Bugalú
Boogaloo or bugalú (also: shing-a-ling, Latin boogaloo, Latin R&B) is a music genre, genre of Latin music and dance which was popular in the United States in the 1960s. Boogaloo originated in New York City mainly by stateside Puerto Ricans with African American music influences. The style was a fusion of popular African Americans, African American rhythm and blues (R&B) and soul music with Mambo (music), mambo and son montuno, with songs in both English (language), English and Spanish (language), Spanish. The ''American Bandstand'' television program introduced the dance and the music to the mainstream American audience. Pete Rodriguez (boogaloo musician), Pete Rodríguez's "I Like It Like That (Pete Rodriguez song), I Like It like That" was a famous boogaloo song. Except for the name, the dance is unrelated to the Boogaloo (freestyle dance), boogaloo street dance from Oakland, California and the Electric boogaloo (dance), electric boogaloo, a style of dance which developed deca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Soul Music
Soul music is a popular music genre that originated in African-American culture, African-American African-American neighborhood, communities throughout the United States in the late 1950s and early 1960s. Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are a Call and response (music), call and response between the lead and Backing vocalist, backing vocalists, an especially tense vocal sound, and occasional Musical improvisation, improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African-American identity and stressing the importance of African-American culture. Soul has its roots in African-American gospel music and rhythm and blues, and primarily combines elements of gospel, R&B and jazz. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to the creation of music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Boogaloo (freestyle Dance)
Boogaloo is a freestyle, improvisational street dance, closely related to popping dance and turfing. It's best known for the dance move known as the Robot; it is also related to the later electric boogaloo dance.Guzman-Sanchez, T. (2012) "Oakland Funk Boogaloo to Popping". Underground Dance Masters: Final History of a Forgotten Era. Boogaloo dancers use illusions, restriction of muscles, stops, robotic movements, and wiggling to create a soulful, passionate, animated form of street dance. The style also incorporates foundational popping techniques, which were initially referred to as "Posing Hard".Fuhrer, M. (2014) American Dance: The Complete Illustrated History. Voyaguer Press. Social dance Chicago Record Hops The Boogaloo was initially a social dance within the African American community in Chicago; it also appealed to white teenagers. Between 1965 and 1966, it was described as “a total new look compared to previous (social) dances...the entire body moved in a puls ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Pete Rodriguez (Boogaloo)
Pete Rodriguez (April 16, 1934– March 07, 2024) was an American pianist and bandleader born in The Bronx, New York, to Puerto Rican parents. Biography Rodriguez's band, Pete Rodríguez y Su Conjunto, specialized in Latin boogaloo. Their most successful song, " I Like It Like That" (1967), made it to the national ''Billboard'' charts and has since been covered several times, including by the Blackout All-Stars, for the soundtrack of the 1994 movie '' I Like It Like That''. It received renewed exposure as the soundtrack to the main ident of Odeon Cinemas from 1998 to 2003. It featured as the soundtrack of the video game '' Grand Theft Auto: Vice City Stories,'' on the fictitious Latin music radio station "Radio Espantoso". It, along with "Oh, That's Nice!" (1967), was then sampled in the 2018 song " I Like It" recorded by Cardi B, Bad Bunny, and J Balvin. "I Like It Like That" was also used in film ''Chef'' (2014). "Oye Mira" was sampled in the 2021 song "Vielen Dank" recorded ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Guaracha
The guaracha () is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word has been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in working-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands. Early uses of the word Though the word may be historically of Spanish origin, its use in this context is of indigenous Cuban origin. These are excerpts from reference sources, in date order: A Latin American carol "Convidando esta la noche" dates from at least the mid 17th century and both mentions and is a guaracha. It was composed or collected by Juan Garcia de Zespedes, 1620–1678, Puebla, Mexico ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Guajira (music)
Guajira is a music genre derived from the punto cubano. According to some specialists, the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira.Manuel, Peter: The guajira between Cuba and Spain: A study in continuity and change. Latin American Music Review, volume 25, No. 2, Fall/Winter, 2004. Guajira was utilized by Spanish Zarzuela composers, such as Ruperto Chapí, who included it in his well known play "La Revoltosa", from 1897. Two years later, in 1899, the Cuban composer Jorge Anckermann inaugurated a new genre with his song "El arroyo que murmura", the first Cuban guajira. This song became a model that was adopted by many other Cuban composers at a later time, and was frequently included in the Cuban Zarzuela and vernacular theater. The Cuban guajira preserved the cha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Guaguancó
