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Coon Songs
Coon songs were a genre of music that presented a Stereotypes of African Americans, stereotype of black people. They were popular in the United States and Australia from around 1880 to 1920, though the earliest such songs date from minstrel shows as far back as 1848, when they were not yet identified with the "coon" epithet. The genre became extremely popular, with white and black men giving performances in blackface and making recordings. Women known as coon shouters also gained popularity in the genre. Rise and fall from popularity Although the word "coon" is now regarded as a racial slur, according to Stuart Berg Flexner, Stuart Flexner, "coon" was short for "raccoon", and it meant a frontier rustic (someone who may wear a coonskin cap) by 1832. By 1840, it also meant a Whig Party (United States), Whig, as the Whig Party was keen to be associated with rural white common people. At that time, "coon" was typically used to refer someone white, and a coon song referred to a Whig so ...
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Coon Coon Coon Sheet Music Cover 1901
Coon may refer to: Fauna Butterflies * Coon, common name of the butterfly ''Astictopterus jama'' * Coon, species group of the butterfly genus ''Atrophaneura#coon, Atrophaneura'', now genus ''Losaria'' * Coon, a common name of the skipper butterfly ''Psolos fuligo'' Mammals * Coon, an alternative name for Maine Coon, a breed of domestic cat * Coon, a diminutive of raccoon People * Coon (surname) * Coön (, ), a Trojan warrior who during the Trojan War wounded Agamemnon Arts and entertainment * "Coon 2: Hindsight", a 2010 episode of American animated series ''South Park'' * "The Coon", a 2009 episode of American animated series ''South Park'' * Coon Can or Conquian, a card game Slang * Coon (slur), racial slur used pejoratively to refer to a dark-skinned person of African, Indigenous Australian, or Pacific islander heritage * Coon Carnival, the original name for the Kaapse Klopse, a yearly minstrel festival in Cape Town, South Africa * Coon Chicken Inn, a former American ...
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George Washington Dixon
George Washington Dixon (1801?Many biographies list his birth year as 1808, but Cockrell, ''Demons of Disorder'', 189, argues that 1801 is the correct date. This is based on Dixon's records at a New Orleans hospital, which list him as 60 years old in 1861, and a December 11, 1841 article in the ''Flash'' that says he was born "some forty years ago". – March 2, 1861) was an American singer, stage actor, and newspaper editing, editor. He rose to prominence as a blackface performer (possibly the first American to do so) after performing "Coal Black Rose", "Zip Coon", and similar songs. He later turned to a career in journalism, during which he earned the enmity of members of the upper class for his frequent allegations against them. At age 15, Dixon joined the circus, where he quickly established himself as a singer. In 1829, he began performing "Coal Black Rose" in blackface; this and similar songs would propel him to stardom. In contrast to his contemporary Thomas D. Rice, Dixon ...
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Every Race Has A Flag But The Coon
"Every Race Has a Flag but the Coon" was a song written by Will A. Heelan, and J. Fred Helf that was popular in the United States and the United Kingdom. The song followed the previous success of " All Coons Look Alike to Me", written in 1896 by Ernest Hogan. H. L. Mencken cites it as being one of the three coon songs that "firmly established the term ''coon'' in the American vocabulary". The song was a musical hit for A. M. Rothschild and Company in 1901. New York's Siegel Cooper Company referred to it as one of their greatest hits the following April. The next month it was sung during "Music on the Piers" in New York, becoming the first song played at the Metropolitan Avenue pier. In his book ''The Movies That Changed Us: Reflections on the Screen'', Nick Clooney refers to the song as part of the "hit parade" of popular music one could use to measure the temper of the times when ''The Birth of a Nation'' premiered in 1915. It was also Marie Dressler's contribution to the ' ...
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Pan-African Flag
The pan-African flag (also known as the Afro-American flag, Black Liberation flag, UNIA flag, and various other names) is an ethnic flag representing pan-Africanism, the African diaspora, and/or black nationalism. A tri-color flag, it consists of three equal horizontal bands of (from top down) red, black, and green. The flag was likely influenced by the older Pan-African colors, substituting yellow for black to promote racial pride. The flag was created as a response to racism against African Americans in 1920 with the help of Marcus Garvey. The Universal Negro Improvement Association and African Communities League (UNIA-ACL) formally adopted it on August 13, 1920, in Article 39 of the Declaration of the Rights of the Negro Peoples of the World, during its month-long convention at Madison Square Garden in New York City. Variations of the flag can and have been used in various countries and territories in the Americas to represent Garveyist ideologies. History The flag wa ...
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Universal Negro Improvement Association And African Communities League
The Universal Negro Improvement Association and African Communities League (UNIA-ACL) is a black nationalist fraternal organization founded by Marcus Garvey, a Jamaican immigrant to the United States, and his then-wife Amy Ashwood Garvey. The African Nationalist organization enjoyed its greatest strength in the 1920s, and was influential prior to Garvey's deportation to Jamaica in 1927. After that its prestige and influence declined, but it had a strong influence on African-American history and development. The UNIA was said to be "unquestionably, the most influential anticolonial organization in Jamaica prior to 1938," according to Honor Ford-Smith. The organization was founded to work for the advancement of people of African ancestry around the world. Its motto is "One God! One Aim! One Destiny!" and its slogan is "Africa for the Africans, at home and abroad!" The broad mission of the UNIA-ACL led to the establishment of numerous auxiliary components, among them the Afr ...
