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Boogie-woogie (music)
Boogie-woogie is a genre of blues music that became popular during the late 1920s, but already developed in African-American communities since the 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano to piano duo and trio, guitar, big band, country and western, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music (although not usually played for the competitive dance known as boogie-woogie, a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll. Boogie-woogie waned in popularity in the 1930s, but enjoyed a resurgence and its greatest acclaim in the 1940s, reaching audiences around the world. Among its most famous acts was the "Boogie Woogie Trio" of Pete Johnson, Albert Ammons, and Meade "Lux" Lewis. Other famous boogie woogie pianists of this peak era were Maurice Rocco and Freddie Slack. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form that originated among African Americans in the Deep South of the United States around the 1860s. Blues has incorporated spiritual (music), spirituals, work songs, field hollers, Ring shout, shouts, chants, and rhymed simple narrative ballad (music), ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the Call and response (music), call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in Pitch (music), pitch, are also an essential part of the sound. Blues shuffle note, shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove (popular music), groove. Blues music is characterized by its lyrics, Bassline, bass lines, and Instrumentation (music), instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Johnson (musician)
Kermit Holden "Pete" Johnson (March 25, 1904 – March 23, 1967) was an American boogie-woogie and jazz pianist. Tony Russell stated in his book ''The Blues – From Robert Johnson to Robert Cray'' that "Johnson shared with the other members of the 'Boogie Woogie Trio' the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was more comfortable than Meade Lux Lewis in a band setting; and as an accompanist, unlike Lewis or Albert Ammons, he could sparkle but not outshine his singing partner". Scott Yanow for AllMusic, wrote: "Johnson was one of the three great boogie-woogie pianists", the others being Lewis and Ammons "whose sudden prominence in the late 1930s helped make the style very popular". Biography Johnson was born in Kansas City, Missouri. He was raised by his mother after his father deserted the family. Things got so bad financially, Pete was placed in an orphanage when he was three. He became so homesic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * The '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, and classical music, for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katie Webster
Katie Webster (January 11, 1936 – September 5, 1999), born Kathryn Jewel Thorne, was an American boogie-woogie pianist. Career Webster was initially best known as a session musician behind Louisiana musicians on the Excello and Goldband record labels, such as Lightnin' Slim and Lonesome Sundown. She also played piano with Otis Redding in the 1960s, but after his death went into semi-retirement. In the 1980s she was repeatedly booked for European tours and recorded albums for the German record label, Ornament Records, with Gary Wiggins and Chris Rannenberg (''The International Blues Duo''). She cut ''You Know That's Right'' with the band 'Hot Links', and the album that established her in the United States: '' The Swamp Boogie Queen'' with guest spots by Bonnie Raitt and Robert Cray. '' Two-Fisted Mama!'' was released in 1989. She performed at both the San Francisco Blues Festival and Long Beach Blues Festival. '' No Foolin'!'' was released in 1991. Webster suffered a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hazel Scott
Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was a Trinidadian jazz and classical pianist and singer. An outspoken critic of racial discrimination and segregation, she used her influence to improve the representation of Black Americans in film. Born in Port of Spain, Scott moved to New York City with her mother at the age of four. Scott was a child musical prodigy, receiving scholarships to study at the Juilliard School when she was eight. In her teens, she performed at Café Society while still at school. She also performed on the radio. She was active as a jazz singer throughout the 1930s and 1940s. In 1950, she became the first black American to host her own TV show, '' The Hazel Scott Show''. Her career in the United States faltered after she testified before the House Un-American Activities Committee in 1950 during the era of McCarthyism. Scott subsequently moved to Paris, France, in 1957 and began performing in Europe, not returning to the United States until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Davis (singer)
Martha Davis (December 14, 1917 – April 6, 1960) was an American singer whose musical comedy act "Martha Davis & Spouse" was popular in the late 1940s and 1950s.''The Encyclopedia of Popular Music, Third edition,'' eight volumes, edited by Colin Larkin, MUZE, London (1998), Grove's Dictionaries, New York (1998) Career Davis was born in Wichita, Kansas, and raised in Chicago, Illinois. By the mid-1930s, she had met and been influenced by Fats Waller, and performed regularly as a singer and pianist in Chicago clubs. In 1939, while married to her first husband, she first met bass player Calvin Ponder (October 17, 1917 - December 26, 1970), who went on to play in Earl Hines' band. The pair would marry in 1948. In 1948, Davis and Ponder moved to California, and Davis developed her recording career on Jewel Records in Hollywood with a trio including Ponder, Ralph Williams (guitar) and Lee Young (drums). Their cover of Dick Haymes' pop hit "Little White Lies" reached # 11 on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winifred Atwell
Una Winifred Atwell (27 February or 27 April 1910 or 1914There is some uncertainty over her date and year of birth. Many sources suggest 27 February 1914, but there is a strong suggestion that her birthday was 27 April. Most sources give her year of birth as 1914, but her gravestone states that she died at the age of 73, suggesting that she was born in 1910. – 28 February 1983) was a pianist and composer born in the colony of Trinidad who migrated to Britain and who enjoyed great popularity in Britain and Australia from the 1950s with a series of boogie-woogie and ragtime hits, selling over 20 million records."Atwell, Winifred", in David Dabydeen, John Gilmore, Cecily Jones (eds), ''The Oxford Companion to Black British History'', Oxford University Press, 2007, p. 33. She was the first black artist to have a number-one hit in the UK Singles Chart and had the first piano instrumental to reach number one in the UK Singles Chart, with “ Let's Have Another Party” in 1954, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hadda Brooks
Hadda Brooks (born Hattie L. Hapgood October 29, 1916 – November 21, 2002) was an American pianist, vocalist and composer, who occasionally appeared playing the piano in film. Billed as "Queen of the Boogie", she was Inducted in the Rhythm and Blues Foundation Hall of Fame in 1993. Career Brooks became a singer during the mid-1940s. Jules Bihari of Modern Records gave her the recording name "Hadda Brooks". In the 1970s, she commuted to Europe for performances in nightclubs and festivals. She performed rarely in the United States, and moved to Australia. ''Queen of the Boogie'', a compilation of recordings from the 1940s, was released in 1984. Two years later her manager Alan Eichler brought her out of a 16-year retirement before she went on tour. She sang at Hawaii's statehood ceremony in 1959, and was once invited to a private audience with Pope Pius XII Pope Pius XII (; born Eugenio Maria Giuseppe Giovanni Pacelli; 2 March 18769 October 1958) was the head of the Cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Slack
Frederick Charles Slack (August 7, 1910 – August 10, 1965) was an American swing and boogie-woogie pianist and bandleader. Life and career Slack was born in Westby, Wisconsin, United States. He learned to play drums as a boy. Later he took up the xylophone, and at the age of 13 he changed to the piano. He studied with a local teacher throughout high school. At the age of 17, he moved with his parents to Chicago, where he continued his musical training. He met Rosy McHargue, a well-known clarinetist, who took him to hear many leading musicians, including Bix Beiderbecke and Earl Hines. His first job was with Johnny Tobin at the Beach View Gardens. He later moved to Los Angeles, where he worked with Henry Halstead, Earl Burtnett and Lennie Hayton, before joining Ben Pollack in 1934. He played with the Jimmy Dorsey Band in the 1930s and was a charter member of the Will Bradley Orchestra when it formed in 1939. Known to bandmates as "Daddy Slack," he played the piano solo on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
