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Cornu (horn)
A ''cornu'' or ''cornum'' (, " horn", sometimes translated misleadingly as " cornet"; : ''cornua'') was an ancient Roman brass instrument about long in the shape of a letter 'G'. The instrument was braced by a crossbar that stiffened the structure and provided a means of supporting its weight on the player's shoulder. Some specimens survive in the archaeological record, two from the ruins of Pompeii. The ''cornu'' may be difficult to distinguish from the '' buccina''. It was used by the Roman army for communicating orders to troops in battle. In Roman art, the ''cornu'' appears among the instruments that accompany games ''( ludi)'' or gladiator combat in the arena, as on the Zliten mosaic. History and usage It was invented by the Etruscans for use in their funeral processions and military. Roman artistic representations of the ''cornu'' are typically realistic. While Etruscan art usually depict the ''cornu'' in use alongside the lituus. It was likely a status symbol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hydraulis 001
The water organ or hydraulic organ () (early types are sometimes called hydraulos, hydraulus or hydraula) is a type of pipe organ blown by air, where the power source pushing the air is derived by water from a natural source (e.g. by a waterfall) or by a manual pump. Consequently, the water organ lacks a bellows, blower, or Gas compressor, compressor. The hydraulic organ is often confused with the hydraulis. The hydraulis is the name of a Greek instrument created by Ctesibius of Alexandria. The hydraulis has a reservoir of air which is inserted into a cistern of water. The air is pushed into the reservoir with hand pumps, and exits the reservoir as pressurized air to blow through the pipes. The reservoir is open on the bottom, allowing water to maintain the pressure on the air as the air supply fluctuates from either the pumps pushing more air in, or the pipes letting air out. On the water organ, since the 15th century, the water is also used as a source of power to drive a mec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Military Communications
Military communications or military signals involve all aspects of communications, or conveyance of information, by armed forces. Examples from '' Jane's Military Communications'' include text, audio, facsimile, tactical ground-based communications, naval signalling, terrestrial microwave, tropospheric scatter, satellite communications systems and equipment, surveillance and signal analysis, security, direction finding and jamming. IHS Jane'sbr>Military Communications Retrieved 2012-01-23. The most urgent purposes are to communicate information to commanders and orders from them. Military communications span from pre-history to the present. The earliest military communications were delivered by runners. Later, communications progressed to visual signals. For example, Naval ships would use flag signaling to communicate from ship to ship. These flags are a uniform set of easily identifiable nautical codes that would convey visual messages and codes between ships and fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Military Of Ancient Rome
The military of ancient Rome was one of largest pre-modern professional standing armies that ever existed. At its height, protecting over 7,000 kilometers of border and consisting of over 400,000 legionaries and auxiliaries, the army was the most important institution in the Roman world. According to the Roman historian Livy, the military was a key element in the rise of Rome over "above seven hundred years" from a small settlement in Latium to the capital of an empire governing a wide region around the shores of the Mediterranean, or, as the Romans themselves said, ''mare nostrum'', "our sea". Livy asserts: :... if any people ought to be allowed to consecrate their origins and refer them to a divine source, so great is the military glory of the Roman People that when they profess that their Father and the Father of their Founder was none other than Mars, the nations of the earth may well submit to this also with as good a grace as they submit to Rome's dominion. Josephus, Titus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Ancient Rome
The music of ancient Rome was a part of Roman culture from the earliest of times. Songs ''( carmen)'' were an integral part of almost every social occasion. The '' Secular Ode'' of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the ''tibia'' (Greek '' aulos''), a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge. Etruscan music had an early influence on that of the Romans. During the Imperial period, Romans carried their music to the provinces, while traditions of Asia Minor, North Africa, and Gaul became a part of Roman culture. Music accompanied public spectacles, events in the arena, and was part of the performing art form called ''pantomimus'', an early form of story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchanalia