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Marcus Garvey
Marcus Mosiah Garvey Jr. (17 August 188710 June 1940) was a Jamaican political activist. He was the founder and first President-General of the Universal Negro Improvement Association and African Communities League (UNIA-ACL) (commonly known as UNIA), through which he declared himself Provisional President of Africa. Garvey was ideologically a Black nationalism, black nationalist and Pan-Africanism, Pan-Africanist. His ideas came to be known as Garveyism. Garvey was born into a moderately prosperous Afro-Jamaican family in Saint Ann's Bay and was apprenticed into the print trade as a teenager. Working in Kingston, Jamaica, Kingston, he became involved in trade unionism. He later lived briefly in Costa Rica, Panama, and England. On returning to Jamaica, he founded the UNIA in 1914. In 1916, he moved to the United States and established a UNIA branch in New York City's Harlem district. Emphasising unity between Demographics of Africa, Africans and the African diaspora, he campaig ...
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A Trip To Coontown
''A Trip to Coontown'' is an American musical comedy. It was performed, directed, and produced by African-Americans. It was written and performed in by Bob Cole and Billy Johnson. and debuted it New Jersey in 1897 before touring in the U.S. and internationally. Its New York City debut was at the Third Avenue Theatre on April 4, 1898. The musical was a reworking of Cole and Johnson's skit "At Jolly Coon-ey Island" which was written by Cole for an operatic variety company called Black Patti’s Troubadours (formed by Sissieretta Jones). ''A Trip to Coontown'' spoofed the popular musical '' A Trip to Chinatown'' (1891). In the early 20th century the musical was staged in European cities. Cast According to an October 1899 advertisement in ''The Allentown Leader'', the show featured: *Coontown Sextette *Carter and Hillman's Bowery Spielers *Alice MacKay, Contralto *Freeman Sisters, acrobatic dancers *Billy Johnson, "the Luckiest Coon in Town" * Lloyd G. Gibbs, "Famous Colored Tenor" ...
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Bob Cole (composer)
Robert Allen Cole Jr. (July 1, 1868 – August 2, 1911) was an American composer, actor, and playwright who produced and directed stage shows. In collaboration with Billy Johnson, he wrote and produced '' A Trip to Coontown'' (1898), the first musical entirely created and owned by black showmen. The popular song '' La Hoola Boola'' (1898) was a result of their collaboration. Cole later partnered with brothers J. Rosamond Johnson, a pianist and singer, and James Weldon Johnson, a pianist, guitarist and lawyer, creating more than 200 songs. Their vaudeville act featured classical piano pieces and their musicals featured sophisticated lyrics without the usual stereotypes such as "hot-mamas" and watermelons. Success enabled Cole and Rosamond to tour America and Europe with their act. The trio's most popular songs were " Louisiana Lize" and " Under the Bamboo Tree" (1901?). Their more successful musicals were '' The Shoo-Fly Regiment'' (1906) and '' The Red Moon'' (1908, written wit ...
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George W
George Walker Bush (born July 6, 1946) is an American politician and businessman who was the 43rd president of the United States from 2001 to 2009. A member of the Bush family and the Republican Party (United States), Republican Party, he is the eldest son of the 41st president, George H. W. Bush, and was the 46th governor of Texas from 1995 to 2000. Bush flew warplanes in the Texas Air National Guard in his twenties. After graduating from Harvard Business School in 1975, he worked in the oil industry. He later co-owned the Major League Baseball team Texas Rangers (baseball), Texas Rangers before being elected governor of Texas 1994 Texas gubernatorial election, in 1994. Governorship of George W. Bush, As governor, Bush successfully sponsored legislation for tort reform, increased education funding, set higher standards for schools, and reformed the criminal justice system. He also helped make Texas the Wind power in Texas, leading producer of wind-generated electricity in t ...
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Ragtime
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its Syncopation, syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott (composer), James Scott, and Joseph Lamb (composer), Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. Ragtime music originated within African Americans, African American communities in the late 19th century and became a distinctly American form of popular music. It is closely related to American march music, marches. Ragtime pieces usually contain several distinct themes, often arranged in patterns of repeats and reprises. Scott Joplin, known as the "King of Ragtime", gained fame through compositions like "Maple Leaf Rag" and "The Entertainer (rag), The Entertainer". Ragtime influ ...
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Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat (music), off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, such as electronic dance music. According to music producer Rick Snoman, “All dance music makes use of syncopation, and it’s often a vital element that helps tie the whole track together”. Syncopation can also occur when a strong harmony is simultaneous with a weak Beat (music), beat, for instance, when a 7th chord, 7th-chord is played on the second beat of a measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclu ...
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Schottische
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian-era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (Spanish Wikipedia and ), Finland (), France, Italy, Norway (""), Portugal and Brazil (, '), Spain (), Sweden, Denmark (), Mexico (), and the United States, among other nations. The schottische is considered by '' The Oxford Companion to Music'' to be a kind of slower polka, with continental-European origin. The schottische basic step is made up of two sidesteps to the left and right, followed by a turn in four steps. In some countries, the sidesteps and turn are replaced by strathspey hopping steps. Schottisches danced in Europe (in the context of balfolk), where they originated, are different from how they are danced in the United States. The European or Continental version (often pronounced "skoteesh"), is typically danced to faster music a ...
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