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Chetiya
Cetiya, "reminders" or "memorials" (Sanskrit ''caitya''), are objects and places used by Buddhists to remember Gautama Buddha.Kalingabodhi jātaka, as quoted in John Strong, ''Relics of the Buddha'' (Princeton: Princeton University Press, 2004), 19 According to Damrong Rajanubhab, four kinds are distinguished in the Pāli Canon: "Relic hatu Memorial aribhoga Teaching hamma and votive desaka" Griswold, in contrast, states that three are traditional and the fourth, the Buddha Dhamma, was added later to remind monks that the true memory of Gautama Buddha can be found in his teachings. While these can be broadly called Buddhist symbolism, the emphasis tends to be on a historical connection to the Buddha and not a metaphysical one. In pre-Buddhist India ''caitya'' was a term for a shrine or holy place in the landscape, generally outdoors, inhabited by, or sacred to, a particular deity. In the ''Mahāyāna Mahāparinirvāṇa Sūtra'', near the end of his life the Buddha remarks to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shwedagon Pagoda 2017
The Shwedagon Pagoda (, ; ), officially named ''Shwedagon Zedi Daw'' (, , ), and also known as the Great Dagon Pagoda and the Golden Pagoda, is a gilded stupa located in Yangon, Myanmar. The Shwedagon is the most sacred Buddhism, Buddhist pagoda in Myanmar, as it is believed to contain relics of the four previous Buddhahood, Buddhas of the present Kalpa (aeon), kalpa. These relics include the staff of Kakusandha Buddha, Kakusandha, the water filter of Koṇāgamana Buddha, Koṇāgamana, a piece of the robe of Kassapa Buddha, Kassapa, and eight strands of hair from the head of The Buddha, Gautama. Built on the Singuttara Hill, the tall pagoda stood above sea level,The pagoda's pinnacle height (to the tip of its ''hti'') is tall per (UNESCO 2018), and is built on the Singuttara Hill, which is tall per , and tall above sea level per and dominates the List of tallest buildings in Yangon, Yangon skyline. Yangon's zoning regulations, which cap the maximum height of buildings to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Korea
South Korea, officially the Republic of Korea (ROK), is a country in East Asia. It constitutes the southern half of the Korea, Korean Peninsula and borders North Korea along the Korean Demilitarized Zone, with the Yellow Sea to the west and the Sea of Japan to the east. Like North Korea, South Korea claims to be the sole legitimate government of the entire peninsula and List of islands of South Korea, adjacent islands. It has Demographics of South Korea, a population of about 52 million, of which half live in the Seoul Metropolitan Area, the List of largest cities, ninth most populous metropolitan area in the world; other major cities include Busan, Daegu, and Incheon. The Korean Peninsula was inhabited as early as the Lower Paleolithic period. Gojoseon, Its first kingdom was noted in Chinese records in the early seventh century BC. From the mid first century BC, various Polity, polities consolidated into the rival Three Kingdoms of Korea, kingdoms of Goguryeo, Baekje, and Sil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prajñā (Buddhism)
() or () is a Buddhist term often translated as "wisdom", "insight", "intelligence", or "understanding". It is described in Buddhist texts as the understanding of the true nature of phenomena. In the context of Buddhist meditation, it is the ability to understand the three characteristics of all things: ("impermanence"), ("dissatisfaction" or "suffering"), and ("non-self" or "egolessness"). Mahāyāna texts describe it as the understanding of ("emptiness"). It is part of the Threefold Training in Buddhism, and is one of the ten of Theravāda Buddhism and one of the six Mahāyāna . Etymology is often translated as "wisdom", but according to Buddhist bioethics scholar Damien Keown, it is closer in meaning to "insight", "non-discriminating knowledge", or "intuitive apprehension". The component parts of the word are: ; ''Pra'' () : an intensifier which can be translated as "higher", "greater", "supreme" or "premium", or "being born or springing up", referring to a spon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconism In Buddhism
__NOTOC__ Since the beginning of the serious study of the history of Buddhist art in the 1890s, the earliest phase, lasting until the 1st century CE, has been described as aniconic; the Buddha was only represented through symbols such as an empty throne, Bodhi tree, a riderless horse with a parasol floating above an empty space (at Sanchi), Buddha's footprints, and the dharma wheel. This aniconism in relation to the image of the Buddha could be in conformity with an ancient Buddhist prohibition against showing the Buddha himself in human form, known from the '' Sarvastivada vinaya'' (rules of the early Buddhist school of the Sarvastivada):"Since it is not permitted to make an image of the Buddha's body, I pray that the Buddha will grant that I can make an image of the attendant Bodhisattva. Is that acceptable?" The Buddha answered: "You may make an image of the Bodhisattava".Although there is still some debate, the first anthropomorphic representations of the Buddha himse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconic
Aniconism is the cultural absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. The prohibition of material representations may only extend to a specific supreme deity, or it can encompass an entire pantheon, it can also include depictions of a prophet, saints, or sages, or even depictions of living beings and anything in existence generally. It is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has historical phases in both Buddhism and Christianity, though these movements have been largely rejected as Buddha in art, life of Buddha in art, Buddhas and bodhisattvas in art, God the Father in Western art, Holy Spirit in Christian art, the depiction of Jesus, The Trinity in art, and are common. By contrast Islam has predominantly been aniconist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Art
Buddhist art is visual art produced in the context of Buddhism. It includes Buddha in art, depictions of Gautama Buddha and other Buddhas and bodhisattvas in art, Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist architecture, Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Gautama Buddha, Siddhartha Gautama from the 6th to 5th century BCE. As Buddhism spread and evolved in each new host country, Buddhist art followed in its footsteps. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmachakra
The dharmachakra (Sanskrit: धर्मचक्र, ) or wheel of dharma is a symbol used in the Dharmic religions. It has a widespread use in Buddhism.John C. Huntington, Dina Bangdel, ''The Circle of Bliss: Buddhist Meditational Art,'' p. 524. In Hinduism, the symbol is particularly used in places that underwent religious transformation. The symbol also finds its usage in modern India. Historically, the dharmachakra was often used as a decoration in East Asian statues and Epigraphy, inscriptions, beginning with the earliest period of Buddhism in Southeast Asia , East Asian culture to the present. It remains a major symbol of the Buddhist religion today. Etymology The Sanskrit noun ''dharma'' () is a derivation from the root ''dhṛ'' 'to hold, maintain, keep',Monier Williams, ''A Sanskrit Dictionary'' (1899): "to hold, bear (also: bring forth), carry, maintain, preserve, keep, possess, have, use, employ, practise, undergo" and means 'what is established or firm'. The word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddharupa
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as () in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was Aniconism in Buddhism, largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the most common main images in templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greco-Buddhism
Greco-Buddhism or Graeco-Buddhism was a cultural syncretism between Hellenistic culture and Buddhism developed between the 4th century BC and the 5th century AD in Gandhara, which was in present-day Pakistan and parts of north-east Afghanistan. While the Greco-Buddhist art shows clear Hellenistic influences, the majority of scholars do not assume a noticeable Greek influence on Gandharan Buddhism beyond the artistic realm. Cultural interactions between ancient Greece and Buddhism date back to Greek forays into the Indian subcontinent from the time of Alexander the Great. A few years after Alexander's death, the Easternmost fringes of the empire of his general Seleucus were lost in a war with the Mauryan Empire, under the reign of Chandragupta Maurya. The Mauryan Emperor Ashoka would convert to Buddhism and spread the religious philosophy throughout his domain, as recorded in the Edicts of Ashoka. This spread to the Greco-Bactrian kingdom, which itself seceded from the Sele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Departure
The Great Renunciation or Great Departure (Sanskrit: ''mahābhiniṣkramaṇa''; Pali: ''mahābhinikkhamana'') is the traditional term for the departure of Gautama Buddha ( BCE) from his palace at Kapilavastu to live a life as an ascetic (, ). It is called the Great Renunciation because it is regarded as a great sacrifice. Most accounts of this event can be found in post-canonical Buddhist texts from several Buddhist traditions, which are the most complete. These are, however, of a more mythological nature than the early texts. They exist in Pāli, Sanskrit and Chinese language. According to these accounts, at the birth of Prince Siddhārtha Gautama, the Buddha-to-be, brahmin priests predicted that he would either become a world teacher or a world ruler. To prevent his son from turning to religious life, Prince Siddhārtha's father and '' rāja'' of the Śākya clan Śuddhodana did not allow him to see death or suffering, and distracted him with luxury. During his childhood, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmakāya
The ''dharmakāya'' (, "truth body" or "reality body", zh, t=法身, p=fǎshēn, ) is one of the three bodies (''trikāya'') of a Buddha in Mahāyāna Buddhism. The ''dharmakāya'' constitutes the unmanifested, "inconceivable" (''acintya'') aspect of a Buddha out of which Buddhas arise and to which they return after their dissolution. When a Buddha manifests out of the ''dharmakāya'' in a physical body of flesh and blood'','' which is perceptible to ordinary sentient beings, this is called a '' nirmāṇakāya'', "transformation body". The Dhammakāya tradition of Thailand and the '' Tathāgatagarbha sūtras'' of the ancient Indian tradition view the ''dharmakāya'' as the '' ātman'' (true self) of the Buddha present within all beings. Origins and development Pāli Canon In the Pāli Canon, Gautama Buddha tells Vasettha that the Tathāgata (the Buddha) is ''dhammakaya'', the "truth-body" or the "embodiment of truth", as well as ''dharmabhuta'', "truth-become", that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha Footprint
Buddha's footprints (Sanskrit: )( Tibetan: སངས་རྒྱས་ཀྱི་ཞབས་རྗེས། )are Buddhist icons shaped like an imprint of Gautama Buddha's foot or both feet. There are two forms: natural, as found in stone or rock, and those made artificially. Many of the "natural" ones are acknowledged not to be genuine footprints of the Buddha, but rather replicas or representations of them, which can be considered '' cetiya'' (Buddhist relics) and also an early aniconic and symbolic representation of the Buddha. Symbolism Footprints of the Buddha abound throughout Asia, dating from various periods. Japanese author , who spent years tracking down the footprints in many Asian countries, estimates that he found more than 3,000 such footprints, among them about 300 in Japan and more than 1,000 in Sri Lanka. They often bear distinguishing marks, such as a Dharmachakra at the centre of the sole, or the 32, 108 or 132 auspicious signs of the Buddha, engraved or pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