The Bacchanalia were unofficial, privately funded popular Roman festivals of Bacchus, based on various ecstatic elements of the Greek Dionysia. They were almost certainly associated with Rome's native cult of Liber, and probably arrived in Rome itself around 200 BC. Like all mystery religions of the ancient world, very little is known of their rites. They seem to have been popular and well-organised throughout the central and southern Italian peninsula. Livy, writing some 200 years after the event, offers a scandalized and extremely colourful account of the Bacchanalia, with frenzied rites, sexually violent initiations of both sexes, all ages and all social classes; he represents the cult as a murderous instrument of conspiracy against the state. Livy claims that seven thousand cult leaders and followers were arrested, and that most were executed. Livy believed the Bacchanalia scandal to be one of several indications of Rome's inexorable moral decay. Modern scholars take a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circus
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term "circus" also describes the field of performance, training, and community which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Newcastle-under-Lyme born Philip Astley is credited as the father of the modern circus. In 1768, Astley, a skilled equestrian, began performing exhibitions of trick horse riding in an open field called Ha'penny Hatch on the south side of the Thames River, England. In 1770, he hired acrobats, tightrope walkers, jugglers, and a clown to fill in the pauses between the equestrian demonstrations and thus chanced on the format which was later named a "circus". Performances deve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Funerary Practices
Roman funerary practices include the Ancient Romans' religious rituals concerning funerals, cremations, and burials. They were part of time-hallowed tradition (), the unwritten code from which Romans derived their social norms. Elite funeral rites, especially processions and public eulogies, gave the family an opportunity to publicly celebrate the life and deeds of the deceased, their ancestors, and the family's standing in the community. Sometimes the political elite gave costly public feasts, games and popular entertainments after family funerals, to honour the departed and to maintain their own public profile and reputation for generosity. The Roman gladiator games began as funeral gifts for the deceased in high-status families. Funeral displays and expenses were supposedly constrained by sumptuary laws, designed to reduce class envy and consequent social conflict. The less well-off, and those who lacked the support of an extended family could subscribe to guilds or '' co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animal Sacrifice
Animal sacrifice is the ritual killing and offering of animals, usually as part of a religious ritual or to appease or maintain favour with a deity. Animal sacrifices were common throughout Europe and the Ancient Near East until the spread of Christianity in Late Antiquity, and continue in some cultures or religions today. Human sacrifice, where it existed, was always much rarer. All or only part of a sacrificial animal may be offered; some cultures, like the Ancient Greeks ate most of the edible parts of the sacrifice in a feast, and burnt the rest as an offering. Others burnt the whole animal offering, called a Holocaust (sacrifice), holocaust. Usually, the best animal or best share of the animal is the one presented for offering. Animal sacrifice should generally be distinguished from the religiously prescribed methods of ritual slaughter of animals for normal consumption as food. During the Neolithic Revolution, early humans began to move from hunter-gatherer cultures toward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cybele
Cybele ( ; Phrygian: ''Matar Kubileya, Kubeleya'' "Kubeleya Mother", perhaps "Mountain Mother"; Lydian: ''Kuvava''; ''Kybélē'', ''Kybēbē'', ''Kybelis'') is an Anatolian mother goddess; she may have a possible forerunner in the earliest neolithic at Çatalhöyük. She is Phrygia's only known goddess, and likely, its national deity. Greek colonists in Asia Minor adopted and adapted her Phrygian cult and spread it to mainland Greece and to the more distant western Greek colonies around the sixth century BC. In Greece, Cybele met with a mixed reception. She became partially assimilated to aspects of the Earth-goddess Gaia, of her possibly Minoan equivalent Rhea, and of the harvest–mother goddess Demeter. Some city-states, notably Athens, evoked her as a protector, but her most celebrated Greek rites and processions show her as an essentially foreign, exotic mystery-goddess who arrives in a lion-drawn chariot to the accompaniment of wild music, wine, and a disorderl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religion In Ancient Rome
Religion in ancient Rome consisted of varying imperial and provincial religious practices, which were followed both by the Roman people, people of Rome as well as those who were brought under its rule. The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety () in maintaining Pax deorum, good relations with the gods. Their Polytheism, polytheistic religion is known for having honoured List of Roman deities, many deities. The presence of Magna Graecia, Greeks on the Italian peninsula from the beginning of the historical period influenced Culture of ancient Rome, Roman culture, introducing some religious practices that became fundamental, such as the of Apollo. The Romans looked for common ground between their major gods and those of the Greeks (), adapting Greek mythology, Greek myths and iconography for Latin literature and Roman art, as the Etruscans had. Etruscan religion was also a major influence, partic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