Guaguancó () is a subgenre of Cuban rumba, combining percussion, voices, and dance. There are two main styles: Havana and Matanzas. Percussion * battery of three conga drummers: the ''tumba'' o "''salidor''"(lowest), ''tres dos'' (middle, playing a counter-clave), and ''quinto'' (highest, and lead drum). These parts may also be played on cajones, wooden boxes. * claves usually played by a singer * guagua (aka Catà) (hollowed piece of bamboo) * maraca and/or a chekeré playing the main beats Other instruments may be used on occasion, for example spoons, palitos (wooden sticks striking the side of the drum), and tables and walls played like drums. Clave Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. Triple-pulse strokes can be substituted for dup ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Cha-cha-cha (music)
Cha cha cha may refer to: * ''Cha-cha-chá'' (music), a style of Cuban dance music * Cha-cha-cha (dance), a Latin American dance accompanying the music Film and television * ''Cha Cha Cha'' (film), a 2013 Italian crime film * ''Cha Cha Cha'' (1964 film), a 1964 Indian film * ''Cha Cha Cha'' (TV series), a TV show from Argentina * Cha Cha Cha Films, a film production company Music * ''Cha Cha Cha'' (album), a 1995 album by EMF * ''Cha Cha Cha'', 1955 album by Monchito and the Mambo Royals * ''Cha Cha Cha'', 1982 album by Anne Linnet Band * ''Cha Cha Cha'', 1977 album by Irwin Goodman * ''Cha Cha Cha'', 2014 album by Abelardo Barroso * "Cha Cha Cha" (MC Lyte song), 1989 * "Cha Cha Cha" (Käärijä song), 2023, the Finnish entry in the Eurovision Song Contest 2023 * " The Cha-Cha-Cha", a 1962 song by Bobby Rydell * "Cha Cha Cha", by The Little Ones, 2006 Other * Cha Cha Cha (restaurant), a restaurant chain in Portland, Oregon, United States * Cha Cha Cha Township, a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Doo-wop
Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was commercially viable until the early 1960s and continued to influence performers in other genres. Origins Doo-wop has complex musical, social, and commercial origins. Musical precedents Doo-wop's style is a mixture of p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was starting to become more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Jump Blues
Jump blues is an uptempo style of blues, jazz, and boogie woogie usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival. Origins Jump blues evolved from the music of big bands such as those of Lionel Hampton and Lucky Millinder in the early 1940s. The typical jump blues lineup consisted of 5-7 members including sax, bass, drums and piano and/or guitar. The genre produced musicians such as Louis Jordan, Jack McVea, Earl Bostic, and Arnett Cobb. Jordan was the most popular of the jump blues stars; other artists who played the genre include Roy Brown, Amos Milburn, and Joe Liggins, as well as sax soloists Jack McVea, Big Jay McNeely, and Bull Moose Jackson. Hits included singles such as Jordan's " Saturday Night Fish Fry", Roy Brown's " Good Rockin' Tonight" and Big Jay McNeely's "Deacon's Hop". One ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Joe Cuba
Gilberto Miguel Calderón (April 22, 1931 – February 15, 2009), known professionally as Joe Cuba, was an American conga drummer of Puerto Rican descent widely regarded as the "Father of Latin Boogaloo". Early years Gilberto Miguel Calderón was born in Harlem, New York, United States. Calderón's parents moved from Puerto Rico to New York City in the late 1920s, and settled in Spanish Harlem, a Latino community located in Manhattan. Calderón was raised in an apartment building, where his father had become the owner of a candy store, located on the ground floor (street level floor). His father had organized a stickball club called the Young Devils. Stickball was the main sport activity of the neighborhood. After Calderón broke a leg he took up playing the conga and continued to practice with the conga between school and his free time. Eventually, he graduated from high school and joined a band. Musical career In 1950, when he was 19 years old, he played for Joe Panama and a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Hip-hop Dance
Hip hop dance is a range of street dance styles primarily performed to hip-hop, hip hop music or that have evolved as part of hip-hop culture, hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show ''Soul Train'' and the 1980s films ''Breakin''', ''Beat Street'', and ''Wild Style'' showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to create choreography from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces. The commercialization of hip-hop dance continued into the 19 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |