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Chromotypograph
Chromotypograph refers to any number of obsolete graphic arts or printing processes which used cold and warm rinse etching baths to create surfaces by which color images could be relief printed from zinc plates in the letterpress manner. Such processes, as pioneered by Firmin Gillot represent a prototyping and experimental stage between the manual and process printing eras and are characterized by their utilization of various hand-originated textures and photographically transferred tones or outlines, which when combined with other color plates produced in a like manner could produce continuous tone color images unlike those found in similar technologies such as chromolithography. Chromotypograph is the preferred description for a number of process which include but are not limited to photo color relief, gillotage, chromotype, color relief etching, zincography, chromoxylography Chromoxylography () was a colour woodblock printing process, popular from the mid-19th to the early-20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief Print
Relief printing is a family of printing methods where a printing block, plate or matrix, which has had ink applied to its non-recessed surface, is brought into contact with paper. The non-recessed surface will leave ink on the paper, whereas the recessed areas will not. A printing press may not be needed, as the back of the paper can be rubbed or pressed by hand with a simple tool such as a brayer or roller. In contrast, in intaglio printing, the ''recessed'' areas are printed. Relief printing is one of the traditional families of printmaking techniques, along with the intaglio and planographic families, though modern developments have created others. In the relief family of printing, the matrix was historically made subtractively, by removing material from the surface of areas not intended to be printed. The remaining surface would then receive ink. The relief family of techniques includes woodcut, metalcut, wood engraving, relief etching, linocut, rubber stamp, foam pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Firmin Gillot
Firmin Gillot, father of Charles Gillot (1820–1872), invented in 1852 the paniconograph for which he took a patent (photoengraving in relief according to the letterpress on several early plate). Later, he invented a new process, again in relief, but nonphotographic. Around 1870, his son Charles Gillot developed the Gillotage process (photomechanical). This process quickly predominated the illustrated newspapers and books of the period, such as for example: Le Charivari, Le Rire ''Le Rire'' (, "Laughter") was a successful French humor magazine published from October 1894 until its final issue in April 1971. Founded in Paris during the Belle Époque by Felix Juven, ''Le Rire'' appeared as typical Parisians began to ach ..., L'assiette au beurre, Gil Blas Illustre, and many others. Gillot's Paris address in 1875 was Vve Gillot and Fils, 175, a street of Suburb-Saint-Martin, Paris. External linksLeRire.com- Features examples of Chromotypographic illustration.L'assiette ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromolithography
Chromolithography is a method for making multi-colour prints. This type of colour printing stemmed from the process of lithography, and includes all types of lithography that are printed in colour. When chromolithography is used to reproduce photographs, the term photochrome is frequently used. Lithographers sought to find a way to print on flat surfaces with the use of chemicals instead of raised relief or recessed intaglio techniques."Chromolithography and the Posters of World War I." ''The War on the Walls''. Temple University. 11 April 2007. . A chromolithograph is also known as an oleograph. Chromolithography became the most successful of several methods of colour printing developed by the 19th century; other methods were developed by printers such as Jacob Christoph Le Blon, George Baxter and Edmund Evans, and mostly relied on using several woodblocks with the colours. Hand-colouring also remained important; elements of the official British Ordnance Survey maps w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gillotage
Zincography was a planographic printing process that used zinc plates. Alois Senefelder first mentioned zinc's lithographic use as a substitute for Bavarian limestone in his 1801 English patent specifications. In 1834, Federico Lacelli patented a zincographic printing process, producing large maps called géoramas. In 1837–1842, Eugène-Florent Kaeppelin (1805-1865) perfected the process to create a large polychrome geologic map. Process Zinc plates could be obtained for less expense than fine lithographic limestone, and could be acquired at very large scale. Zinc was coated with a solution containing gallic acid and phosphoric acid that caused hygroscopic salts to form on the plate's surface. A printer would then cover the zinc plate with a coating of asphalt varnish, expose it under a drawing and develop it. The zinc affected by the lines of the drawing proof would be coated with hygroscopic salts. Bathing the plate in acetic acid resulted in the dissolution of the salts, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zincography
Zincography was a planographic printing process that used zinc plates. Alois Senefelder first mentioned zinc's lithographic use as a substitute for Bavarian limestone in his 1801 English patent specifications. In 1834, Federico Lacelli patented a zincographic printing process, producing large maps called géoramas. In 1837–1842, Eugène-Florent Kaeppelin (1805-1865) perfected the process to create a large polychrome geologic map. Process Zinc plates could be obtained for less expense than fine lithographic limestone, and could be acquired at very large scale. Zinc was coated with a solution containing gallic acid and phosphoric acid that caused hygroscopic salts to form on the plate's surface. A printer would then cover the zinc plate with a coating of asphalt varnish, expose it under a drawing and develop it. The zinc affected by the lines of the drawing proof would be coated with hygroscopic salts. Bathing the plate in acetic acid resulted in the dissolution of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromoxylography
Chromoxylography () was a colour woodblock printing process, popular from the mid-19th to the early-20th century, commonly used to produce illustrations in children's books, serial pulp magazines, and cover art for yellow-back and penny dreadfuls.Ray, p. 64 The art of relief engraving and chromoxylography was perfected by engravers and printers in the 19th century, most notably in Victorian London by engraver and printer Edmund Evans who was particularly good with the process, producing a wide range of hues and tones through color mixing. Chromoxylography was a complicated technique, requiring intricate engraving and printing for the best results. Less expensive products, such as covers for pulp magazines, had to be produced with few colours, often only two or three, whereas more intricate and expensive books and reproductions of paintings used as many as a dozen or more colors. For each colour used, a separate woodblock had to be carved of the image being reproduced. Backgro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
