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Color Translation
Color management is the process of ensuring consistent and accurate colors across various devices, such as monitors, printers, and cameras. It involves the use of color profiles, which are standardized descriptions of how colors should be displayed or reproduced. Color management is necessary because different devices have different color capabilities and characteristics. For example, a monitor may display colors differently than a printer can reproduce them. Without color management, the same image may appear differently on different devices, leading to inconsistencies and inaccuracies. To achieve color management, a color profile is created for each device involved in the color workflow. This profile describes the device's color capabilities and characteristics, such as its color gamut (range of colors it can display or reproduce) and color temperature. These profiles are then used to translate colors between devices, ensuring consistent and accurate color reproduction. Colo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Monitor
A computer monitor is an output device that displays information in pictorial or textual form. A discrete monitor comprises a electronic visual display, visual display, support electronics, power supply, Housing (engineering), housing, electrical connectors, and external user controls. The display in modern monitors is typically an Liquid-crystal display, LCD with LED-backlit LCD, LED backlight, having by the 2010s replaced cold-cathode fluorescent lamp, CCFL Backlight, backlit LCDs. Before the mid-2000s, most monitors used a cathode-ray tube, cathode-ray tube (CRT) as the image output technology. A monitor is typically connected to its host computer via DisplayPort, HDMI, USB-C, Digital Visual Interface, DVI, or VGA connector, VGA. Monitors sometimes use other proprietary connectors and signals to connect to a computer, which is less common. Originally computer monitors were used for data processing while television sets were used for video. From the 1980s onward, computers ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CMYK
The CMYK color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation ''CMYK'' refers to the four ink plates used: cyan, magenta, yellow, and key (most often black). The CMYK model works by partially or entirely masking colors on a lighter, usually white, background. The ink reduces the light that would otherwise be reflected. Such a model is called ''subtractive'', as inks ''subtract'' some colors from white light; in the CMY model, white light minus red leaves cyan, white light minus green leaves magenta, and white light minus blue leaves yellow. In additive color models, such as RGB, white is the ''additive'' combination of all primary colored lights, and black is the absence of light. In the CMYK model, it is the opposite: white is the natural color of the paper or other background, and black results from a ful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focal Press
Focal Press is a publisher of creative and applied media books and it is an imprint of Routledge/Taylor & Francis. Company history The firm was founded in London in 1938 by Andor Kraszna-Krausz, a Hungarian photographer who migrated to England in 1937 and eventually published over 1,200 books on photography, cinematography and broadcasting. It "published practical guides to photography at affordable prices for the general public". One of the books published by Kraszna-Krausz's Focal Press was ''The All-in-One Camera Book'' by E. Emanuel and W. D. Dash, which was one of the earliest books on photography written for the general public. First published in 1939 it had gone through 81 editions by 1978. Book series published by the firm included Masters of the Camera and Classics of Photography. There was a second firm named Focal Press which was founded by George Bernhard Eisler in London in 1937 and later opened a branch in New York. It is unclear if there was a connection betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CIEXYZ
In 1931, the International Commission on Illumination (CIE) published the CIE 1931 color spaces which define the relationship between the visible spectrum and human color vision. The CIE color spaces are mathematical models that comprise a "standard observer", which is a static idealization of the color vision of a normal human. A useful application of the CIEXYZ colorspace is that a mixture of two colors in some proportion lies on the straight line between those two colors. One disadvantage is that it is not perceptually uniform. This disadvantage is remedied in subsequent color models such as CIELUV and CIELAB, but these and modern color models still use the CIE 1931 color spaces as a foundation. The CIE (from the French name " Commission Internationale de l'éclairage" - International Commission on Illumination) developed and maintains many of the standards in use today relating to colorimetry. The CIE color spaces were created using data from a series of experiments, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CIELAB
The CIELAB color space, also referred to as ''L*a*b*'', is a color space defined by the International Commission on Illumination (abbreviated CIE) in 1976. It expresses color as three values: ''L*'' for perceptual lightness and ''a*'' and ''b*'' for the four Unique hues, unique colors of human vision: red, green, blue and yellow. CIELAB was intended as a perceptually uniform space, where a given numerical change corresponds to a similar perceived change in color. While the LAB space is not truly perceptually uniform, it nevertheless is useful in industry for detecting small differences in color. Like the CIE 1931 color space, CIEXYZ space it derives from, CIELAB color space is a device-independent, "standard observer" model. The colors it defines are not relative to any particular device such as a computer monitor or a printer, but instead relate to the CIE 1931 color space#CIE standard observer, CIE standard observer which is an averaging of the results of color matching expe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Management Module
