|
Cinema Of Austria
Cinema of Austria refers to the film industry based in Austria. Austria has had an active film, cinema industry since the early 20th century when it was the Austro-Hungarian Empire, and that has continued to the present day. Producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema. Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger. Between the two World Wars, directors like E. W. Emo and Henry Koster - the latter of whom had emigrated from Austria, provided examples of Austrian film comedies. At the same time, Willi Forst and Walter Reisch founded the ''Wiener Film'' genre. After Austria had become a part of Nazi Germany in 1938, Vienna's Wien-Film production company became an important studio for seemi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Wilder
Billy Wilder (; ; born Samuel Wilder; June 22, 1906 – March 27, 2002) was an American filmmaker and screenwriter. His career in Hollywood (film industry), Hollywood spanned five decades, and he is regarded as one of the most brilliant and versatile filmmakers of Classic Hollywood cinema. He received seven Academy Awards (among 21 nominations), a BAFTA Award, the Cannes Film Festival's Palme d'Or and two Golden Globe Awards. Wilder was born in Sucha Beskidzka, Austria-Hungary (the town is now in Poland). After moving to Berlin in his early adulthood, Wilder became a screenwriter. The rise of the Nazi Party and antisemitism in Germany saw him move to Paris. He then moved to Hollywood in 1934, and had a major hit when he, Charles Brackett and Walter Reisch wrote the screenplay for the Academy Award-nominated film ''Ninotchka'' (1939). Wilder established his directorial reputation and received his first nomination for the Academy Award for Best Director with the film noir ''Double ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heimatfilm
' (, German for "homeland-films"; German singular: ') were films of a genre popular in West Germany, Switzerland, and Austria from the late 1940s to the early 1960s. '' Heimat'' can be translated as "home" (in the geographic sense), "hometown" or "homeland". History The genre came to life after the devastation of Germany in World War II, and remained popular from the late 1940s to the early 1960s. The films suggested a whole, romantic world untouched by war and the hazards of real life. The Berlin-based studio Berolina Film was the driving force behind the development of . In the immediate post-World War II era, the idea of ' is linked to the experience of loss of more than twelve million Germans, known as Vertriebene, who were displaced from the former eastern territories of Germany in its pre-1938 borders. Contemporary concerns with expulsion and re-integration become manifest in many of the more than three hundred ' that were produced during the 1950s. This is particularly tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Kolm-Veltee
Walter may refer to: People and fictional characters * Walter (name), including a list of people and fictional and mythical characters with the given name or surname * Little Walter, American blues harmonica player Marion Walter Jacobs (1930–1968) * Gunther (wrestler), Austrian professional wrestler and trainer Walter Hahn (born 1987), who previously wrestled as "Walter" * Walter, standard author abbreviation for Thomas Walter (botanist) ( – 1789) * "Agent Walter", an early codename of Josip Broz Tito * Walter, pseudonym of the anonymous writer of '' My Secret Life'' * Walter Plinge, British theatre pseudonym used when the original actor's name is unknown or not wished to be included * John Walter (businessman), Canadian business entrepreneur Companies * American Chocolate, later called Walter, an American automobile manufactured from 1902 to 1906 * Walter Energy, a metallurgical coal producer for the global steel industry * Walter Aircraft Engines, Czech manufacturer of aero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Antel
Franz Antel (28 June 1913 – 11 August 2007) was a veteran Austrian filmmaker. Born in Vienna, Antel worked mainly as a film producer in the interwar years. After World War II, he began writing and directing films on a large scale. In the late 1940s, 1950s and 1960s these were mainly comedy film, comedies (romantic comedy, romantic, slapstick, and/or musical comedy, musical) and ''K.u.k. films'' all of which, for Austrian and German TV stations alike, have been a staple of weekend afternoon programming ever since. In between there is quite a sober film about the Alfred Redl, Oberst (Colonel) Redl affair that shook the Austro-Hungarian Monarchy on the eve of World War I. Antel himself later commented on this period, "I always wanted to provide good entertainment for the people at the cinema. After the screening, people should say: Well now, I am in a good mood, I will go out and have a glass of wine." (German original: "Ich wollte die Leute im Kino immer gut unterhalten. Die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Marischka
