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Celesta
The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celia García-García
Celia García-García (born in Burgos) is a Spanish pianist specialising in chamber and orchestral music, most known for her work as a celesta performer. Education Celia García-García studied classical piano at the conservatory Burgos, followed by a bachelor's degree at Musikene in San Sebastián and at ArtEZ University of Arts in the Netherlands, and a Master of Music at Codarts Conservatory in Rotterdam. Work García-García plays piano, celesta and synthesizer with orchestras including the Royal Concertgebouw Orchestra, Noord Nederlands Orkest, Rotterdam Philharmonic Orchestra, Dutch Ballet Orchestra and the Arnhem Philharmonic Orchestra. She also works as a ballet répétiteur at the Amsterdam University of the Arts and the National Ballet Academy of Amsterdam. Since 2012, García-García has been the artistic programmer of the music festivals "Weekend of Romantic Music" in Rotterdam and "Romanticism" in Keukenhof. She teaches classical piano repertory and tech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Voyevoda (symphonic Ballad)
''The Voyevoda'', Op. 78, is a "symphonic ballad" for orchestra, written by Pyotr Ilyich Tchaikovsky in 1891. It is based on Alexander Pushkin's translation of Adam Mickiewicz's poem of that name. Tchaikovsky started work on the piece in September 1890, but did not finish it until close to the premiere over a year later. He was then actively engaged in finishing his last opera ''Iolanta''. The premiere of the ballad, which he conducted, took place on 18 November 1891, in Moscow. He was very dissatisfied with the work; even before the first performance he had decided it was mediocre at best and threatened to destroy the score. After the performance he declared "Such rubbish should never have been written". He carried out his threat the day after the first performance. However, the orchestral parts were retrieved by Alexander Siloti and the score was later reconstructed. Later, Tchaikovsky wrote to his publisher P. Jurgenson, "I do not regret ''The Voyevoda'' - it's got what i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Chausson
Amédée-Ernest Chausson (; 20 January 1855 – 10 June 1899) was a French Romantic composer. Life Born in Paris into an affluent bourgeois family, Chausson was the sole surviving child of a building contractor who made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s. To please his father, Chausson studied law and was appointed a barrister for the Court of Appeals, but had little or no interest in the profession. He frequented the Paris salons, where he met celebrities such as Henri Fantin-Latour, Odilon Redon, and Vincent d'Indy. Before deciding on a musical career, he dabbled in writing and drawing. In 1879, at the age of 24, he began attending the composition classes of Jules Massenet at the Paris Conservatoire; Massenet came to regard him as "an exceptional person and a true artist". He had already composed some piano pieces and songs. Nevertheless, the earliest manuscripts that have been preserved are those corrected by Massenet. At the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' (, ), Opus number, Op. 71, is an 1892 two-act classical ballet (conceived as a '; ) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. The plot is an adaptation of Alexandre Dumas's 1844 short story ''The Nutcracker'', itself a retelling of E. T. A. Hoffmann's 1816 short story ''The Nutcracker and the Mouse King''. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on ''The Sleeping Beauty'', assisted by Lev Ivanov. Although the complete and staged ''The Nutcracker'' ballet was not initially as successful as the 20-minute ''Nutcracker Suite'' that Tchaikovsky had premiered nine months earlier, it became popular in later years. Since the late 1960s, ''The Nutcracker'' has been danced by many ballet companies, especially in North America. Major American ballet companies generate around 40% of their annual ticket ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposing Instrument
A transposing instrument is a musical instrument for which music notation is not written at concert pitch (concert pitch is the pitch on a non-transposing instrument such as the piano). For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument. Playing a written C on clarinet or soprano saxophone produces a concert B (i.e. B at concert pitch), so these are referred to as B instruments. Providing transposed music for these instruments is a convention of musical notation. The instruments do not transpose the music; rather, their music is written at a transposed pitch. Where chords are indicated for improvisation they are also written in the appropriate transposed form. For some instruments, a written C sounds as a C but is in a different octave; these instruments are said to transpose "at the octave". Pitches on the double bass sound an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pump Organ
The pump organ or reed organ is a type of organ that uses free reed aerophone, free reeds to generate sound, with air passing over vibrating thin metal strips mounted in a frame. Types include the pressure-based harmonium, the suction reed organ (which employs a vacuum system), and the Indian harmonium. Historical examples include the ''Kunstharmonium'' and the American reed organ, while earlier forms include the physharmonica and the Seraphine (instrument), seraphine. More portable than pipe organs, free-reed organs became widespread in smaller churches and private homes during the 19th century, although their volume and tonal range were limited. They generally featured one, or occasionally two, Manual (music), manuals, while pedal keyboard, pedal-boards were rare. Higher-end pump organs offered a broader range of tones, and models intended for churches or affluent households were often housed in finely crafted Cabinet (furniture), cabinets. Between the 1850s and the 1920s, se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Чайковский Танец Феи Драже из балета Щелкунчик
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic music, Romantic period. He was the first Russian composer Music of Pyotr Ilyich Tchaikovsky, whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his Piano Concerto No. 1 (Tchaikovsky), First Piano Concerto, Violin Concerto (Tchaikovsky), Violin Concerto, the ''Romeo and Juliet (Tchaikovsky), Romeo and Juliet'' Overture-Fantasy, several Symphonies by Pyotr Ilyich Tchaikovsky, symphonies, and the opera ''Eugene Onegin (opera), Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no public music education system. When an opportunity for such an education arose, he ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no public music education system. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching Tchaikovsky received there set him apart from composers of the contemporary nationalist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term (tone poem) appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term to his 13 works in this vein, which commenced in 1848. Background While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
