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Augmented Sixth Chord
In music theory, an augmented sixth chord contains the interval (music), interval of an augmented sixth, usually above its bass note, bass tone. This chord (music), chord has its origins in the Renaissance music, Renaissance, was further developed in the Baroque music, Baroque, and became a distinctive part of the musical style of the Classical period (music), Classical and Romantic period (music), Romantic periods. Conventionally used with a predominant chord, predominant diatonic function, function (resolution (music), resolving to the dominant (music), dominant), the three most common types of augmented sixth chords are usually called the ''Italian sixth'', the ''French sixth'', and the ''German sixth''. Augmented sixth interval The augmented sixth interval is typically between the sixth scale degree, degree of the Major and minor, minor scale, , and the raised fourth degree, . With standard voice leading, the chord is followed directly or indirectly by some form of the do ...
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Scott Joplin
Scott Joplin (November 24, 1868 – April 1, 1917) was an American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons. Joplin grew up in a musical family of railway laborers in Texarkana, Texas. During the late 1880s, he traveled the American South as a musician. He went to Chicago for the World's Fair of 1893, which helped make ragtime a national craze by 1897. Joplin moved to Sedalia, Missouri, in 1894 and worked as a piano teacher. He began publishing music in 1895, and his "Maple Leaf Rag" in 1899 brought him fame and a steady income. In 1901, Jopl ...
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Dominant Chord
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function. Dominant chords In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh chord ...
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Dominant Seventh
Domination or dominant may refer to: Society * World domination, structure where one dominant power governs the planet * Colonialism in which one group (usually a nation) invades another region for material gain or to eliminate competition * Chauvinism in which a person or group consider themselves to be superior, and thus entitled to use force to dominate others * Sexual dominance involving individuals in a subset of BDSM behaviour * Hierarchy Music * Dominant (music), a diatonic scale step and diatonic function in tonal music theory Albums * ''Domination'' (Cannonball Adderley album) or the title track, 1965 * ''Domination'' (Morbid Angel album), 1995 * ''Domination'', by Domino, 2004 * ''Domination'', by Morifade, 2004 Songs * "Domination" (song), by Pantera, 1990 * "Domination", by Band-Maid from ''World Domination'', 2018 * "Domination", by Symphony X from '' Paradise Lost'', 2007 * "Domination", by Way Out West from '' Way Out West'', 1996 * "Domination", by Within ...
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Voicing (music)
In music theory, voicing refers to two closely related concepts: # How a musician or group distributes, or spaces, notes and chords on one or more instruments # The simultaneity (music), simultaneous vertical placement of notes in relation to each other; this relates to the concepts of spacing and Voicing (music)#Doubling, doubling It includes the instrumentation (music), instrumentation and vertical spacing and ordering of the musical notes in a chord (music), chord: which notes are on the top or in the middle, which ones are doubled, which octave each is in, and which instruments or voices perform each note. Vertical placement The following three chords are all C major, C-major triads in root (chord), root position with different voicings. The first is in close position (the most compact voicing), while the second and third are in Close and open harmony, open position (that is, with wider spacing). Notice also that the G is doubled at the octave in the third chord; that is, ...
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Four-part Harmony
Four-part harmony is music written for four Human voice, voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each Chord (music), chord of the music. The four main voices are typically labelled as soprano (or Boy soprano, treble and countertenor), alto (contralto, countertenor or mezzo-soprano, mezzo), tenor, and Bass (voice type), bass. Because the human voice has a limited range, different voice types are usually not able to sing pitches that lie outside of their specific range. The effort required to perform four-part harmony varies greatly. Pieces written in such a style can be usually executed by a single keyboard player, a group of 4 instruments (or singers), or even a large choir with multiple singers per part. In European classical music In the Baroque music, baroque era, a set of rules developed for voice leading in four-part harmony. In ...
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Scale-degree
In music theory, the scale degree is the position of a particular note on a scale relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor. In the most general sense, the scale degree is the number given to each step of the scale, usually starting with 1 for tonic. Defining it like this implies that a tonic is specified. For instance, the 7-tone diatonic scale may become the major scale once the proper degree has been chosen as tonic (e.g. the C-major scale C–D–E–F–G–A–B, in which C is the tonic). If the scale has no tonic, the starting degree must be chosen arbitrarily. In set theory, for instance, the 12 degrees of the chromatic scale are usually numbered starting from C=0, the twelve pitch classes being numbered from 0 to 11. In a more specific sense, scale degrees are given names that indicate their part ...
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Piano Sonata No
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ...
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Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ...
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Neapolitan Sixth
In Classical music theory, a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered ( flat) second (supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, since in minor scales the chord is built on the notes of the corresponding Phrygian mode. The Neapolitan is found far more often in minor keys than in major keys. Although it is sometimes indicated by an "N6" rather than a "II", some analysts prefer the latter because it indicates the relation of this chord to the supertonic. The Neapolitan chord does not fall into the categories of mixture or tonicization. Moreover, even Schenkerians like Carl Schachter do not consider this chord as a sign for a shift to the Phrygian mode. Therefore, like the augmented sixth chords it should be assigned to a separate category of chromatic alteration. In European Classical music, the Neapolitan most commonly occurs in first inversion so that it is notated either as II6 or N6 and normally re ...
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Prentice Hall
Prentice Hall was a major American publishing#Textbook_publishing, educational publisher. It published print and digital content for the 6–12 and higher-education market. It was an independent company throughout the bulk of the twentieth century. In its last few years it was owned by, then absorbed into, Savvas Learning Company. In the Web era, it distributed its technical titles through the Safari Books Online e-reference service for some years. History On October 13, 1913, law professor Charles Gerstenberg and his student Richard Ettinger founded Prentice Hall. Gerstenberg and Ettinger took their mothers' maiden names, Prentice and Hall, to name their new company. At the time the name was usually styled as Prentice-Hall (as seen for example on many title pages), per an orthographic norm for Dash#Relationships and connections, coordinate elements within such compounds (compare also ''McGraw-Hill'' with later styling as ''McGraw Hill''). Prentice-Hall became known as a publi ...
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Harcourt Brace Jovanovich
Harcourt () was an American publishing firm with a long history of publishing fiction and nonfiction for adults and children. It was known at different stages in its history as Harcourt Brace, & Co. and Harcourt Brace Jovanovich. From 1919 to 1982, it was based in New York City. The company was last based in San Diego, California, with editorial/sales/marketing/rights offices in New York City and Orlando, Florida, Houghton Mifflin acquired Harcourt in 2007. It incorporated the Harcourt name to form Houghton Mifflin Harcourt. As of 2012, all Harcourt books that have been re-released are under the Houghton Mifflin Harcourt name. The Harcourt Children's Books division left the name intact on all of its books under that name as part of HMH. In 2007 the U.S. Schools Education and Trade Publishing parts of Harcourt Education were sold by Reed Elsevier to Houghton Mifflin Riverdeep Group. Harcourt Assessment and Harcourt Education International were acquired by Pearson, the intern ...
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Parallel Minor
In music theory, a major scale and a minor scale that have the same starting note ( tonic) are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." For example, G major and G minor have the same tonic (G) but have different modes, so G minor is the parallel minor of G major. This relationship is different from that of relative keys, a pair of major and minor scales that share the same notes but start on different tonics (e.g., G major and E minor). A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh scale degrees, and a minor scale can be transformed to its parallel major by raising those same scale degrees. In the early nineteenth ...
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