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Auditory Scene Analysis
In perception and psychophysics, auditory scene analysis (ASA) is a proposed model for the basis of auditory perception. This is understood as the process by which the human auditory system organizes sound into perceptually meaningful elements. The term was coined by psychologist Albert Bregman. The related concept in machine perception is computational auditory scene analysis (CASA), which is closely related to source separation and blind signal separation. The three key aspects of Bregman's ASA model are: segmentation, integration, and segregation. Background Sound reaches the ear and the eardrum vibrates as a whole. This signal has to be analyzed (in some way). Bregman's ASA model proposes that sounds will either be heard as "integrated" (heard as a whole – much like harmony in music), or "segregated" into individual components (which leads to counterpoint). For example, a bell can be heard as a 'single' sound (integrated), or some people are able to hear the individual ...
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Albert S
Albert may refer to: Companies * Albert Computers, Inc., a computer manufacturer in the 1980s * Albert Czech Republic, a supermarket chain in the Czech Republic * Albert Heijn, a supermarket chain in the Netherlands * Albert Market, a street market in The Gambia * Albert Music, an Australian music company now known as Alberts ** Albert Productions, a record label * Albert (organisation), an environmental organisation concerning film and television productions Entertainment * Albert (1985 film), ''Albert'' (1985 film), a Czechoslovak film directed by František Vláčil * ''Albert'' (2015 film), a film by Karsten Kiilerich * Albert (2016 film), ''Albert'' (2016 film), an American TV movie * Albert (album), ''Albert'' (album), by Ed Hall, 1988 * Albert (short story), "Albert" (short story), by Leo Tolstoy * Albert (comics), a character in Marvel Comics * Albert (Discworld), Albert (''Discworld''), a character in Terry Pratchett's ''Discworld'' series * Albert, a character in Dario A ...
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Melodic Fission
In music cognition, melodic fission (also known as melodic or auditory streaming, or stream segregation), is a phenomenon in which one line of pitches (an auditory stream) is heard as two or more separate melodic lines. This occurs when a phrase contains groups of pitches at two or more distinct registers or with two or more distinct timbres. The term appears to stem from a 1973 paper by W. J. Dowling. In music analysis and, more specifically, in Schenkerian analysis, the phenomenon is often termed compound melody. In psychophysics, auditory scene analysis is the process by which the brain separates and organizes sounds into perceptually distinct groups, known as auditory streams. The counterpart to melodic fission is melodic fusion. Contributing factors Register Listeners tend to perceive fast melodic sequences which contain tones from two different registers as two melodic lines. The greater the distance between groups of tones in a melody, the more likely they will b ...
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Theory Of Indispensable Attributes
The theory of indispensable attributes (TIA) is a theory in the context of perceptual organisation which asks for the functional units and elementary features that are relevant for a perceptual system in the constitution of perceptual objects. Earlier versions of the theory emerged in the context of an application of research on vision to audition, and analogies between vision and audition were emphasised, whereas in more recent writings the necessity of a modality-general theory of perceptual organisation and objecthood is stressed. The subject of perceptual organisation, and with it TIA, constitute a prime example of how theories of Gestalt psychology have been taken up and kept alive in cognitive psychology. TIA has been drawn on in the context of music research, in the areas of music philosophy, and systematic music theory.cf. Schmidt, Lüder/Schmidt, Silke/Seifert, Uwe/Gernemann, Andreas: ''Perceptual Organization and Systematic Music Theory: Musical Surface, Auditory Objec ...
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Phonemic Restoration Effect
Phonemic restoration effect is a perceptual phenomenon where under certain conditions, sounds actually missing from a speech signal can be restored by the brain and may appear to be heard. The effect occurs when missing phonemes in an auditory signal are replaced with a noise that would have the physical properties to mask those phonemes, creating an ambiguity. In such ambiguity, the brain tends towards filling in absent phonemes. The effect can be so strong that some listeners may not even notice that there are phonemes missing. This effect is commonly observed in a conversation with heavy background noise, making it difficult to properly hear every phoneme being spoken. Different factors can change the strength of the effect, including how rich the context or linguistic cues are in speech, as well as the listener's state, such as their hearing status or age. This effect is more important to humans than what was initially thought. Linguists have pointed out that at least the English ...
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Illusory Discontinuity
Illusory discontinuity is an auditory illusion in which a continuous ongoing sound becomes inaudible during a brief, non-masking noise. The illusion is perceived only by some listeners, but not by others, reflecting individual variation in hearing abilities. It has been estimated that among young adults 24% are susceptible to illusory discontinuity.Vinnik E, Itskov PM, Balaban E (2011).Individual differences in sound-in-noise perception are related to the strength of short-latency neural responses to noise" PLoS One. 6(2): e17266. . The most susceptible listeners describe their sensations in terms of the sound actually containing a physical gap. The illusory discontinuity is strongest when the interrupting sound is short (50 ms). Longer sounds elicit weaker illusory discontinuity; this effect may be related to better auditory segregation. Relation to other auditory illusions Illusory discontinuity is antagonistic with illusory continuity of tones (auditory filling-in). ...
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Human Auditory Ecology
Human auditory ecology (HAE) is a research program in hearing sciences studying the interactions between humans and their acoustic environments. Concept HAE studies the "relationship between the acoustic environments in which people live and their auditory needs in these environments.Gatehouse S., Elberling C., Naylor G. (1999) ''Aspects of auditory ecology and psychoacoustic function as determinants of benefits from and candidature for non-linear processing in hearing aids''. In A. N. Rasmussen, P. A. Osterhammel, T. Anderson, & T. Poulsen (Eds.), ''Auditory models and non-linear hearing instruments (18th Danavox Symposium)'' (pp. 221–233). Copenhagen, Denmark: Holmens Trykkeri This ''auditory ecology'', a concept initially coined by Stuart Gatehouse, therefore refers to the auditory environments in which humans live and function, the tasks to be undertaken by humans in these complex acoustic environments and the importance of these tasks in daily life and daily routines. Th ...
