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Celempungan
Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter. Celempungan is named for the celempung, a bamboo tube zither from West Java. Celempungan ensembles had their golden era from 1935 to 1945. In modern celempungan ensembles, the celempung may be replaced by the siter, kacapi, and kendang. Troupes' musical repertoires include gamelan salendro kliningan. Dutch ethnomusicologist Jaap Kunst Jaap Kunst (12 August 1891 – 7 December 1960) was a Dutch musicologist. He is credited with steering the discipline away from exclusively comparative methods and into the direction of historical particularism, coining the term " ethno-musicolo ... described celempungan in his 1973 book ''Music in Java'': See also * Karinding References Further reading * * * * Gong and chime music In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundanese People
The Sundanese (; ) are an Austronesian people, Austronesian ethnic group native to Java in Indonesia, primarily West Java. They number approximately 42 million and form Ethnic groups in Indonesia, Indonesia's second most populous ethnic group. They speak the Sundanese language, which is part of the Austronesian languages. The western area of the island of Java, namely the provinces of West Java, Banten, and Jakarta, as well as the westernmost part of Central Java, is called by the Sundanese people ''Tatar Sunda'' or ''Pasundan'' (meaning Sundanese land). Sundanese migrants can also be found in Lampung, South Sumatra, and, to a lesser extent, in Central Java and East Java. The Sundanese people can also be found on several other islands in Indonesia such as Sumatra, Kalimantan, Sulawesi, Bali and Papua (province), Papua. Origins Migration theories The Sundanese are of Austronesian peoples, Austronesian origins and are thought to have originated in Taiwan. They migrated through th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Salendro
The gamelan salendro is a form of gamelan music found in West Java, Indonesia. It is played as an accompaniment to wayang golek (rod puppet) performances and dances. It uses a similar ensemble as a small central Javanese gamelan, but has developed differently, and shows the more exuberant character.Broughton, Simon, et al., eds. ''World Music: The Rough Guide''. London: The Rough Guides, 1994. Pages 420-421. See also * Gamelan * Degung * Angklung The ( Sundanese: ) is a musical instrument from the Sundanese in Indonesia that is made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to produce a resonant pitch when struck and are tuned to octaves, sim ... References Gamelan ensembles and genres Sundanese music {{music-genre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indonesian Styles Of Music
Indonesian is anything of, from, or related to Indonesia, an archipelagic country in Southeast Asia. It may refer to: * Indonesians, citizens of Indonesia ** Native Indonesians, diverse groups of local inhabitants of the archipelago ** Indonesian women, overview of women's history and contemporary situations * Indonesian language (Indonesian: ''Bahasa Indonesia''), the official language of Indonesia ** Indonesian languages, overview of some of the 700 languages spoken in Indonesia ** Indonesian names, customs reflecting the multicultural and polyglot nature of Indonesia * Indonesian culture, a complex of indigenous customs and foreign influences ** Indonesian art, various artistic expressions and artworks in the archipelago ** Indonesian cinema, a struggling and developing industry ** Indonesian literature, literature from Indonesia and Southeast Asia with shared language roots ** Indonesian music, hundreds of forms of traditional and contemporary music ** Indonesian philosophy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong And Chime Music
A gongFrom Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds. The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I bronze drum () from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Burma. The term ''gong'' () originate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karinding
The Karinding is a Sundanese traditional musical instrument from West Java, Indonesia. It is similar to the Jew's harp and are usually made from bamboo Bamboos are a diverse group of mostly evergreen perennial plant, perennial flowering plants making up the subfamily (biology), subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family, in th ... and midribs of palm trees. Karindings made of palm tree midribs are traditionally used by male players, and bamboo instruments are used by female players. Initially the karinding was used by ancestors to repel pests in rice fields, because the low decibel sound from karinding can disrupt the insect hearing. How to play One places the karinding between one's two lips, then one end is beaten with a finger so that the vibrations occur in the middle. Then the rhythm of the karinding music is determined by the movement of the tongue and lips, which became the media echo reflector of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ketuk
