Cathedral Of Genoa
Genoa Cathedral or Metropolitan Cathedral of Saint Lawrence (, ''Cattedrale di San Lorenzo'') is a Roman Catholic cathedral in the Italian city of Genoa. It is dedicated to Saint Lawrence (San Lorenzo), and is the seat of the Archbishop of Genoa. The cathedral was consecrated by Pope Gelasius II in 1118 and was built between the twelfth century and the fourteenth century as fundamentally a medieval building, with some later additions. Secondary naves and side covers are of Romanesque style and the main facade is Gothic from the early thirteenth century, while capitals and columns with interior corridors date from the early fourteenth century. The bell tower and dome were built in the sixteenth century. History Excavations under the pavement and in the area in front of today's west front have brought to light walls and pavements of Roman age as well as pre-Christian sarcophagi, suggesting the existence of a burial ground in the site. Later a church devoted to the Twelve Apostle ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Genoa
Genoa ( ; ; ) is a city in and the capital of the Italian region of Liguria, and the sixth-largest city in Italy. As of 2025, 563,947 people live within the city's administrative limits. While its metropolitan city has 818,651 inhabitants, more than 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean: it is the busiest city in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the history of commerce and trade in Europe, becoming one of the largest naval powers of the continent and considered among the wealthiest cities in the world. It was also nicknamed ''la S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Crusades
The Crusades were a series of religious wars initiated, supported, and at times directed by the Papacy during the Middle Ages. The most prominent of these were the campaigns to the Holy Land aimed at reclaiming Jerusalem and its surrounding territories from Muslim rule. Beginning with the First Crusade, which culminated in the Siege of Jerusalem (1099), capture of Jerusalem in 1099, these expeditions spanned centuries and became a central aspect of European political, religious, and military history. In 1095, after a Byzantine request for aid,Helen J. Nicholson, ''The Crusades'', (Greenwood Publishing, 2004), 6. Pope Urban II proclaimed the first expedition at the Council of Clermont. He encouraged military support for List of Byzantine emperors, Byzantine emperor Alexios I Komnenos, AlexiosI Komnenos and called for an armed pilgrimage to Jerusalem. Across all social strata in Western Europe, there was an enthusiastic response. Participants came from all over Europe and had a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gaetano Previati
Gaetano Previati (31 August 185221 June 1920) was an Italian Symbolist painter in the Divisionist style and art theorist. Biography Study and early works Gaetano Previati was born into a moderately prosperous family and completed his first studies in the technical school at Ferrara, later graduating to the advanced technical institute. After a year, however, he left the institute to enrol in the School of Fine Arts at the Ateneo Civico, studying the works of the Renaissance masters in the local art gallery. After military service (1873–5) in Livorno, he returned to Ferrara where the death of his father had brought a deterioration in the family’s circumstances. With financial assistance, partly from the authorities and partly from his brother Giuseppe Previati, he moved to Florence, where he was the pupil of Amos Cassioli. In November 1876, however, attracted by the work of Lombard artists, particularly Giuseppe Bertini, he moved to Milan and enrolled in the life draw ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lazzaro Tavarone
Lazzaro Tavarone (1556–1641) was an Italian painter of the late-Renaissance and Mannerist period, active mainly in his native Genoa and in Spain Spain, or the Kingdom of Spain, is a country in Southern Europe, Southern and Western Europe with territories in North Africa. Featuring the Punta de Tarifa, southernmost point of continental Europe, it is the largest country in Southern Eur .... He was the pupil of the painter Luca Cambiasi. Tavarone accompanied Cambiaso to Spain in 1583, and helped decorate the Escorial for the Spanish King, including the chaotic battle painting of Battle of La Higueruela. He returned to Genoa in 1594, where he became well known both as portrait and history painter. He painted a ''Martyrdom of San Lorenzo'' in the Genoa Cathedral. He also painted frescoes in the Palazzos Saluzzi and Adorni. He painted frescoes on the ''Life of Sant’Ambrogio'' for the Oratorio di Sant'Ambrogio. He also painted scenes from the life of Columbus. References ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giovanni Andrea Ansaldo
Giovanni Andrea Ansaldo (1584 – August 18, 1638) was an Italian painter active mainly in Genoa. Life Ansaldo was born in Voltri, now part of the ''comune'' of Genoa, the son of a merchant. He trained under Orazio Cambiasi and possibly collaborated with Bernardo Strozzi. Two of his pupils were Giuseppe Badaracco and Bartolomeo Bassi. One of his descendants was Innocenzo Ansaldo of Pescia (February 12, 1734- February 16, 1816). He died in Genoa and was probably buried in the same Annunziata church. Work Only a few of Ansaldo's works are dated or documented, but most of these paintings listed in the early art historian Raffaello Soprani's 1768 publication about artists in Genoa ''Le vite de' pittori, scultori, ed architetti genovesi'' still survive.M. Newcome. "Ansaldo, Andrea." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 23 Feb. 2016.Raffaello Soprani con note di Carlo Giuseppe Rattivite de' pittori, scultori, ed architetti genovesi Tomo I, Stamperia Ca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Federico Barocci