Color (or colour in English in the Commonwealth of Nations, Commonwealth English; American and British English spelling differences#-our, -or, see spelling differences) is the visual perception based on the electromagnetic spectrum. Though color is not an inherent property of matter, color perception is related to an object's light absorption, emission spectra, emission, Reflection (physics), reflection and Transmittance, transmission. For most humans, colors are perceived in the visible light spectrum with three types of cone cells (trichromacy). Other animals may have a different number of cone cell types or have eyes sensitive to different wavelengths, such as bees that can distinguish ultraviolet, and thus have a different color sensitivity range. Animal perception of color originates from different light wavelength or spectral sensitivity in cone cell types, which is then processed by the brain. Colors have perceived properties such as hue, colorfulness (saturation), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clipping (photography)
In digital photography and digital video, clipping is a result of capturing or processing an image where the intensity in a certain area falls outside the minimum and maximum intensity which can be represented. It is an instance of signal clipping in the image domain. The clipped area of the image will typically appear as a uniform area of the minimum or maximum brightness, losing any image detail. The amount by which values were clipped, and the extent of the clipped area, affect the degree to which the clipping is visually noticeable or undesirable in the resulting image. In a color image, clipping may occur in any of the image's color channels separately, which negatively affects colour reproduction. Clipping can occur at many different stages. It may occur in the image sensor when initially capturing the image using a digital camera or scanner. It may occur due to internal image processing or color space conversion in the camera or scanner. It may also result fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Posterization
Posterization or posterisation of an image is the conversion of a continuous gradation of tone to several regions of fewer tones, causing abrupt changes from one tone to another. This was originally done with photographic processes to create posters. It can now be done photographically or with digital image processing, and may be deliberate or an unintended artifact of color quantization. Posterization is often the first step in vectorization (tracing) of an image. Cause The effect may be created deliberately, or happen accidentally. For artistic effect, most image editing programs provide a posterization feature, or photographic processes may be used. Unwanted posterization, also known as banding, may occur when the color depth, sometimes called bit depth, is insufficient to accurately sample a continuous gradation of color tone. As a result, a continuous gradient appears as a series of discrete steps or bands of color — hence the name. When discussing fixed pixel displ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ProPhoto RGB Color Space
The ProPhoto RGB color space, also known as ROMM RGB (Reference Output Medium Metric), is an output referred RGB color space developed by Kodak. It offers an especially large gamut designed for use with photographic output in mind. The ProPhoto RGB color space encompasses over 90% of possible surface colors in the CIE L*a*b* color space, and 100% of likely occurring real-world surface colors documented by Michael Pointer in 1980, making ProPhoto even larger than the Wide-gamut RGB color space. The ProPhoto RGB primaries were also chosen in order to minimize hue rotations associated with non-linear tone scale operations. One of the downsides to this color space is that approximately 13% of the representable colors are imaginary colors that do not exist and are not visible colors. When working in color spaces with such a large gamut, it is recommended to work in 16-bit color depth to avoid posterization effects. This will occur more frequently in 8-bit modes as the gradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adobe RGB Color Space
Adobe (from arabic: الطوب Attub ; ) is a building material made from earth and organic materials. is Spanish for mudbrick. In some English-speaking regions of Spanish heritage, such as the Southwestern United States, the term is used to refer to any kind of earthen construction, or various architectural styles like Pueblo Revival architecture, Pueblo Revival or Territorial Revival architecture, Territorial Revival. Most adobe buildings are similar in appearance to cob (material), cob and rammed earth buildings. Adobe is among the earliest building materials, and is used throughout the world. Adobe architecture has been dated to before 5,100 Before Present, BP. Description Adobe bricks are rectangular prisms small enough that they can quickly air dry individually without cracking. They can be subsequently assembled, with the application of adobe mud to bond the individual bricks into a structure. There is no standard size, with substantial variations over the years a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metadata
Metadata (or metainformation) is "data that provides information about other data", but not the content of the data itself, such as the text of a message or the image itself. There are many distinct types of metadata, including: * Descriptive metadata – the descriptive information about a resource. It is used for discovery and identification. It includes elements such as title, abstract, author, and keywords. * Structural metadata – metadata about containers of data and indicates how compound objects are put together, for example, how pages are ordered to form chapters. It describes the types, versions, relationships, and other characteristics of digital materials. * Administrative metadata – the information to help manage a resource, like resource type, and permissions, and when and how it was created. * Reference metadata – the information about the contents and quality of Statistical data type, statistical data. * Statistical metadata – also called process data, may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