The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all structures use the kempyang, but the kempyang is never played without the ketuk. They are shaped like bonang, but are generally placed in their own frame (''rancak''). The kempyang is pitched higher (about one octave, although it depends if they are in the pelog or slendro set. Both have a central boss like the bonang, but the kempyang has a rounder top (like the higher bonangs), while the ketuk has a flat top (like the lower bonangs). In the common numerical notation, kempyang strokes are marked by "-" while the ketuk is marked by "+". The ketuk pattern is used to classify longer gendhing types, where it refers to the number of ketuk strokes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiochord
An idiochord (, also known as a drum zither) is a musical instrument in which the "string" of the instrument is made from the same material as its resonating body. Such instruments may be found in the Indian Ocean region, disparate regions of Africa and its diaspora, and parts of Europe and North America. Bamboo is often a popular material for idiochords: a tube of bamboo may be slit to loosen portions of the husk at the middle, leaving them attached at the ends, and these "strings" may be raised up by inserting sticks to serve as bridges. Such bamboo idiochords include the valiha of Madagascar, the kulibit in the Philippines and Indonesia, and the ''karaniing'' of the Mon-Khmer "Orang Asli" tribal peoples of Malaysia. A massive one-string bamboo idiochord, the '' benta'', is native to Jamaica and played with a slide, much like a diddly-bow. Idiochords are also made from other materials; cornstalk was used in North America to make the cornstalk fiddle, and the same instrument was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaap Kunst
Jaap Kunst (12 August 1891 – 7 December 1960) was a Dutch musicologist. He is credited with steering the discipline away from exclusively comparative methods and into the direction of historical particularism, coining the term " ethno-musicology" as a more accurate name for the field then known as comparative musicology. Kunst studied the folk music of the Netherlands and his field studies in Indonesia between 1920 and 1934 are seen as fundamental contributions to the knowledge and understanding of Indonesian folk music. His published work totals more than 70 texts. Early life Kunst was born on 12 August 1891 in Groningen. Both of his parents were pianists, and his father was a music-school teacher and music critic. He began to study the violin at only 5 years old, and continued to play the instrument throughout his life. Kunst was drawn toward folk music as a result of vacations to the island of Terschelling. Kunst decided to pursue a career in law. While studying law at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Java
West Java (, ) is an Indonesian Provinces of Indonesia, province on the western part of the island of Java, with its provincial capital in Bandung. West Java is bordered by the province of Banten and the country's capital region of Jakarta to the west, the Java Sea to the north, the province of Central Java to the east and the Indian Ocean to the south. With Banten, this province is the native homeland of the Sundanese people, the Ethnic groups in Indonesia, second-largest ethnic group in Indonesia. West Java was one of the first eight provinces of Indonesia formed following the Proclamation of Indonesian Independence, country's independence proclamation and was later legally re-established on 14 July 1950. In 1966, the city of Jakarta was split off from West Java as a 'special capital region' (), with a status equivalent to that of a province, while in 2000 the western parts of the province were in turn split away to form a separate Banten province. Even following these split- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi
The kacapi is a traditional zither of Sundanese people in Indonesia. This musical instrument is similar to Chinese , Japanese '' koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling ( tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian), pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which gives the instrument a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tube Zither
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox, it acoustic resonance, modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se (instrument), Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus. There are both round and half tube zithers, as well as tube zithers with the strings cut out of the bamboo body, ''idiochordic'', or, rarely, have separate strings, ''heterochordic''. Cultural connections The areas where the bamboo tube ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celempung
The Javanese siter and celempung are plucked string instruments used in Javanese gamelan. They are related to the ''kacapi'' used in Sundanese people, Sundanese gamelan. The siter and celempung each have between 11 and 13 pairs of strings, strung on each side, between a box resonator. Typically the strings on one side tuned to pélog and the other to slendro. The siter is generally about a foot long and fits in a box (which it is set upon while played), while the celempung is about three feet long and sits on four legs, and is tuned one octave below the siter. They are used as one of the elaborating instruments (panerusan), that play cengkok (melodic patterns based on the balungan). Both the siter and celempung play at the same speed as the Gambang (instrument), gambang (which is rapidly). The name "siter" comes from the Dutch language, Dutch word "citer", which corresponds to the English language, English word "zither". "Celempung" is related to the Sundanese musical form cele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
