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Bebung
''Bebung'' (German: ''a trembling''; ) is a type of vibrato executed on the clavichord. When a clavichord key is pressed, a small metal tangent (clavichord), tangent strikes a string and remains in contact with it for as long as the key is held down. By applying a rocking pressure up and down the key with the finger, a performer can slightly alter the tension of the string itself, producing the vibrato quality known as ''bebung''. While the vibrato on fretless string instruments such as the violin typically oscillates in pitch (music), pitch both above and below the nominal note, clavichord ''bebung'' can only produce pitches above the note. Sheet music does not often explicitly indicate ''Bebung''. Composers assumed that, like other ornament (music), ornaments, performers would apply ''bebung'' at their discretion. Where sheet music does indicate ''bebung'', it appears as a series of dots above or below a note, with the number of dots indicating the number of finger movements. ...
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Clavichord Action
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance music, Renaissance, Baroque music, Baroque and Classical period (music), Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard. Etymology The name is derived from the Latin word ''clavis'', meaning "key" (associated with more common ''clavus'', meaning "nail, rod, etc.") and ''chorda'' (from Greek χορδή) meaning "string, especially of a musical instrument". An analogous name is used in other European languages (It. ''clavicordio'', ''clavicordo''; Fr. ''clavicorde''; Germ. ''Klavichord''; Lat. ''clavicordium''; Port. ''clavicórdio''; Sp. ''clavicordio''). Many languages also have ...
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Tangent (clavichord)
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard. Etymology The name is derived from the Latin word ''clavis'', meaning "key" (associated with more common ''clavus'', meaning "nail, rod, etc.") and ''chorda'' (from Greek χορδή) meaning "string, especially of a musical instrument". An analogous name is used in other European languages (It. ''clavicordio'', ''clavicordo''; Fr. ''clavicorde''; Germ. ''Klavichord''; Lat. ''clavicordium''; Port. ''clavicórdio''; Sp. ''clavicordio''). Many languages also have another name derived from Latin ''manus'', meaning "hand" ( ...
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Michael Jarrell
Michael Jarrell (born 8 October 1958) is a Swiss composer and academic teacher, whose operas, such as ''Cassandre'', have been performed internationally. Life Born in Geneva, Jarrell studied at the Geneva Conservatoire, and later with Klaus Huber in Freiburg. His works span many genres. In 1982, he won first prizes for composition and went on to win many more, including the Acanthes Prize in 1983, the Beethovenpreis awarded by Bonn in 1986, the Marescotti Prize (1986), both the Gaudeamus International Composers Award and the Henriette Renié prizes in 1988, and the Siemens-Förderpreis (1990). From 1986 to 1988, he was resident at the Cité des Arts in Paris, taking part in the computer music course at IRCAM. His next residency was at the Villa Medici (1988–89), home of the French Academy in Rome, followed by membership of the Istituto Svizzero di Roma in 1989–90, after which he became composer-in-residence at the Orchestre de Lyon (October 1991–June 1993). In 1993, Jar ...
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Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterized in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing, it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato can also be reproduced mechanically (Leslie speaker) or electronically as an Audio signal processing, audio effect close to Chorus (audio effect), chorus. Terminology History Descriptions of what would now be characterised as vibrato go back to the 16th century. However, no evidence exists of authors using the term vibrato before the 19th century. Instead, authors used various descrip ...
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Johann Mattheson
Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, critic, lexicographer and music theorist. His writings on the late Baroque and early Classical period were highly influential, specifically, "his biographical and theoretical works were widely disseminated and served as the source for all subsequent lexicographers and historians". Early life and career Johann Mattheson was born on 28 September 1681 in Hamburg. The son of a prosperous tax collector, Mattheson received a broad liberal education and, aside from general musical training, took lessons in keyboard instruments, violin, composition and singing. By age nine he was singing and playing organ in church and was a member of the chorus of the Hamburg opera. He made his solo debut with the Hamburg opera in 1696 in female roles and, after his voice changed, sang tenor at the opera, conducted rehearsals and composed operas himself. He was cantor at St. Mary's Cathedral, Hamburg from 1718 until increa ...
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Princeton University Press
Princeton University Press is an independent publisher with close connections to Princeton University. Its mission is to disseminate scholarship within academia and society at large. The press was founded by Whitney Darrow, with the financial support of Charles Scribner, as a printing press to serve the Princeton community in 1905. Its distinctive building was constructed in 1911 on William Street in Princeton. Its first book was a new 1912 edition of John Witherspoon's ''Lectures on Moral Philosophy.'' History Princeton University Press was founded in 1905 by a recent Princeton graduate, Whitney Darrow, with financial support from another Princetonian, Charles Scribner II. Darrow and Scribner purchased the equipment and assumed the operations of two already existing local publishers, that of the ''Princeton Alumni Weekly'' and the Princeton Press. The new press printed both local newspapers, university documents, '' The Daily Princetonian'', and later added book publishing ...
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Alexander Agricola
Alexander Agricola (; born Alexander Ackerman; – 15 August 1506) was a Netherlandish composer of the Renaissance writing in the Franco-Flemish style. A prominent member of the ''Grande chapelle'', the Habsburg musical establishment, he was a renowned composer in the years around 1500, and his music was widely distributed throughout Europe. He composed music in all of the important sacred and secular styles of the time.Wegman/Fitch, Grove online Life Agricola was the son, born out of wedlock, of Lijsbette Naps, a wealthy female merchant who lived in Ghent. He was probably born sometime in the late 1450s and had a brother named Jan. A commemorative motet first published in 1538 gave his age as 60 at the time of his death in 1506, but that may be due to a medieval convention concerning the number 60. He may have received his musical training from the parish church of St Nicolas in Ghent, as his mother made a substantial donation to its musical establishment in 1467. In 1476 h ...
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Daniel Gottlob Türk
Daniel Gottlob Türk (10 August 1750 – 26 August 1813) was a German composer, organist, and music professor of the Classical period. Biography Born in Claußnitz, Saxony, Türk studied organ under his father and later under Johann Adam Hiller. It was Hiller who recommended Türk for his first professional position at Halle University, in Halle, Germany. On 18 April 1779 Halle University granted Türk's request to begin lecturing on music theory, making him the University's "Director of Music." This appointment made Türk the second university music director in Germany. While at Halle, Türk published his treatise ''On the Role of the Organist in Worship'' which is still occasionally reprinted. Several of Türk's dances and minuets for the piano are still popular today. He wrote 18 sonatas. His most notable contribution to the classical music canon is the ''Klavierschule,'' a teaching method for the keyboard. He also wrote a cantata, ''Die Hirten bey der Krippe zu Bethle ...
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Pianoforte
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the grand piano and the upright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a bridge to a soundboard that amplifies the sound by coupling the acoustic energy to the air. When the key is released, a damper stops the string's vibration, ending the sound. Most not ...
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Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melo ...
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Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical period. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the ' or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain,Hubeart Jr., T. L. (14 July 2006"A Tribute to Carl Philipp Emanuel Bach" Bach was known as the "Berlin ...
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