Ernst Marischka (2 January 1893 – 12 May 1963) was an Austrian screenwriter and film director. He wrote for more than 90 films between 1913 and 1962. He also directed 29 films between 1915 and 1962. He wrote and directed the Sissi trilogy - ''Sissi (film), Sissi'' (1955), ''Sissi – The Young Empress'' (1956) and ''Sissi – Fateful Years of an Empress'' (1957). The films were based on the life of Empress Elisabeth of Austria. He was the brother of Hubert Marischka. He was named for the Academy Award for Best Original Screenplay in 1946, for ''A Song to Remember'' (1945). Selected filmography * ''The Orlov'', directed by Luise Fleck and Jacob Fleck (Germany, 1927, based on the operetta ''Der Orlow'') * ', directed by Max Neufeld (Germany, 1932, based on the operetta ''Der Orlow'') * ''The Queen's Affair'', directed by Herbert Wilcox (UK, 1934, based on the operetta ''Die Königin'') * ''Waltzes from Vienna'', directed by Alfred Hitchcock (UK, 1934, based on ''Walzer aus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wien-Film
Wien-Film GmbH ("Vienna Film Limited") was a large Austrian film company, which in 1938 succeeded the Tobis-Sascha-Filmindustrie AG (Sascha Film Company) and lasted until 1985. Until 1945 the business was owned by the Cautio Trust Company (''Cautio Treuhandgesellschaft''), a subsidiary of the German '' Reichsfilmkammer'', and was responsible for almost the entire production of films in the territory of the Ostmark, as Austria was called at that time. History Nazi Era The German Anschluss of Austria in 1938 put an end to the country's independent film production. The German-Austrian Tobis-Sascha-Filmindustrie AG, which had already been sold, under pressure, to the Cautio Trust Company, was transformed on 16 December into Wien-Film. The new company was officially presented with a new mission statement, signed by Joseph Goebbels: "In competition with the other arts, the purpose of film is to give form to what satisfies human hearts and what makes them shudder, and by the revela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Film
Wiener Film (German language, German; plural: ''Wiener Filme''; literally, "Viennese film") is an Austrian film genre, consisting of a combination of comedy, romance and melodrama in a historical setting, mostly, and typically, the Vienna of the late 19th and early 20th centuries. The ''Wiener Film'' genre was in production between the 1920s and the 1950s, with the 1930s as its high period. Definition These films are always set in the past, and achieve a high emotional impact by their oscillation between extreme emotional states, between hope and suffering, for example, or pleasure and loss. Most of them are set in the Vienna of the late 19th and early 20th centuries, when as the capital of the multiracial monarchy of the Austro-Hungarian Empire it had its greatest social and cultural significance. The protagonists belong to a variety of social classes, which adds to the interest of the relationships between them. The concepts of honour and morality of the period are often of gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Reisch
Walter Reisch (May 23, 1903 – March 28, 1983) was an Austrian-born director and screenwriter. He also wrote lyrics to several songs featured in his films, one popular title is "Flieger, grüß mir die Sonne". He was married to the dancer and actress Poldi Dur and was the cousin of Georg Kreisler. Selected filmography * '' The Curse'' (1924) * '' A Waltz by Strauss'' (1925) * '' Colonel Redl'' (1925) * '' Kissing Is No Sin'' (1926) * '' Pratermizzi'' (1927) * '' Rhenish Girls and Rhenish Wine'' (1927) * '' The Indiscreet Woman'' (1927) * '' Carnival Magic'' (1927) * '' Darling of the Dragoons'' (1928) * '' It's You I Have Loved'' (1929) * '' The Merry Widower'' (1929) * '' The Woman Everyone Loves Is You'' (1929) * '' The Night Belongs to Us'' (1929) * '' Prisoner Number Seven'' (1929) * '' The Black Domino'' (1929) * '' The Hero of Every Girl's Dream'' (1929) * '' Black Forest Girl'' (1929) * '' The Flute Concert of Sanssouci'' (1930) * '' The Song Is Ended'' (1930) * '' Nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willi Forst
Willi Forst, born Wilhelm Anton Frohs (7 April 1903 – 11 August 1980) was an Austrian actor, screenwriter, film director, film producer and singer. As a debonair actor he was a darling of the German language, German-speaking film audiences, as a director, one of the most significant makers of the Viennese period musical melodramas and comedies of the 1930s known as ''Wiener Filme''. From the mid-1930s he also recorded many records, largely of sentimental Viennese songs, for the Odeon Records label owned by Carl Lindström AG. Biography His first major role was opposite Marlene Dietrich in the silent film ''Café Elektric'' in 1927. However, he was best known for his characters in light musicals, which rapidly made him a star. He developed the genre of the Viennese Film with writer Walter Reisch in the 1930s, beginning with the Franz Schubert melodrama ''Leise flehen meine Lieder'' (1933) which became an iconic role for the actor Hans Jaray and ''Maskerade (film), Maskerade'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