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Kolmogorov
Andrey Nikolaevich Kolmogorov ( rus, Андре́й Никола́евич Колмого́ров, p=ɐnˈdrʲej nʲɪkɐˈlajɪvʲɪtɕ kəlmɐˈɡorəf, a=Ru-Andrey Nikolaevich Kolmogorov.ogg, 25 April 1903 – 20 October 1987) was a Soviet mathematician who played a central role in the creation of modern probability theory. He also contributed to the mathematics of topology, intuitionistic logic, turbulence, classical mechanics, algorithmic information theory and computational complexity. Biography Early life Andrey Kolmogorov was born in Tambov, about 500 kilometers southeast of Moscow, in 1903. His unmarried mother, Maria Yakovlevna Kolmogorova, died giving birth to him. Andrey was raised by two of his aunts in Tunoshna (near Yaroslavl) at the estate of his grandfather, a well-to-do nobleman. Little is known about Andrey's father. He was supposedly named Nikolai Matveyevich Katayev and had been an agronomist. Katayev had been exiled from Saint Petersburg to the Yarosla ...
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Spectrum
A spectrum (: spectra or spectrums) is a set of related ideas, objects, or properties whose features overlap such that they blend to form a continuum. The word ''spectrum'' was first used scientifically in optics to describe the rainbow of colors in visible light after passing through a prism. In the optical spectrum, light wavelength is viewed as continuous, and spectral colors are seen to blend into one another smoothly when organized in order of their corresponding wavelengths. As scientific understanding of light advanced, the term came to apply to the entire electromagnetic spectrum, including radiation not visible to the human eye. ''Spectrum'' has since been applied by analogy to topics outside optics. Thus, one might talk about the " spectrum of political opinion", or the "spectrum of activity" of a drug, or the " autism spectrum". In these uses, values within a spectrum may not be associated with precisely quantifiable numbers or definitions. Such uses imply a bro ...
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Musical Acoustics
Musical acoustics or music acoustics is a multidisciplinary field that combines knowledge from physics, psychophysics, organology (classification of the instruments), physiology, music theory, ethnomusicology, signal processing and instrument building, among other disciplines. As a branch of acoustics, it is concerned with researching and describing the physics of music – how sounds are employed to make music. Examples of areas of study are the function of musical instruments, the human voice (the physics of speech and singing), computer analysis of melody, and in the clinical use of music in music therapy. The pioneer of music acoustics was Hermann von Helmholtz, a German polymath of the 19th century who was an influential physician, physicist, physiologist, musician, mathematician and philosopher. His book '' On the Sensations of Tone as a Physiological Basis for the Theory of Music'' is a revolutionary compendium of several studies and approaches that provided a complete n ...
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Andranik Tangian
Andranik Semovich Tangian (Melik-Tangyan) (Russian: Андраник Семович Тангян (Мелик-Тангян)); born March 29, 1952) is a Soviet Armenian-German mathematician, political economist and music theorist. He is professor of the Institute for Economics (ECON) of the Karlsruhe Institute of Technology. Biography As a self-taught composer, he debuted with orchestral music to the play ''The Last Trimester'' at the Moscow in 1977. Tangian spent the academic year 1990/91 at the University of Hagen and published his first monograph on the mathematical theory of democracy in 1991. During the next two academic years, Tangian has been visiting professor/researcher at the computer music studio ACROE–LIFIA of the Grenoble Institute of Technology, where he wrote a monograph on artificial perception and music. From 1993 to 2002 Tangian ran a project on constructing objective functions for econometric decision models at the University of Hagen. Works Mathematica ...
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Musical Tone
Traditionally in Western classical music, Western music, a musical tone is a steady periodic function, periodic sound. A musical tone is characterized by its duration (music), duration, pitch (music), pitch, amplitude, intensity (or loudness), and timbre (or quality). The Musical note, notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transient (acoustics), transients, vibrato, and envelope modulation. A ''simple tone'', or ''pure tone'', has a Sine wave, sinusoidal waveform. A ''complex tone'' is a combination of two or more pure tones that have a periodic pattern of repetition, unless specified otherwise. The Fourier theorem states that any periodic waveform can be approximated as closely as desired as the sum of a series of sine waves with frequencies in a harmonic series (mathematics), harmonic series and at specific phase (waves), phase relationships to each other. The common denominator frequency, which is al ...
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Pure Tone
In psychoacoustics, a pure tone is a sound with a sinusoidal waveform; that is, a sine wave of constant frequency, phase-shift, and amplitude. By extension, in signal processing a single-frequency tone or pure tone is a purely sinusoidal signal (e.g., a voltage). A pure tone has the property – unique among real-valued wave shapes – that its wave shape is unchanged by linear time-invariant systems; that is, only the phase and amplitude change between such a system's pure-tone input and its output. Sine and cosine waves can be used as basic building blocks of more complex waves. As additional sine waves having different frequencies are combined, the waveform transforms from a sinusoidal shape into a more complex shape. When considered as part of a whole spectrum, a pure tone may also be called a ''spectral component''. In clinical audiology, pure tones are used for pure-tone audiometry to characterize hearing thresholds at different frequencies. Sound localization is often ...
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