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Chasse
A chasse, châsse or box reliquary is a shape commonly used in medieval metalwork for reliquaries and other containers. To the modern eye the form resembles a house, though a tomb or church was more the intention,Distelberger, 21 with an oblong base, straight sides and two sloping top faces meeting at a central ridge, often marked by a raised strip and decoration. From the sides there are therefore triangular "gable" areas. The casket usually stands on straight stumpy feet, and there is a hinged opening to allow access, either one of the panels, but not on the front face, or the wooden bottom; there is usually a lock. The shape possibly developed from a similar shape of sarcophagus that goes back to Etruscan art, or from Early Medieval Insular art, where there are a number of house-shaped shrines, reliquaries or cumdachs ("book-shrines"), with similar shapes. The Monymusk Reliquary is typical of these, having four sloping panels above, so no "gables". A 13th-century ...
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Reliquary Three Wise Men MNMA Cl23822
A reliquary (also referred to as a ''shrine'', ''Chasse (casket), chasse'', or ''phylactery'') is a container for relics. A portable reliquary, or the room in which one is stored, may also be called a ''feretory''. Relics may be the purported or actual physical remains of saints, and may comprise bones, pieces of clothing, or some object associated with saints or with other religious figures. The authenticity of any given relic is often a matter of debate; for that reason, some churches require documentation of a relic's provenance. Relics have long been important to Buddhism, Buddhists, Christianity , Christians, Hinduism , Hindus, and to followers of many other religions. These cultures often display reliquaries in shrines, churches, or temples to which the faithful make pilgrimages to gain blessings. The term is sometimes used in a looser sense to mean a container for the remains of any important figure, even non-religious ones. In particular, the kings of France often spe ...
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Reliquaries
A reliquary (also referred to as a ''shrine'', ''chasse'', or ''phylactery'') is a container for relics. A portable reliquary, or the room in which one is stored, may also be called a ''feretory''. Relics may be the purported or actual physical remains of saints, and may comprise bones, pieces of clothing, or some object associated with saints or with other religious figures. The authenticity of any given relic is often a matter of debate; for that reason, some churches require documentation of a relic's provenance. Relics have long been important to Buddhists, Christians, Hindus, and to followers of many other religions. These cultures often display reliquaries in shrines, churches, or temples to which the faithful make pilgrimages to gain blessings. The term is sometimes used in a looser sense to mean a container for the remains of any important figure, even non-religious ones. In particular, the kings of France often specified that their hearts and sometimes other organs ...
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House-shaped Shrine
House-shaped shrine (or church or tomb-shaped shrines)Crawford (1923), p. 82 are early medieval portable metal reliquaries formed in the shape of the roof of a rectangular building. They originate from both Ireland and Scotland and mostly date from the 8th or 9th centuries. Typical example consist of a wooden core covered with silver and copper alloy plates, and were built to hold relics of saints or martyrs from the early Church era;Ó Floinn (1990), p. 49 a number held corporeal remains when found in the modern period, presumably they were parts of the saint's body. Others, including the Breac Maodhóg, held manuscripts associated with the commemorated saint. Like many Insular art, Insular shrines, they were heavily reworked and embellished in the centuries following their initial construction, often with metal adornments or figures influenced by Romanesque art, Romanesque sculpture.Murray (2021) Similar forms, probably intended to evoke a church or tomb, became very common acro ...
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Limoges Enamel
Limoges enamel has been produced at Limoges, in south-western France, over several centuries up to the present. There are two periods when it was of European importance. From the 12th century to 1370 there was a large industry producing metal objects decorated in vitreous enamel, enamel using the champlevé technique, of which most of the survivals (estimated at around 7,500 pieces), and probably most of the original production, are religious objects such as reliquaries. After a gap of a century, the industry revived in the late 15th century, now specializing in the technique of painted enamel, and within a few decades making rather more secular than religious pieces. In the French Renaissance it was the leading centre, with several dynastic workshops, who often signed or punchmarked their work. Luxury pieces such as plates, plaques and ewers were painted with sophisticated Mannerist decoration of pictorial figure scenes, which on vessels were surrounded by elaborate borders. ...
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Champlevé
Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or Casting (metalworking), cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface. The technique has been used since ancient times, though it is no longer among the most commonly used enamelling techniques. Champlevé is suited to the covering of relatively large areas, and to figurative images, although it was first prominently used in Celtic art for geometric designs. In Romanesq ...
