Bianqing
The ''bianqing'' ( Chinese: 编磬) is a traditional Chinese percussion instrument consisting of a set of L-shaped flat stone chimes known as ''qing'', played melodically. The chimes were hung in a wooden frame and struck with a mallet. Along with the bronze bells called '' bianzhong'', they were an important instrument in China's ritual and court music going back to ancient times. The instrument was imported to Vietnam (where it is called ''biên khánh''), and Korea (where it is called ''pyeongyeong''). In the 11th year of King Yejong of Goryeo (1116), it was imported from the Song Dynasty. It is still used in Korean court and ritual music. History The bianqing existed before Shang Dynasty. The bianqing in the Shang Dynasty are made of stone, jade and bronze. The tiger shaped stone bianqing unearthed from the Yin tomb in the village of Wu Guan in Anyang, Henan Province, is made of marble and has a history of more than 3000 years. Its timbre is as clear as that of bronze mus ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Traditional Chinese Musical Instruments
Chinese musical instruments are traditionally grouped into eight categories known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of instruments in material categories in China is one of the first musical groupings ever devised. Silk ( 絲) Silk () instruments are mostly stringed instruments (including those that are plucked, bowed, and struck). Since ancient times, the Chinese have used twisted silk for strings, though today metal or nylon are more frequently used. Instruments in the silk category include: Plucked Bowed Struck Combined * () – a combination of the , , and with 50 or more steel strings. * () - strucked and bowed zither from Shandong, China. Bamboo (竹) Bamboo () mainly refers to woodwind instruments, which includes; Flutes Free reed pipes Single reed pipes Double reed pipes Wood ( 木) Most wood () instr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Traditional Chinese Musical Instruments
Chinese musical instruments are traditionally grouped into eight categories known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of instruments in material categories in China is one of the first musical groupings ever devised. Silk ( 絲) Silk () instruments are mostly stringed instruments (including those that are plucked, bowed, and struck). Since ancient times, the Chinese have used twisted silk for strings, though today metal or nylon are more frequently used. Instruments in the silk category include: Plucked Bowed Struck Combined * () – a combination of the , , and with 50 or more steel strings. * () - strucked and bowed zither from Shandong, China. Bamboo (竹) Bamboo () mainly refers to woodwind instruments, which includes; Flutes Free reed pipes Single reed pipes Double reed pipes Wood ( 木) Most wood () instru ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bianzhong
Bianzhong (Chinese language, Chinese:编钟) is an ancient China, ancient Chinese List of traditional Chinese musical instruments, musical instrument consisting of a set of bronze bells, played melodically. China is the earliest country to manufacture and use musical chimes. They are also called Chime Bells. These sets of chime bells were used as polyphonic musical instruments and some of these bells have been dated at between 2,000 to 3,600 years old. They were hung in a wooden frame and struck with a mallet. Using a wooden hammer and a rod to beat the bronze bell can make different pitch. Along with the stone chimes called ''bianqing'', they were an important instrument in China's ritual and court music going back to ancient times. Several sets of ''bianzhong'' were imported to the Korean court during the Song Dynasty. Pronounced in Korean as pyeonjong, the instrument became an important part in Korea's ritual and court music and is still in use. In Vietnam, the instrument, whi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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:Category:Chinese Words And Phrases
This category is for articles on words and phrases of Chinese origin. For articles on words and phrases related to a specific area of China, or to a specific spoken variant, please refer to one of the subcategories. Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no conse ... Words and phrases by language {{CatAutoTOC ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hotan
Hotan (also known as Gosthana, Gaustana, Godana, Godaniya, Khotan, Hetian, Hotien) is a major oasis town in southwestern Xinjiang, an autonomous region in Western China. The city proper of Hotan broke off from the larger Hotan County to become an administrative area in its own right in August 1984. It is the seat of Hotan Prefecture. With a population of 408,900 (2018 census), Hotan is situated in the Tarim Basin some southwest of the regional capital, Ürümqi. It lies just north of the Kunlun Mountains, which are crossed by the Sanju, Hindutash and Ilchi passes. The town, located southeast of Yarkant County and populated almost exclusively by Uyghurs, is a minor agricultural center. An important station on the southern branch of the historic Silk Road, Hotan has always depended on two strong rivers—the Karakash River and the White Jade River to provide the water needed to survive on the southwestern edge of the vast Taklamakan Desert. The White Jade River stil ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gong Chime
