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Conductus
The ''conductus'' (plural: ''conducti'') was a sacred Latin song in the Middle Ages, one whose poetry and music were newly composed. It is non-liturgical since its Latin lyric borrows little from previous chants. The conductus was northern French equivalent of the ''versus'', which flourished in Aquitaine. It was originally found in the twelfth-century Aquitanian repertories. But major collections of conducti were preserved in Paris. The conductus typically includes one, two, or three voices. A small number of the conducti are for four voices. Stylistically, the conductus is a type of discant (i.e. note-against-note polyphony). Its form can be strophic or through-composed form. The genre flourished from the early twelfth century to the middle of thirteenth century. It was one of the principal types of vocal composition of the ars antiqua period of medieval music history. History Origins of the name The conductus was most likely sung while the lectionary was carried from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pérotin
Pérotin () was a composer associated with the Notre Dame school of polyphony in Paris and the broader musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies. Other than a brief mention by music theorist Johannes de Garlandia in his '' De Mensurabili Musica'', virtually all information on Pérotin's life comes from Anonymous IV, a pseudonymous English student who probably studied in Paris. Anonymous IV names seven titles from a '' Magnus Liber''—including '' Viderunt omnes'', ''Sederunt principes'' and ''Alleluia Nativitas''—that have been identified with surviving works and gives him the title ''Magister Perotinus'' (Pérotinus the Master), meaning he was licensed to teach. It is assumed that Perotinus was French and named Pérotin, a diminutive of Peter, but attempts to match him with persons in contemporary documents remain speculative. Ident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beata Viscera
Beata or Beate is a female given name or Portuguese surname that occurs in several cultures and languages, including Italian, German, Polish, and Swedish, and which is derived from the Latin ''beatus'', meaning " blessed".''Behind the Name''"Given Name Beate" Retrieved on 22 January 2016. Variants include Bea, Beade and Beáta. The name may refer to: *Beata Asimakopoulou (1932–2009), Greek actress * Beate Bille, (born 1976), Danish actress * Beata Brookes (1930–2015), British politician * Beata Bublewicz (born 1975), Polish politician *Beate Bühler (born 1964), German volleyball player *Beata Gosiewska (born 1971), Polish politician * Beata Harju (born 1990), Finnish actress and filmmaker *Beate Heister (born 1951), German billionaire *Beata Kaczmarska (born 1970), Polish race walker *Beata Kitsikis (1907–1986), Greek politician *Beate Klarsfeld (born 1939), German Nazi hunter *Beata Kozidrak (born 1960), Polish singer *Beata Losman (born 1938), Swedish archivist *Bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monophony
In music, monophony is the simplest of texture (music), musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompaniment, accompanying harmony or chord (music), chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers (e.g., a choir) sings the same melody together at the unison (exactly the same pitch) or with the same melody notes duplicated at the octave (such as when men and women sing together). If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony (or "monophonic"). The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines (two or more independent lines). In the Early Middle Ages, the earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Of Liège
Jacob, later known as Israel, is a Hebrew patriarch of the Abrahamic religions. He first appears in the Torah, where he is described in the Book of Genesis as a son of Isaac and Rebecca. Accordingly, alongside his older fraternal twin brother Esau, Jacob's paternal grandparents are Abraham and Sarah and his maternal grandfather is Bethuel, whose wife is not mentioned. He is said to have bought Esau's birthright and, with his mother's help, deceived his aging father to bless him instead of Esau. Then, following a severe drought in his homeland Canaan, Jacob and his descendants migrated to neighbouring Egypt through the efforts of his son Joseph, who had become a confidant of the pharaoh. After dying in Egypt at the age of 147, he is supposed to have been buried in the Cave of Machpelah in Hebron. Per the Hebrew Bible, Jacob's progeny were beget by four women: his wives (and maternal cousins) Leah and Rachel; and his concubines Bilhah and Zilpah. His sons were, in order of their b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the Line (poetry)">line or lines that are repeated in poetry or in music">poetry.html" ;"title="Line (poetry)">line or lines that are repeated in poetry">Line (poetry)">line or lines that are repeated in poetry or in music—the "chorus" of a song. Poetry, Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the Verse (popular music), verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history Although repeats of refrains may use different words, refrains are made recognizable by reusing the same melody (whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refectory
A refectory (also frater, frater house, fratery) is a dining room, especially in monastery, monasteries, boarding schools and academic institutions. One of the places the term is most often used today is in graduate seminary, seminaries. The name derives from the Latin ''reficere'' "to remake or restore," via Late Latin ''refectorium'', which means "a place one goes to be restored" (''cf.'' "restaurant"). Refectories and monastic culture Communal meals are the times when all monks of an institution are together. Diet and eating habits differ somewhat by Monasticism, monastic order, and more widely by schedule. The Benedictine rule is illustrative. The Rule of St Benedict orders two meals. Dinner is provided year-round; supper is also served from late spring to early fall, except for Wednesdays and Fridays. The diet originally consisted of simple fare: two dishes, with fruit as a third course if available. The food was simple, with the meat of mammals forbidden to all but the si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass () is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Mode
In medieval music, the rhythmic modes were set patterns of long and short duration (music), durations (or rhythms). The value of each musical notation, note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a Ligature (music), ligature, and by the position of the ligature relative to other ligatures. Modal notation was developed by the composers of the Notre Dame school from 1170 to 1250, replacing the even and unmeasured rhythm of early polyphony and plainchant with patterns based on the metric feet of classical poetry, and was the first step towards the development of modern mensural notation. The rhythmic modes of Notre Dame Polyphony were the first coherent system of rhythmic notation developed in Western music since Ancient history, antiquity. History Though the use of the rhythmic modes is the most characteristic feature of the musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mensural Notation
Mensural notation is the musical notation system used for polyphony, polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions amongst note values. Its modern name is derived from the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neumes, neume notation throughout the period. Besides these, some solely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Maria Dreves
Guido Maria Dreves (27 October 1854 – 1 June 1909) was a German Jesuit, hymnologist and hymnwriter. He was the son of the notary and poet Lebrecht Blücher Dreves. Life Dreves was born in Hamburg. He already had contact with Jesuits at school, as he attended the Stella Matutina grammar school in Feldkirch from 1861. After completing his education, he immediately entered the Jesuit order in November 1869. He completed his novitiate in Sigmaringen and then studied at the , at the religious house in Bleijenbeek Castle in the Netherlands and at the Jesuit College of Ditton-Hall in Shropshire, England. He devoted his research mainly to medieval Latin hymnody. He is especially important as the author and editor of the '' Analecta hymnica medii aevi'', the largest collection of medieval Latin poetry to date (hymns, sequences, tropes, rhyming offices and psalters). With astonishing diligence, Dreves searched libraries all over Europe for old manuscripts and incunables. From 1886 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neume
A neume (; sometimes spelled neum) is the basic element of Western and some Eastern systems of musical notation prior to the invention of five-line staff (music), staff notation. The earliest neumes were inflective marks that indicated the general shape but not necessarily the exact Musical note, notes or rhythms to be sung. Later developments included the use of heightened neumes that showed the relative Pitch (music), pitches between neumes, and the creation of a four-line musical staff that identified particular pitches. Neumes do not generally indicate rhythm, but additional symbols were sometimes juxtaposed with neumes to indicate changes in Articulation (music), articulation, duration (music), duration, or tempo. Neumatic notation was later used in medieval music to indicate certain patterns of rhythm called rhythmic modes, and eventually evolved into Modern musical symbols, modern musical notation. Neumatic notation remains standard in modern editions of plainchant. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