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Reliquary Shrine Of Saint Eleutherius
The great gilt-copper and enamel Reliquary Shrine of Saint Eleutherius in the cathedral of Tournai (Belgium), one of the masterpieces of Gothic metalwork, was commissioned by Bishop Walter de Marvis of Tournai, and completed in 1247, on the occasion of the retranslation of relics of Saint Eleutherius of Tournai, traditionally the city's first bishop. The shrine takes the architectural form of a ''chasse'' or gabled casket; its more distant prototype is the gabled sarcophagus that was an established Romanesque convention in Northern Europe, "a form which was quite fitting," Marvin Ross observed in discussing the similarly shaped gilt-copper and enamel reliquary of Saint Amand in the Walters Museum "since these châsses were in a sense also tombs". As with the prototypical tombs, a blind arcade runs along the base, forming niches with the protective seated figures of Apostles and Prophets. In its gable end St Eleutherius appears, holding his crozier in one hand and in the othe ...
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Cumdach
A (, in Irish "cover"Joynt (1917), p. 186) or book shrine is an elaborate ornamented metal reliquary box or case used to hold History of Ireland (400–800), Early Medieval Irish manuscripts or relics. They are typically later than the book they contain, often by several centuries. In most surviving examples, the book comes from the peak age of Christian monasticism#Ireland, Irish monasticism before 800, and the extant cumdachs date from after 1000, although it is clear the form dates from considerably earlier. The majority are of Irish origin, with most surviving examples held by the National Museum of Ireland – Archaeology, National Museum of Ireland (NMI). The usual form is a design based on a cross on the main face, with the use of large gems of rock crystal or other semi-precious stones, leaving the spaces between the arms of the cross for more varied decoration. Several were carried on a metal chain or leather cord, often worn off the belt, or suspended around the neck ...
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Gilding
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or ''vermeil'') objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt (partial gilt) objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas. Gilding gives an object a gold appearance at a fraction of the cost of creating a solid gold object. In addition, a solid gold piece would often be too soft or to ...
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Dovetail
A dovetail joint or simply dovetail is a joinery technique most commonly used in woodworking joinery (carpentry), including furniture, cabinets, log buildings, and traditional timber framing. Noted for its resistance to being pulled apart, also known as tensile strength, the dovetail joint is commonly used to join the sides of a drawer to the front. A series of pins cut to extend from the end of one board interlock with a series of 'tails' cut into the end of another board. The pins and tails have a trapezoidal shape. Once glued, a wooden dovetail joint requires no mechanical fasteners. History The dovetail joint technique probably pre-dates written history. Some of the earliest known examples of the dovetail joint are in ancient Egyptian furniture entombed with mummies dating from First Dynasty, the tombs of Chinese emperors, and a stone pillar at the Vazhappally Maha Siva Temple in India. The dovetail design is an important method of distinguishing various periods of furni ...
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Copper
Copper is a chemical element; it has symbol Cu (from Latin ) and atomic number 29. It is a soft, malleable, and ductile metal with very high thermal and electrical conductivity. A freshly exposed surface of pure copper has a pinkish-orange color. Copper is used as a conductor of heat and electricity, as a building material, and as a constituent of various metal alloys, such as sterling silver used in jewelry, cupronickel used to make marine hardware and coins, and constantan used in strain gauges and thermocouples for temperature measurement. Copper is one of the few metals that can occur in nature in a directly usable, unalloyed metallic form. This means that copper is a native metal. This led to very early human use in several regions, from . Thousands of years later, it was the first metal to be smelted from sulfide ores, ; the first metal to be cast into a shape in a mold, ; and the first metal to be purposely alloyed with another metal, tin, to create bronze, ...
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Way Of St
Way or WAY may refer to: Paths * a road, route, trail, path or pathway, including long-distance paths * a straight rail or track on a machine tool (such as that on the bed of a lathe) on which part of the machine slides * Ways, large slipway in shipbuilding, the ramps down which a ship is pushed in order to be launched * Way (vessel), a ship's speed or momentum Religion * "The Way", New Testament term for Christianity * Way of the Cross, Christian devotion that commemorates the events of Good Friday following 14 stations, taking the form of a spiritual pilgrimage through contemplation and meditation of the Passion of Christ * Tao (Chinese: "The Way" 道), a philosophical concept (cf. Taoism) * ''Way'', plural '' Wayob'', spirit companions appearing in mythology and folklore of Maya peoples of the Yucatán Peninsula Places * Lake Way, a dry lake in Western Australia * Way, Mississippi * Way, St Giles in the Wood Way is a historic estate in the parish of St Giles in t ...
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