Federico Barocci (also written Barozzi) ( – 30 September 1612) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy. Early life and training He was born at Urbino, Duchy of Urbino, and received his earliest apprenticeship with his father, Ambrogio Barocci, a sculptor of some local eminence. He was then apprenticed with the painter Battista Franco Veneziano in Urbino. He accompanied his uncle, Bartolommeo Genga to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the Mannerist painters, Taddeo and Federico Zuccari. Mature work in Rome and Urbino After passing four years at Rome, he returned to his native city, where his first work of art was a ''St. Margaret'' executed for th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Luca Cambiaso
Luca Cambiaso (also known as Luca Cambiasi and Luca Cangiagio (being ''Cangiaxo'' the surname in Ligurian (Romance language), Ligurian); 18 November 1527 – 6 September 1585) was an Italian Painting, painter and draughtsman and the leading artist in Genoa in the 16th century. He is considered the founder of the Genoese School (painting), Genoese school who established the local tradition of historical fresco painting through his many decorations of Genoese churches and palaces. He produced a number of poetic Night in paintings (Western art), night scenes. He was a prolific draughtsman who sometimes reduced figures to geometric (even cubic) forms.Lauro Magnani. "Cambiaso, Luca." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 Mar. 2016 He was familiarly known as Lucchetto da Genova. Life Cambiaso was born in Moneglia, then part of the Republic of Genoa, the son of a painter named Giovanni Cambiaso. Cambiaso was precocious, and at the age of fifteen he pain ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Galeazzo Alessi
Galeazzo Alessi (1512 – 30 December 1572) was an Italian architect from Perugia, known throughout Europe for his distinctive style based on his enthusiasm for ancient architecture. He studied drawing for civil and military architecture under the direction of Giovanni Battista Caporali. For a number of years he lived in Genoa. He was involved in the lay-out of the streets and the restoration of the city walls, as well as being responsible for many of its impressive palazzi, now a part of the World Heritage List. Alessi displayed particular aptitude for organizing compositions on sloping sites. * Saint-Georges Church, Périgueux, France His work can be found in many other Italian cities, including in Ferrara, Bologna, Naples and Milan, where he designed the facade of Santa Maria presso San Celso. With Vignola, he designed the Basilica of Santa Maria degli Angeli in Assisi, the seventh largest Christian church at the time. Elsewhere in Europe, he designed churches and palaces i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mannerist
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophist ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Matronaeum
A triforium is an interior gallery, opening onto the tall central space of a building at an upper level. In a church, it opens onto the nave from above the side aisles; it may occur at the level of the clerestory windows, or it may be located as a separate level below the clerestory. Masonry triforia are generally vaulted and separated from the central space by arcades. Early triforia were often wide and spacious, but later ones tend to be shallow, within the thickness of an inner wall, and may be blind arcades not wide enough to walk along. The outer wall of the triforium may itself have windows (glazed or unglazed openings), or it may be solid stone. A narrow triforium may also be called a "blind-storey", and looks like a row of window frames. History ''Triforium'' is derived from the Latin ''tres'', ''tria'' 'three' and ''foris'' 'door, entrance'; its Greek equivalent is τρίθυρον, which originally referred to a building with three doors. The earliest examples of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guelphs And Ghibellines
The Guelphs and Ghibellines ( , ; ) were Political faction, factions supporting the Pope (Guelphs) and the Holy Roman Emperor (Ghibellines) in the Italian city-states of Central Italy and Northern Italy during the Middle Ages. During the 12th and 13th centuries, rivalry between these two parties dominated political life across Kingdom of Italy (Holy Roman Empire), medieval Italy. The struggle for power between the Papacy and the Holy Roman Empire arose with the Investiture Controversy, which began in 1075 and ended with the Concordat of Worms in 1122. History Origins The conflict between Guelphs and Ghibellines arose from the political divisions caused by the Investiture Controversy, about whether secular rulers or the pope had the authority to appoint bishops and abbots. Upon the death of Emperor Henry V, of the Salian dynasty, the dukes elected an opponent of his dynasty, Lothair III, as the new emperor. This displeased the house of Hohenstaufen, who were allied with and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire� ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |