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Contemporary Literature
Contemporary literature is literature which is generally set after World War II in the English-speaking world. Subgenres of contemporary literature include contemporary romance. History Literary movements are always contemporary to the writer discussing the work of her day. Here what have been recently "contemporary" are listed by decade. The list should not be assumed to be comprehensive. 1930s * Objectivist poets 1940s 1950s * Beat Generation * Black Mountain poets * Confessional poetry * New York School 1960s * British Poetry Revival * New Wave (science fiction) * Nouveau roman 1970s * L=A=N=G=U=A=G=E poets 1980s * Cyberpunk * Maximalism * New Formalism * Poetry slam 1990s * Post cyber punk 2000s * New Weird 2010s 2020s See also * in literature *Modernist literature *Postmodern literature * Twentieth-century English literature *20th century in literature Literature of the 20th century refers to world literature produced during the 20th century (1901 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setting (narrative)
A setting (or backdrop) is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world or '' milieu'' to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour. Along with the plot, character, theme, and style, setting is considered one of the fundamental components of fiction. Role Setting may refer to the social milieu in which the events of a novel occur. The elements of the story setting include the passage of time, which may be static in some stories or dynamic in others with, for example, changing seasons. A setting can take three basic forms. One is the natural world, or in an outside place. In this setting, the natural landscapes of the world play an important part in a narrative, along with living creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maximalism
In the arts, maximalism, a reaction against minimalism, is an aesthetic of excess. The philosophy can be summarized as "more is more", contrasting with the minimalist motto "less is more". Literature The term ''maximalism'' is sometimes associated with postmodern novels, such as those by David Foster Wallace and Thomas Pynchon, where digression, reference, and elaboration of detail occupy a great fraction of the text. It can refer to anything seen as excessive, overtly complex and "showy", providing redundant overkill in features and attachments, grossness in quantity and quality, or the tendency to add and accumulate to excess. Novelist John Barth defines literary maximalism through the medieval Roman Catholic Church's opposition between "two...roads to grace:" the ''via negativa'' of the monk's cell and the hermit's cave, and the ''via affirmativa'' of immersion in human affairs, of being in the world whether or not one is of it. Critics have aptly borrowed those terms to ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s In Books
The 21st century in literature refers to world literature produced during the 21st century. The measure of years is, for the purpose of this article, literature written from (roughly) the year 2001 to the present. * 2001 – ''The Corrections'' by Jonathan Franzen; '' Seabiscuit: An American Legend'' by Laura Hillenbrand; ''Life of Pi'' by Yann Martel; Nobel Prize: Vidiadhar Surajprasad Naipaul * 2002 – ''Atonement'' by Ian McEwan; ''Middlesex'' by Jeffrey Eugenides; ''Everything is Illuminated'' by Jonathan Safran Foer; Nobel Prize: Imre Kertész * 2003 – ''The Da Vinci Code'' by Dan Brown; '' Roman Triptych (Meditation)''; Nobel Prize: J. M. Coetzee * 2004 – Nobel Prize: Elfriede Jelinek * 2005 – Nobel Prize: Harold Pinter * 2006 – ''The Road'' by Cormac McCarthy; ''Les Bienveillantes'' by Jonathan Littell; ''Against the Day'' by Thomas Pynchon; Nobel Prize: Orhan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th Century In Literature
Literature of the 20th century refers to world literature produced during the 20th century (1901 to 2000). In terms of the Euro-American tradition, the main periods are captured in the bipartite division, Modernist literature and Postmodern literature, flowering from roughly 1900 to 1940 and 1960 to 1990 respectively, divided, as a rule of thumb, by World War II. The somewhat malleable term "contemporary literature" is usually applied with a post-1960 cut off point. Although these terms (modern, contemporary and postmodern) are most applicable to Western literary history, the rise of the globalization has allowed European literary ideas to spread into non-Western cultures fairly rapidly, so that Asian and African literatures can be included into these divisions with only minor qualifications. And in some ways, such as in Postcolonial literature, writers from non-Western cultures were on the forefront of literary development. Technological advances during the 20th century all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twentieth-century English Literature
This article is focused on English-language literature rather than the literature of England, so that it includes writers from Scotland, Wales, and the whole of Ireland, as well as literature in English from former British colonies. It also includes, to some extent, the United States, though the main article for that is American literature. Modernism is a major literary movement of the first part of the twentieth-century. The term Postmodern literature is used to describe certain tendencies in post-World War II literature. Irish writers were especially important in the twentieth-century, including James Joyce and later Samuel Beckett, both central figures in the Modernist movement. Americans, like poets T. S. Eliot and Ezra Pound and novelist William Faulkner, were other important modernists. British modernists include Joseph Conrad, E. M. Forster, Dorothy Richardson, Virginia Woolf, and D. H. Lawrence. In the mid-twentieth-century major writers started to appear in the variou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodern Literature
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. Linda Hutcheon (1988) ''A Poetics of Postmodernism.'' London: Routledge, pp. 202-203. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to. Precursors to postmodern literature include Miguel de Cervantes’ ''Don Quixote'' (1605–1615), Laurence Sterne’s '' Tristram Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernist Literature
Literary modernism, or modernist literature, originated in the late 19th and early 20th centuries, and is characterized by a self-conscious break with traditional ways of writing, in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new." This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time. The horrors of the First World War saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century. Origins and precursors In the 1880s, increased attention was given to the idea that it was necessary to push aside previous norms entirely, instead of merely revising past knowledge in light of contemporary techniques. The theories of Sigmund Freud (1856–1939), and Ernst Mach (183 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post Cyber Punk
Since the advent of the cyberpunk genre, a number of derivatives of cyberpunk have become recognized in their own right as distinct subgenres in speculative fiction, especially in science fiction. Rather than necessarily sharing the digitally and mechanically focused setting of cyberpunk, these derivatives can display other futuristic, or even retrofuturistic, qualities that are drawn from or analogous to cyberpunk: a world built on one particular technology that is extrapolated to a highly sophisticated level (this may even be a fantastical or anachronistic technology, akin to retrofuturism), a gritty transreal urban style, or a particular approach to social themes. Steampunk, one of the most well-known of these subgenres, has been defined as a "kind of technological fantasy;" others in this category sometimes also incorporate aspects of science fantasy and historical fantasy. Scholars have written of the stylistic place of these subgenres in postmodern literature, as well as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry Slam
A poetry slam is a competitive art event in which poets perform spoken word poetry before a live audience and a panel of judges. While formats can vary, slams are often loud and lively, with audience participation, cheering and dramatic delivery. Hip-hop music and urban culture are strong influences, and backgrounds of participants tend to be diverse. Poetry slams began in Chicago in 1984, with the first slam competition designed to move poetry recitals from academia to a popular audience. American poet Marc Smith (poet), Marc Smith, believing the poetry scene at the time was "too structured and stuffy", began experimenting by attending open-microphone poetry readings, and then turning them into slams by introducing the element of competition. The performances at a poetry slam are judged as much on enthusiasm and style as content, and poets may compete as individuals or in teams. The judging is often handled by a panel of judges, typically five, who are usually selected from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Formalism
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people. Background The formal innovations of Modernist poetry, inspired by Walt Whitman and popularized by Ezra Pound, Edgar Lee Masters, and T.S. Eliot, led to the widespread publication of free verse during the early 20th century. By the 1920s, debates about the value of free verse versus formal poetry were filling the pages of American literary journals. Meanwhile, many poets chose to continue working predominantly in traditional forms, such as Robert Frost, Richard Wilbur, and Anthony Hecht. Formal verse also continued being written by American poets associated with the New Criticism, including John Crowe Ransom, Robert Penn Warren and Allen Tate. During the 1950s, the second coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
