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Bass Trombonist
The bass trombone (, ) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were pitched a minor third, fourth, or fifth below the tenor, which was then pitched in A.Due to the higher church pitch used throughout parts of Renaissance Europe, tenor trombones were usually described as pitched in A, even though they are a similar size to modern B♭ tenor trombones. The first position A = 466 Hz in high pitch produces the B♭ in the modern 440 Hz pitch standard. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. These bass sackbuts were sometimes call ...
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Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing, ...
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Concert Pitch
Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. Concert pitch may vary from ensemble to ensemble, and has varied widely over time. The ISO defines international standard pitch as A440, setting 440 Hz as the frequency of the A above middle C. Frequencies of other notes are defined relative to this pitch. The written pitches for transposing instruments do not match those of non-transposing instruments. For example, a written C on a B clarinet or trumpet sounds as a non-transposing instrument's B. The term "concert pitch" is used to refer to the pitch on a non-transposing instrument, to distinguish it from the transposing instrument's written note. The clarinet or trumpet's written C is thus referred to as "concert B". Modern standard concert pitch The A above middle C is often set at the international standard of 440 Hz. Historically, this A has been tuned to a variety of different pitches. History of pitch standards ...
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Daniel Speer
Georg Daniel Speer (2 July 1636 – 5 October 1707) was a German composer and writer of the Baroque. Speer was born in Breslau (today Wrocław, Poland) and died in Göppingen Göppingen (; or ) is a town in southern Germany, part of the Stuttgart Region of Baden-Württemberg. It is the capital of the Goeppingen (district), district Göppingen. Göppingen is home to the toy company Märklin, and it is the birthplace ..., Germany. Writing As a writer he wrote a musical treatise, political tracts, and fiction. In 1687 he published a treatise on music that is considered useful in understanding Middle Baroque music. His writing on music would influence German Baroque trombone works for over a century. In non-musical writing his political tracts led to his being imprisoned for a year and a half. In literature he is known for three or four autobiographical novels that give a feel of the musical scene of his era and make use of humor. In them the narrator is referred to as Daniel Si ...
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Violone
The term violone (; literally 'large viol', being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted instrument, and may have six, five, four, or even only three strings. The violone is also not always a contrabass instrument. In modern parlance, one usually tries to clarify the 'type' of violone by adding a qualifier based on the tuning (such as "G violone" or "D violone") or on geography (such as "Viennese violone"), or by using other terms that have a more precise connotation (such as "bass violin", "violoncello", or "bass viol"). The term violone may be used correctly to describe many different instruments, yet distinguishing among these types can be difficult, especially for those not familiar with the historical instruments of the viol and violin families and their respective variations in tuning. Usage In modern usage, the term most often refers to ...
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Crook (music)
A crook, also sometimes called a shank, is an exchangeable segment of tubing in a natural horn (or other brass instrument, such as a natural trumpet) which is used to change the length of the pipe, altering the fundamental pitch and harmonic series which the instrument can sound, and thus the key in which it plays. Apel, pp. 392, 926. Master crook and coupler system Early horns had unalterable lengths and permanently attached mouthpieces. This presented problems in concert situations. A different horn was required for different keys, and the instrument could not be tuned. Around 1700 the Leichnamschneider brothers in Vienna developed a horn with a removable mouthpiece that could be connected to a short piece of tubing, called a master crook. Additional pieces, couplers, of different lengths were inserted between the master crook and the body of the horn to change the horn's length, and thus the pitch. Fine-tuning was done with even shorter segments called tuning bits. This simple ...
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Contrabass Trombone
The contrabass trombone (, ) is the Pitch of brass instruments, lowest-pitched instrument in the trombone family of brass instruments. While modern instruments are pitch (music), pitched in Eight-foot pitch, 12-foot () F with a single slide (wind instrument), slide, the first practical contrabass trombones appeared in the mid-19th century built in B♭ an octave below the tenor trombone with a double slide. German opera composer Richard Wagner notably called for this instrument in his ''Der Ring des Nibelungen'' opera cycle in the 1870s, and contrabass trombone has since appeared occasionally in large orchestral works without becoming a permanent member of the modern orchestra. Since the late 20th century, the double-slide contrabass has largely been supplanted by the less cumbersome bass-contrabass in F, a perfect fourth, fourth below the B♭ tenor and bass trombones. In the 21st century the contrabass has enjoyed something of a revival, particularly in film score, film and ...