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs. They are played by one to four musicians, each using two padded sticks to strike them. They are an important instrument in many Southeast Asian musical ensembles, such as Indonesian gamelan, kulintang, or Thai pi phat. For this reason, such ensembles are sometimes called "gong chime ensembles" or "gong chime orchestras," and the broad variety of music "gong chime music." Gong chimes typically are played either in a soloistic style, providing a virtuosic embellishing role, or providing a rhythmic role, for example, in a colotomic structure. The term may also be used to refer to hand-held tuned gongs played in high rhythmic density, such as the older Indonesian- Ba ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fangxiang
The ''fangxiang'' (also ''fang xiang'', ''fang hsiang''; 方 响 or 方 響 in Chinese, pinyin: fāngxiǎng; also known in the West as the Chinese chang) is an organized-suspended (bianxuan) Chinese metallophone that has been used for over 1,000 years. It was first used in the Liang Dynasty (502—557 CE), and then standardized in the Sui and Tang dynasties mostly for court music. Construction and design A ''fangxiang'' consists of 16 tuned rectangular iron, bronze, or jade tuned slabs with 16 different chromatic pitches, laid in a frame in two rows. The slabs are struck with a hammer and played melodically. Unlike the metallophone today, Chinese changed the thickness of the metal plates to obtain different pitches. Each of the slabs is of the same length and width but they are of graduated thickness, with the thinner slabs producing lower tones and the thicker slabs producing higher tones."Fangxiang (方响)." - China Culture. N.p., n.d. Web. 17 Sept. 2013. . The me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chinese Gong Chimes, Musical Instrument Museum, Phoenix, Arizona
Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Han Chinese, the largest ethnic group in the world and the majority ethnic group in Mainland China, Hong Kong, Macau, Taiwan, and Singapore ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of Mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hubei Provincial Museum
The Hubei Provincial Museum ( Chinese: 湖北省博物馆) is one of the best known museums in China, with a large amount of state-level historic and cultural relics. Established in 1953, the museum moved to its present location in 1960 and gained its present name in 1963. Since 1999 a number of new buildings have been added. The museum received 1,992,512 visitors in 2017. The museum is located in the Wuchang District of Wuhan, Hubei Province, not far from the west shore of Wuhan's East Lake. It has a collection of over 200,000 objects, including the Sword of Goujian, an ancient set of bronze bells ( Bianzhong) and extensive artifacts from the Tomb of Marquis Yi of Zeng and the tombs at Baoshan. The particular importance of several of the archaeological items in the museum's collection has been recognized by the national government by including them into the short list of Chinese cultural relics forbidden to be exhibited abroad. On the afternoon of April 27, 2018, China's par ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tomb Of Marquis Yi Of Zeng
The Tomb of Marquis Yi of Zeng () is an archaeological site in Leigudun Community (), Nanjiao Subdistrict (), Zengdu District, Suizhou (during the Spring and Autumn period called Sui County), Hubei, China, dated sometime after 433 BC. The tomb contained the remains of Marquis Yi of Zeng (sometimes "Duke Yi"), and is one of a handful of ancient Chinese royal tombs to have been discovered intact and then excavated using modern archaeological methods. Zeng was a state during the Spring and Autumn period of China. The tomb was made around 433 BC, either at the end of the Spring and Autumn period or the start of the Warring States period. The tomb comes from the end of the thousand-year-long period of the burial of large sets of Chinese ritual bronzes in elite tombs, and is also unusual in containing large numbers of musical instruments, including the great set of bells for which it is most famous. Discovery and layout The People's Liberation Army accidentally discovered the tomb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Warring States Period
The Warring States period () was an era in ancient Chinese history characterized by warfare, as well as bureaucratic and military reforms and consolidation. It followed the Spring and Autumn period and concluded with the Qin wars of conquest that saw the annexation of all other contender states, which ultimately led to the Qin state's victory in 221 BC as the first unified Chinese empire, known as the Qin dynasty. Although different scholars point toward different dates ranging from 481 BC to 403 BC as the true beginning of the Warring States, Sima Qian's choice of 475 BC is the most often cited. The Warring States era also overlaps with the second half of the Eastern Zhou dynasty, though the Chinese sovereign, known as the king of Zhou, ruled merely as a figurehead and served as a backdrop against the machinations of the warring states. The "Warring States Period" derives its name from the '' Record of the Warring States'', a work compiled early in the Han dynasty. Ge ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |