Barynya
''Barynya'' () is a fast Russian folk dance accompanied by music. The dance originated in the Central Russian Upland. Etymology The word ''barynya'' () was historically used in the Russian lands as a form of addressing a woman of higher class, and is the feminine form for the word ''barin'', meaning "landlord". Description The dance is an alternation of chastushkas and frenetic dancing. Originally the dancing was without special choreography. The main characteristics of the ''barynya'' dance are traditional elements of Russian folk dance like Russian squatting, rotations, jumps and sprited stomping. The main instruments of ''baryna'' are the Balalaika and Garmon The garmon ( rus, гармо́нь, p=gɐˈrmonʲ, links=yes, from rus, гармо́ника, p=gɐˈrmonʲɪkə, r=garmonika, cognate of English ''harmonica''), commonly called garmoshka, is a kind of Russian button accordion, a free-reed w .... The ''barynya'' chastushkas traditionally included a refrain, suc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vprisiadku
Prisiadki (: , ; , or ) or vprisiadku dancing () is a type of male dance move in East Slavic (Russian, Ukrainian) dances. The dancer squats and thrusts one foot out in turns. The term is occasionally translated in English as squatting (squat dance, e.g., in a translation of ''Eugene Onegin''). Description Two basic techniques are possible.Тимошенко Л.Г., "Русский народный танец: региональные особенности"Chapter 5. Основные движения русского народного танца Tomsk, Tomsk State Pedagogical University, 2013. In one way, "full prisiadki", the dancer crouches on one leg while another one is thrust out straight and repeats the same alternating the crouching leg while staying in the crouching position. In another way, "half-prisiadki" (полуприсядки), the dancer quickly crouches and then jumps up making a low thrust with one leg sideways or on the heel. It is a distinct element of a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Russian Folk Dance
Russian folk dance () is an important part of Russian culture. Some of the unique characteristics suggest that many elements were developed by the early Russian population. History Many Russian dances became known from the 10th century. Russia witnessed various invasions from other countries. Due to its location and size the country also came into contact with many different cultures through migration and trading. In turn, a Eurasian cultural mix of music and dance helped develop Russian folk dances. Many of these early dances were performed and practiced by the lower classes. Typically the upper classes would watch performers rather than participate in the dances themselves. The original Russian folk dance traditions continue to play an important part in the culture of the country and have been in constant interaction with Russia’s many ethnic groups. Russian folk dances are also in interrelations with other types of artistic expressions. One example can be seen in the Ball ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Of Russia
Music of Russia denotes music produced from Russia and/or by Russians. Russia is a large and culture, culturally diverse country, with many ethnic groups, each with their own locally developed music. Russian music also includes significant contributions from ethnic minorities, who populated the Russian Empire, the Soviet Union and Russia, modern-day Russia. Russian music went through a long history, beginning with ritual folk songs and the sacred music of the Russian Orthodox Church. The 19th century saw the rise of highly acclaimed Russian classical music, and in the 20th century major contributions by various composers such as Igor Stravinsky as well as Soviet music, Soviet composers, while the modern styles of Russian popular music developed, including Russian rock, Russian hip hop and Russian pop. History Early history Written documents exist that describe the musical culture of the Rus' people, Rus'. The most popular kind of instruments in medieval Russia were thought to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Central Russian Upland
The Central Russian Upland (also: Middle Russian Upland () and East European Upland) is an upland area of the East European Plain and is an undulating plateau with an average elevation of . Its highest peak is measured at . The southeastern portion of the upland known as the . The Central Upland is built of Precambrian deposits of the crystalline Voronezh Massif. Location It spans approximately 180,000 miles² (480,000 km2) in central and southern European Russia northeast of Ukraine, extending from the Oka river to the Donets river. The upland stretches across a number of regions in Ukraine and the European portion of the Russian Federation. Its north and northwest borders are considered to be the Oka River and an imaginary line Kaluga-Ryazan. To the southeast towards the Donets River, the upland changes into the Donets Lowland. To the east its natural border is defined by the Oka–Don Lowland and to the west there is the Dnieper Lowland. Most of the upland lies within t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chastushka
Chastushka ( rus, частушка, , tɕɪsˈtuʂkə, plural: chastushki) is a traditional type of short Russian humorous folk song with high beat frequency, that consists of one four-lined couplet, full of humor, satire or irony. It may be described as " ditty" . The term "chastushki" was first used by Gleb Uspensky in his book about Russian folk rhymes published 1889. Usually many chastushki are sung one after another. Chastushki make use of a simple rhyming scheme to convey humorous or ironic content. The singing and recitation of such rhymes were an important part of peasant popular culture both before and after the Bolshevik Revolution of 1917. Form A chastushka (plural: chastushki) is a simple rhyming poem which would be characterized derisively in English as doggerel. The name originates from the Russian word "часто" ("chasto") – "frequently", or from "частить" ("chastit"), meaning "to do something with high frequency" and probably refers to the high be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Balalaika
The balalaika (, ) is a Russian string instrument, stringed musical instrument with a characteristic triangular wooden, hollow body, fretted neck, and three strings. Two strings are usually tuned to the same note and the third string is a perfect fourth higher. The higher-pitched balalaikas are used to play melodies and chords. The instrument generally has a short sustain, necessitating rapid strumming or plucking when it is used to play melodies. Balalaikas are often used for Russian traditional music, Russian folk music and Russian folk dances, dancing. The balalaika ''family of instruments'' includes instruments of various sizes, from the highest-pitched to the lowest: the piccolo balalaika, prima balalaika, secunda balalaika, alto balalaika, bass balalaika, and contrabass balalaika. There are balalaika orchestras which consist solely of different balalaikas; these ensembles typically play Classical music that has been arranged for balalaikas. The prima balalaika is the most ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Garmon
The garmon ( rus, гармо́нь, p=gɐˈrmonʲ, links=yes, from rus, гармо́ника, p=gɐˈrmonʲɪkə, r=garmonika, cognate of English ''harmonica''), commonly called garmoshka, is a kind of Russian button accordion, a free-reed wind instrument. A garmon has two rows of buttons on the right side, which play the notes of a diatonic scale, and at least two rows of buttons on the left side, which play the primary chords in the key of the instrument as well as its relative harmonic minor key. Many instruments have additional right-hand buttons with useful accidental notes, additional left-hand chords for playing in related keys, and a row of free-bass buttons, to facilitate playing of bass melodies. The garmons can be of two major classes: unisonoric, meaning that each button plays the same note or chord when the bellows is being expanded as it does when compressed; and bisonoric, in which the note depends on the direction of the bellowswork. Examples of un ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |