation of the journal ''Ultra'' (though some authors, such as Borges, continued writing in the Ultraist style for nearly a decade afterwards), proposed an aesthetic change, less ambitious than that of surrealism, trying to extend to all arts and to daily life itself. The Ultra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of Line (poetry), lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a pars pro toto, shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature
Literature is any collection of Writing, written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, Play (theatre), plays, and poetry, poems. It includes both print and Electronic literature, digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.; see also Homer. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role. Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Translation
Translation is the communication of the semantics, meaning of a #Source and target languages, source-language text by means of an Dynamic and formal equivalence, equivalent #Source and target languages, target-language text. The English language draws a terminological distinction (which does not exist in every language) between ''translating'' (a written text) and ''interpreting'' (oral or Sign language, signed communication between users of different languages); under this distinction, translation can begin only after the appearance of writing within a language community. A translator always risks inadvertently introducing source-language words, grammar, or syntax into the target-language rendering. On the other hand, such "spill-overs" have sometimes imported useful source-language calques and loanwords that have enriched target languages. Translators, including early translators of sacred texts, have helped shape the very languages into which they have translated. Becau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Movement
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy ( abstract art). Concept According to theories associated with modernism and also the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
