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Chaekgeori
''Chaekgeori'' (), translated as "books and things", is a genre of still-life painting from the Joseon period of Korea that features books as the dominant subject. The ''chaekgeori'' tradition flourished from the second half of the 18th century to the first half of the 20th century and was enjoyed by all members of the population, from the king to the commoners, revealing the infatuation with books and learning in Korean culture. Names ''Chaekgeori'' that features bookshelves is called ''chaekgado'' (). ''Chaekgeori'' is also known as ''munbangdo'' (). History During the 18th century, Joseon experienced a golden age following the turbulence of the 17th century; the arts flourished, and new artistic themes and genres emerged. Developed in the 18th century, ''chaekgeori'' was personally propagated by King Jeongjo, a bibliophile who promoted studious learning, and embraced by the aristocratic yangban class of Joseon society. Early ''chaekgeori'' paintings were prized for their i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Art
Korean arts include traditions in calligraphy, music, painting and pottery, often marked by the use of natural forms, surface decoration and bold colors or sounds. The earliest examples of Korean art consist of Stone Age works dating from 3000 BC. These mainly consist of votive sculptures and more recently, petroglyphs, which were rediscovered. This early period was followed by the art styles of various Korean kingdoms and dynasties. Korean artists sometimes modified Chinese traditions with a native preference for simple elegance, spontaneity, and an appreciation for purity of nature. The Goryeo dynasty (918–1392) was one of the most prolific periods for a wide range of disciplines, especially pottery. The Korean art market is concentrated in the Insadong district of Seoul where over 50 small galleries exhibit and occasional fine arts auctions. Galleries are cooperatively run, small and often with curated and finely designed exhibits. In every town there are smaller regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folding Screens
A folding screen, also known as pingfeng (), is a type of free-standing furniture consisting of several frames or panels, which are often connected by hinges or by other means. They have practical and decorative uses, and can be made in a variety of designs with different kinds of materials. Folding screens originated from ancient China, eventually spreading to the rest of East Asia, and were popular amongst Europeans. History Origin Screens date back to China during the Eastern Zhou period (771–256 BCE). These were initially one-panel screens in contrast to folding screens. Folding screens were invented during the Han dynasty (206 BCE – 220 CE). Depictions of those folding screens have been found in Han-era tombs, such as one in Zhucheng, Shandong Province. A folding screen was often decorated with beautiful art; major themes included mythology, scenes of palace life, and nature. It is often associated with intrigue and romance in Chinese literature, for example, a youn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minhwa
''Minhwa'' refers to Korean folk art produced mostly by itinerant or unknown artists without formal training, emulating contemporary trends in fine art for the purpose of everyday use or decoration. The term "minhwa" was coined by Yanagi Muneyoshi. Minhwa literally means "painting of the people" or "popular painting". This type of painting was often the work of anonymous craftsmen who faithfully adhered to the styles, canons and genres inherited from the past. Minhwa also involved a magical dimension. They were believed to possess beneficial virtues and to protect the owner and his family from evil forces. They feature popular themes such as cranes, rocks, water, clouds, the sun, moon, pine-trees, tortoises, insects and flowers. Minhwa means popular painting or people’s art and is traditional Korean folk art from the Chosun era (1392-1910) painted onto paper or on canvas. Yoon (2020) mentions that “Minhwa is a traditional art form that was intimately connected to the lives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yangban
The ''yangban'' () were part of the traditional ruling class or gentry of dynastic Korea during the Joseon period. The ''yangban'' were mainly composed of highly educated civil officials and military officers—landed or unlanded aristocrats who individually exemplified the Korean Confucian form of a " scholarly official". They were largely government administrators and bureaucrats who oversaw medieval and early modern Korea's traditional agrarian bureaucracy until the end of the dynasty in 1897. In a broader sense, an office holder's family and descendants, as well as country families who claimed such descent, were socially accepted as ''yangban''. In contemporary Korean language, the term ''yangban'' can be used either as a compliment or insult. Etymology ''Yangban'' literally means "two branches" of administration: ''munban'' () which comprises civil administrators and ''muban'' () which comprises martial office holders. The term yangban first appeared sometime during late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irworobongdo
''Irworobongdo'' () is a Korean folding screen with a highly stylized landscape painting of a sun and moon, five peaks which always was set behind ''Eojwa'', the king’s royal throne during the Joseon Dynasty. It literally means ''"Painting of the Sun, Moon and the Five Peaks"'' and is also called "Irwoldo" (''"Painting of the Sun and Moon"'') or "Irwolgonryundo" (''"Painting of the Sun, Moon and Mount Kunlun"''). The sun and moon symbolize the king and queen while the five peaks denotes a mythical place. The screen serves to display the majesty of the Joseon royal court. Description of the image The scene depicts a burning red sun, a full moon, five craggy peaks, and two fast-flowing streams with cascades, all flanked by a pair of conifers. The brilliant colours — known as tang-chae (Chinese colours) — were fixed with either animal or fish glue, rendering the screens brilliant and waterfast. New York Times critic Holland Cotter has described the screen's solid, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byōbu
are Japanese folding screens made from several joined panels, bearing decorative painting and calligraphy, used to separate interiors and enclose private spaces, among other uses. History are originated in Han dynasty China and are thought to have been imported to Japan in the 7th or 8th century (Nara period). The oldest surviving produced in Japan, the , produced in the 8th century, is kept in the Shōsōin Treasure Repository. Nara-period retained their original form of a single, free-standing, legged panel. In the 8th century, multi-paneled made their appearance, and were used as furnishings in the imperial court, mainly in important ceremonies. Schools like Shoga, Kano, Tosa, Maruyama and Rimpa produced painted fusuma (cupboard door panel painting) over many generations for the decoration of private homes and castles. The six-paneled were the most common in the Nara period, and were covered in silk and connected with leather or silk cords. The painting on each p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabinet Of Curiosities
Cabinets of curiosities ( and ), also known as wonder-rooms ( ), were encyclopedic collections of objects whose categorical boundaries were, in Renaissance Europe, yet to be defined. Although more rudimentary collections had preceded them, the classic cabinets of curiosities emerged in the sixteenth century. The term ''Cabinet (architecture), cabinet'' originally described a room rather than a Cabinet (furniture), piece of furniture. Modern terminology would categorize the objects included as belonging to natural history (sometimes faked), geology, ethnography, archaeology, religious or historical relics, works of art (including cabinet paintings), and antiquities. In addition to the most famous and best documented cabinets of rulers and aristocrats, members of the merchant class and early practitioners of science in Europe formed collections that were precursors to museums. Cabinets of curiosities served not only as collections to reflect the particular interests of their c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qing Dynasty
The Qing dynasty ( ), officially the Great Qing, was a Manchu-led Dynasties of China, imperial dynasty of China and an early modern empire in East Asia. The last imperial dynasty in Chinese history, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China (1912–1949), Republic of China. At its height of power, the empire stretched from the Sea of Japan in the east to the Pamir Mountains in the west, and from the Mongolian Plateau in the north to the South China Sea in the south. Originally emerging from the Later Jin (1616–1636), Later Jin dynasty founded in 1616 and proclaimed in Shenyang in 1636, the dynasty seized control of the Ming capital Beijing and North China in 1644, traditionally considered the start of the dynasty's rule. The dynasty lasted until the Xinhai Revolution of October 1911 led to the abdication of the last emperor in February 1912. The multi-ethnic Qing dynasty Legacy of the Qing dynasty, assembled the territoria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeongjo Of Joseon
Jeongjo (; 28 October 1752 – 18 August 1800), personal name Yi San (), sometimes called Jeongjo the Great (), was the 22nd monarch of the Joseon dynasty of Korea. He was the second son of Crown Prince Sado and Lady Hyegyŏng, and succeeded his grandfather, King Yeongjo, in 1776. His father Crown Prince Sado was executed in 1762, leading to conflicts over Yi San’s legitimacy as heir. As king, he sought to clear his father’s name, balance political factions, and strengthen royal authority. He built the Hwaseong Fortress, reformed governance, and promoted talented scholars. Facing assassination attempts, he created the Changyongyeong royal guards. Jeongjo established the Kyujanggak royal library, expanded social mobility, and encouraged Neo-Confucian scholarship. His reign marked a cultural and political renaissance, but factional struggles persisted. Today, Jeongjo is remembered for his various efforts to reform and improve the nation. Biography Early life He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Culture And Information Service
The Korean Culture and Information Service (KOCIS; ) is an affiliated organization of the Ministry of Culture, Sports and Tourism (South Korea), Ministry of Culture, Sports and Tourism of the Government of South Korea, South Korean government and runs 32 Korean cultural centers in 27 countries. The goal of the organization is to further enhance the image of Korea's national brand by promoting Korean heritage and arts through these cultural centers. It was announced in January 2024 that the service would shut down and become a part of the Ministry of Culture, Sports and Tourism (South Korea), Ministry of Culture, Sports and Tourism. Main missions ¤ To upgrade the country's nation brand and to publicize government policies * Carrying out projects to boost the nation brand * Providing support for summit diplomacy by organizing cultural events and operating press centers during presidential visits abroad * Promoting Korea's key administrative priorities and major government policie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
