Cinématographe
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Cinématographe
Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as movie projector, film projectors, or for complete systems that also provided means to release print, print films (such as the Lumière). History A device by this name was invented and patented as the " Léon Bouly" by French inventor Léon Bouly on February 12, 1892. Bouly coined the term "cinematograph," from the Greek language, Greek for "writing in movement."Abel, Richard. Encyclopedia of Early Cinema. 1st ed. London: Routledge, 2004. Due to a lack of money, Bouly could not develop his ideas properly and maintain his patent fees, so the Auguste and Louis Lumière, Lumière brothers were free to adopt the name. In 1895, they applied it to a device that was mostly their own invention. The Lumière brothers made their first film, ''Workers Leaving the Lumière Factory'' (''Sortie de l'usine Lumière de Lyon''), that same year. Th ...
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Auguste And Louis Lumière
The Lumière brothers (, ; ), Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Jean Lumière (5 October 1864 – 6 June 1948), were French manufacturers of photography equipment, best known for their ' motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers. Their screening of a single film on 22 March 1895, for around 200 members of the Société d'encouragement pour l'industrie nationale (Society for the Development of the National Industry) in Paris was probably the first presentation of projected film. Their first commercial public screening on 28 December 1895, for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières. History The Lumière brothers were born in Besançon, ...
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Léon Bouly
Léon Guillaume Bouly (; 1872–1932) was a French inventor who created the word cinematograph. Cinematograph After devising chronophotography devices, Bouly applied a patent on a reversible device of photography and optics for the analysis and synthesis of motions, calling it the ''Cynématographe Léon Bouly'' on February 12, 1892. On December 27, 1893, he shortened the name of his device to '. This device is able to both shoot and project film. It uses a sensitive film without perforations and all principles required by cinematography are available: most notably, the film's jerky movement through the camera's gate is synchronized with the shutter. Two of these devices are conserved in the French Conservatoire National des Arts et Métiers. In 1894, Bouly could not pay the fees for his patents and the name "" became available again. He sold his rights to the device and its name to the Lumière Brothers Lumière is French for 'light'. Lumiere, Lumière or Lumieres may refer to ...
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Motion-picture
A film, also known as a movie or motion picture, is a work of Visual arts, visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, Sound film, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual Recording medium, medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to ...
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Film
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ...
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Kinetograph
The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations. A Kinetoscope prototype was first semipublicly demonstrated to members ...
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List Of Film Formats
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format. To be included in this list, the formats must all have been used in the field or for test shooting, and they must all use photochemical images that are formed or projected on a film base, a transparent substrate which supports the photosensitive emulsion. As well, the formats must have been used to make more than just a few test frames. The camera must be fast enough (in frames per second) to create an illusion of motion consistent with the persistence of vision phenomenon. The format must be significantly unique from other listed formats in regard to its image capture or image projection. The format characteristics should be clearly definable in several listed parameters (e. g., film gauge, as ...
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