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Syntagma Musicum
''Syntagma Musicum (1614-1620)'' is a musical treatise in three volumes by the German composer, organist, and music theorist Michael Praetorius. It was published in Wittenberg and Wolfenbüttel. It is one of the most commonly used research sources for seventeenth-century music theory and performance practice. The second volume, ''De Organographia,'' illustrates and describes musical instruments and their use; this volume in particular became a valuable guide for research and reconstruction of early instruments in the twentieth century, and thus an integral part of the early music revival. Though never published, Praetorius intended to write a fourth volume on musical composition. The three extant volumes are: * I: ''Musicae Artis Analecta'' * II: ''De Organographia'' * III: ''Termini musicali'' Contents Volume One: Musicae Artis Analecta The first volume was written in Latin and divided into two parts, published separately. The first part, "on sacred or ecclesiastical music, ...
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Michael Praetorius
Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and Music theory, music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant Reformation, Protestant hymns. Life Praetorius was born Michael Schultze, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). He was fluent in a number of languages. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. From 1592/3 he served at the court in Wolfenbüttel, under the employ of Henry Julius, Duke of Brunswick-Lüneburg. He served in the duke's Staatsorchester Braunschweig, State Orchestra, first as organist and later (from 1604) as ''Kapellmeister'' (court music director).
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Museum Of Musical Instruments Of Leipzig University
The Museum of Musical Instruments of the University of Leipzig () is a museum in Leipzig, Germany. It is located on Johannisplatz, near the city centre. The museum belongs to the University of Leipzig and is also part of the Grassi Museum, whose other members are the Museum of Ethnography and the Museum of Applied Arts. It is one of the largest music instrument museums in Europe, alongside those of Brussels and of Paris. Its collection of around 10,000 objects includes valuable instruments from Europe and beyond, as well as music-related items from the Renaissance, the Baroque, and Bach's Leipzig period. History In 1886 the Dutchman opened a museum of historic musical instruments in Leipzig, but he sold the collection to the paper merchant Wilhelm Heyer in 1905. The "Wilhelm Heyer Museum of Music History" opened in 1913, containing De Wit's collection alongside that of the Florentine Baron Alessandro Kraus and keyboard instruments from the Prussian manufacturer Ibach. T ...
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Germanisches Nationalmuseum
The ''Germanisches Nationalmuseum'' is a museum in Nuremberg, Germany. Founded in 1852, it houses a large collection of items relating to German culture and art extending from prehistoric times through to the present day. The museum is Germany's largest museum of cultural history. Out of its total holding of some 1.3 million objects (including the holdings of the library and the Department of Prints and Drawings), approximately 25,000 are exhibited. The museum is situated in the south of the historic city center between Kornmarkt and Frauentormauer along the medieval city wall. Its entrance hall is situated on Kartäusergasse which was transformed by the Israeli sculptor Dani Karavan to the Way of Human Rights (). Name, establishment, guiding principles The Germanisches Museum, as it was named initially, was founded by a group of individuals led by the Franconian baron Hans von und zu Aufsess, whose goal was to assemble a "well-ordered compendium of all available source mate ...
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Bayerisches Armeemuseum
The Bayerisches Armeemuseum is the Military History Museum of Free State of Bavaria, Bavaria. It was founded in 1879 in Munich and is located in Ingolstadt since 1972. The main collection is housed in the New Castle (Ingolstadt), New Castle, the permanent exhibition about the First World War in ''Reduit Tilly'' opened in 1994 and the Armeemuseum incorporated the ''Bavarian Police Museum, Bayerisches Polizeimuseum'' (Bavarian Police Museum) in the ''Turm Triva'' in 2012. Today, part of the former Munich Museum building is the central building of the new ''Bayerische Staatskanzlei'' (Bavarian State Chancellery). History Museum in Munich The museum was founded in 1879 by King Ludwig II of Bavaria at the suggestion of General Friedrich von Bothmers and the Ministry of War (Kingdom of Bavaria), Minister of War Joseph Maximilian von Maillinger. It was to bring together the collections that were scattered throughout Bavaria. First director was Josef Würdinger (1822–1889). Until ...
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